Synthwave
Summary
Synthwave is a contemporary electronic field that reimagines selected sounds and images of earlier popular culture, especially 1980s film, television, games and electronic pop. It creates an imagined past rather than simply reproducing one historical genre. Instrumental atmosphere, driving sequences and song-centered approaches all belong to its range. Online communities were consequential, but the music also developed through real collaborations, performances and local networks. Its cultural identity often lies in the relationship between a sonic world and the memories or fantasies that listeners bring to it. [1]
Contemporary and trending
The field continues through independent releases, visual channels, games, live bands, concerts and collaboration with neighboring styles. Some work favors dreamy vulnerability; other approaches move toward horror, metal-like force or dramatic action imagery. These are different aesthetic directions within a loose shared public. The Midnight's reflections on having both a place within the genre and interests beyond it show why an artist need not remain stylistically fixed. Contemporary synthwave can be a platform for songwriting and experimentation rather than an obligation to repeat a recognizable nostalgic surface. [2]
History
During the 2000s, musicians connected electronic dance production with remembered screen cultures and older pop resources. French networks, including the Nantes-based Valerie Collective, developed one consequential strand alongside activity elsewhere. Blogs, shared artwork and digital distribution let distant listeners encounter music as part of an audiovisual world. Film placements later enlarged recognition. College's account reveals an initially modest local collaboration becoming part of a much wider network, rather than a deliberate plan to invent a global genre. The history combines accidental encounters with sustained independent creative work. [1]
Musical characteristics
Listen to repeating bass and arpeggio patterns, sustained harmonic space and the way percussion suggests forward motion. A melody may feel like a remembered theme even when it is newly composed. Reverb, distortion and changing tone help construct distance or intimacy. Vocal approaches can turn that imagined cinematic space into personal narrative. Darker work uses heavier textures and sharper rhythmic force. The musical craft is in proportion: an economical arrangement can make one fragile melodic gesture emotionally prominent, whereas a crowded spectacle can create excitement through successive layers and dramatic contrast.
Geography and communities
France and wider western/northern Europe form a consequential source and adoption landscape, while North America has substantial independent production and audience communities. Other European, Latin American, Japanese and Australasian publics sustain smaller connected cultures. Online distribution does not make geography irrelevant, but it weakens any claim to one exclusive homeland. The map uses broad moderate fields reflecting scenes and familiarity, not an invented territorial folk tradition. Stronger centers indicate accumulated activity; softer edges leave room for listeners whose connection is primarily through screens, recordings and dispersed friendships.
Artists
College, Anoraak, Electric Youth, Kavinsky, The Midnight, Gunship, FM-84, Perturbator and Carpenter Brut offer notably different introductions. Their work ranges from spare melancholic electronics and vocal pop to more forceful dark approaches. A single artist's catalogue can cross several categories. Compare instrumental and vocal pieces, asking whether the imagined setting comes primarily from harmony, timbre, rhythmic drive or an accompanying image. The answer is often a combination, and hearing those choices makes the music more legible than treating every neon-colored cover as evidence of the same sound.
Representative performances
These recordings offer listening examples of the genre. Notes identify the performance setting and any adaptation or mixed repertoire.
| Repertoire | Field use | Notes |
|---|---|---|
| popular | regional | Comprehensive catalogue; recent discovery is prioritized and worthwhile older music remains playable. Preserve specific recording contexts and dates. |
| Artist | Performance / song / title | Embedded player URL | Notes | Repertoire kind | Repertoire date | Recording date | Format | Opening | Places | Fit | Evidence | Review note | MuGlobe favorite | Current hit | Authentic |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Kavinsky | Nightcall — official audio | https://www.youtube.com/embed/MV_3Dpw-BRY | Record Makers’ released recording supplies a cinematic, electronically produced synthwave reference; it is not presented as a live concert.[3] | unknown | unknown | unknown | unknown | unknown | unknown | pending | Existing recording | Legacy accepted recording retained during curation-field migration; no new age or geographic claims. | false | false | false |
| The Midnight | Sunset — live audio | https://www.youtube.com/embed/KgnAbxz9NHg | The band’s official concert recording demonstrates how synthwave’s studio textures are arranged for a touring ensemble; this upload carries live sound without concert footage.[4] | unknown | unknown | unknown | unknown | unknown | unknown | pending | Existing recording | Legacy accepted recording retained during curation-field migration; no new age or geographic claims. | false | false | false |
| The Midnight | The Midnight - 'Heroes (Live)' (Official Music Video) | https://www.youtube.com/embed/FppDExvFM4M | Two distinct songs from Red White and Bruised: The Midnight Live, published in 2023. Heroes music video and Los Angeles official audio retain actual live masters; full album parent not counted. Source: The Midnight. Video publication is separate from original/session date; unknown dates retained. Video publication: 2023-08-15; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[5] | popular | unknown | unknown | live | unknown | country:united-states | supported | Recording/context source | Two distinct songs from Red White and Bruised: The Midnight Live, published in 2023. Heroes music video and Los Angeles official audio retain actual live masters; full album parent not counted. Source: The Midnight. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| The Midnight | The Midnight - 'Los Angeles (Live)' (Official Audio) | https://www.youtube.com/embed/51qi_aNKHWk | Two distinct songs from Red White and Bruised: The Midnight Live, published in 2023. Heroes music video and Los Angeles official audio retain actual live masters; full album parent not counted. Source: The Midnight. Video publication is separate from original/session date; unknown dates retained. Video publication: 2023-09-01; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[6] | popular | unknown | unknown | live | unknown | country:united-states | supported | Recording/context source | Two distinct songs from Red White and Bruised: The Midnight Live, published in 2023. Heroes music video and Los Angeles official audio retain actual live masters; full album parent not counted. Source: The Midnight. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| The Midnight | The Midnight - 'Good in Red' (Live) | https://www.youtube.com/embed/hBuOSfdPoiU | Good in Red, official live audio recorded Phoenix in fall 2021. Visuals assembled from multiple shows, not falsely dated by 2023 album promotion appended to description. Source: The Midnight. Video publication is separate from original/session date; unknown dates retained. Video publication: 2022-02-03; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[7] | popular | unknown | 2021 | live | unknown | country:united-states | supported | Recording/context source | Good in Red, official live audio recorded Phoenix in fall 2021. Visuals assembled from multiple shows, not falsely dated by 2023 album promotion appended to description. Source: The Midnight. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| GUNSHIP | GUNSHIP - Time After Time [Official Music Video] | https://www.youtube.com/embed/hhf3KEC3MRA | Time After Time, GUNSHIP synthwave cover of Cyndi Lauper, produced by the band and mixed by Carl Bown. Whistle film footage and Corin Hardy direction are distinct from music credits. Published July 2026, exact session unknown. Source: GUNSHIPMUSIC. Video publication is separate from original/session date; unknown dates retained. Video publication: 2026-07-29; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[8] | popular | unknown | unknown | music-video | unknown | country:united-kingdom | supported | Recording/context source | Time After Time, GUNSHIP synthwave cover of Cyndi Lauper, produced by the band and mixed by Carl Bown. Whistle film footage and Corin Hardy direction are distinct from music credits. Published July 2026, exact session unknown. Source: GUNSHIPMUSIC. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| GUNSHIP & Sonic Mayhem | GUNSHIP x Sonic Mayhem - Core Breach (Built to Destroy) [Official Music Video] | https://www.youtube.com/embed/K-TDXrM1yPo | Core Breach (Built to Destroy), primary 2026 collaboration reconstructing original Sonic Mayhem corebreach by Alex Westaway, Dan Haigh and Alex Gingell. Licensed Cyber City Oedo animation is visual material, not musical performers. Source: GUNSHIPMUSIC. Video publication is separate from original/session date; unknown dates retained. Video publication: 2026-06-03; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[9] | popular | unknown | unknown | music-video | unknown | country:united-kingdom | supported | Recording/context source | Core Breach (Built to Destroy), primary 2026 collaboration reconstructing original Sonic Mayhem corebreach by Alex Westaway, Dan Haigh and Alex Gingell. Licensed Cyber City Oedo animation is visual material, not musical performers. Source: GUNSHIPMUSIC. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| GUNSHIP | GUNSHIP - MaD wOrLd [Official Lyric Video] | https://www.youtube.com/embed/UHHuszBR7rs | Mad World, performed and produced by GUNSHIP in a synthwave arrangement; Roland Orzabal is original songwriter. Published October 2025, original session unknown. Source: GUNSHIPMUSIC. Video publication is separate from original/session date; unknown dates retained. Video publication: 2025-10-29; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[10] | popular | unknown | unknown | audio | unknown | country:united-kingdom | supported | Recording/context source | Mad World, performed and produced by GUNSHIP in a synthwave arrangement; Roland Orzabal is original songwriter. Published October 2025, original session unknown. Source: GUNSHIPMUSIC. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Evanescence & GUNSHIP | Evanescence - Afterlife (GUNSHIP Remix) [Official Lyric Video] | https://www.youtube.com/embed/MO0LdXqwDP0 | Afterlife GUNSHIP Remix, explicitly performed by Evanescence and GUNSHIP. Distinct synthwave reworking, not importing the original rock recording. Written Alex Seaver and Amy Lee; producers separate from additional performers. Source: GUNSHIPMUSIC. Video publication is separate from original/session date; unknown dates retained. Video publication: 2025-12-23; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[11] | popular | unknown | unknown | audio | unknown | country:united-kingdom; country:united-states | supported | Recording/context source | Afterlife GUNSHIP Remix, explicitly performed by Evanescence and GUNSHIP. Distinct synthwave reworking, not importing the original rock recording. Written Alex Seaver and Amy Lee; producers separate from additional performers. Source: GUNSHIPMUSIC. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| GUNSHIP, John Carpenter, Timmy Cappello & Charlie Simpson | GUNSHIP - Tech Noir 2 (Feat. John Carpenter, Charlie Simpson) [Official Music Video] | https://www.youtube.com/embed/KlUJTtBphb0 | Tech Noir 2, primary band musical credits name all guests. Lee Hardcastle is claymation director, not musician. 2025 video does not establish new session versus Unicorn album master. Source: GUNSHIPMUSIC. Video publication is separate from original/session date; unknown dates retained. Video publication: 2025-07-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[12] | popular | unknown | unknown | music-video | unknown | country:united-kingdom | supported | Recording/context source | Tech Noir 2, primary band musical credits name all guests. Lee Hardcastle is claymation director, not musician. 2025 video does not establish new session versus Unicorn album master. Source: GUNSHIPMUSIC. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| GUNSHIP & Stella Le Page | Send Me An Angel [Official Lyric Video] | https://www.youtube.com/embed/tBBC6czWb0E | Send Me an Angel, synthwave arrangement of the Real Life song, with actual backing vocals by Stella Le Page. David Sterry/Richard Zatorski songwriters and Daniel van der Kaaden animator remain distinct. Source: GUNSHIPMUSIC. Video publication is separate from original/session date; unknown dates retained. Video publication: 2023-10-27; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[13] | popular | unknown | unknown | audio | unknown | country:united-kingdom | supported | Recording/context source | Send Me an Angel, synthwave arrangement of the Real Life song, with actual backing vocals by Stella Le Page. David Sterry/Richard Zatorski songwriters and Daniel van der Kaaden animator remain distinct. Source: GUNSHIPMUSIC. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Carpenter Brut | Carpenter Brut - Leather Temple (Live) @ Denver, 4/8/2026 | https://www.youtube.com/embed/izEjaSHIAJ8 | Four focused works from Mission Ballroom Denver, 8 April 2026, documented by the concert recorder. Darksynth within the article’s broad synthwave field; no full Denver concert counted. Source: Rock & Metal From The Front Row. Video publication is separate from original/session date; unknown dates retained. Video publication: 2026-04-09; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[14] | popular | unknown | 2026-04-08 | live | unknown | country:france | supported | Recording/context source | Four focused works from Mission Ballroom Denver, 8 April 2026, documented by the concert recorder. Darksynth within the article’s broad synthwave field; no full Denver concert counted. Source: Rock & Metal From The Front Row. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Carpenter Brut | Carpenter Brut - She Rules the Ruins (Live) @ Denver, 4/8/2026 | https://www.youtube.com/embed/bhY-nKByQu0 | Four focused works from Mission Ballroom Denver, 8 April 2026, documented by the concert recorder. Darksynth within the article’s broad synthwave field; no full Denver concert counted. Source: Rock & Metal From The Front Row. Video publication is separate from original/session date; unknown dates retained. Video publication: 2026-04-09; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[15] | popular | unknown | 2026-04-08 | live | unknown | country:france | supported | Recording/context source | Four focused works from Mission Ballroom Denver, 8 April 2026, documented by the concert recorder. Darksynth within the article’s broad synthwave field; no full Denver concert counted. Source: Rock & Metal From The Front Row. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Carpenter Brut | Carpenter Brut - Speed or Perish (Live) @ Denver, 4/8/2026 | https://www.youtube.com/embed/-lh4o7L-w0w | Four focused works from Mission Ballroom Denver, 8 April 2026, documented by the concert recorder. Darksynth within the article’s broad synthwave field; no full Denver concert counted. Source: Rock & Metal From The Front Row. Video publication is separate from original/session date; unknown dates retained. Video publication: 2026-04-09; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[16] | popular | unknown | 2026-04-08 | live | unknown | country:france | supported | Recording/context source | Four focused works from Mission Ballroom Denver, 8 April 2026, documented by the concert recorder. Darksynth within the article’s broad synthwave field; no full Denver concert counted. Source: Rock & Metal From The Front Row. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Carpenter Brut | Carpenter Brut - Turbo Killer (live London 22.03.2026) | https://www.youtube.com/embed/klpSbiNnd9E | Turbo Killer, distinct London performance 22 March 2026. Not the Denver take or its full-show parent. Source: noice. Video publication is separate from original/session date; unknown dates retained. Video publication: 2026-03-26; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[17] | popular | unknown | 2026-03-22 | live | unknown | country:france | supported | Recording/context source | Turbo Killer, distinct London performance 22 March 2026. Not the Denver take or its full-show parent. Source: noice. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Jessie Frye & Timecop1983 | Jessie Frye ft. Timecop1983 - Faded Memory (Official) | https://www.youtube.com/embed/gB-l1ijtRoo | Faded Memory, actual 2018 joint synthwave composition and performance. Cameron Trevino skateboarder and video production personnel are not musical artists. Older quality recording retained. Source: jessiefrye. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-06-15; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[18] | popular | unknown | unknown | music-video | unknown | country:united-states; country:netherlands | supported | Recording/context source | Faded Memory, actual 2018 joint synthwave composition and performance. Cameron Trevino skateboarder and video production personnel are not musical artists. Older quality recording retained. Source: jessiefrye. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Timecop1983 & Josh Dally | Timecop1983 - In The Rearview Mirror (feat. Josh Dally) | https://www.youtube.com/embed/Hn9QpQGrQkI | In the Rearview Mirror, primary 2025 single. Timecop1983 production/mix, Josh Dally actual vocals; Tonebox mastering is not extra performing artist. Source: Timecop1983. Video publication is separate from original/session date; unknown dates retained. Video publication: 2025-11-21; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[19] | popular | unknown | unknown | audio | unknown | country:netherlands | supported | Recording/context source | In the Rearview Mirror, primary 2025 single. Timecop1983 production/mix, Josh Dally actual vocals; Tonebox mastering is not extra performing artist. Source: Timecop1983. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Timecop1983 & Josh Dally | Neon Lights | https://www.youtube.com/embed/TupNK96N9gw | Neon Lights, actual jointly credited recording from Night Drive, released 4 May 2018; no full album parent counted. Source: Timecop1983. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-05-03; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[20] | popular | unknown | unknown | audio | unknown | country:netherlands | supported | Recording/context source | Neon Lights, actual jointly credited recording from Night Drive, released 4 May 2018; no full album parent counted. Source: Timecop1983. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Timecop1983 | It Was Only a Dream | https://www.youtube.com/embed/Jv4cXK5EHaE | Named instrumental recordings Secrets from Reflections and It Was Only a Dream from Night Drive. Actual established musician’s catalogue, not generic neon ambience; distinct works and masters. Original sessions unknown. Source: Timecop1983. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-05-03; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[21] | popular | unknown | unknown | audio | unknown | country:netherlands | supported | Recording/context source | Named instrumental recordings Secrets from Reflections and It Was Only a Dream from Night Drive. Actual established musician’s catalogue, not generic neon ambience; distinct works and masters. Original sessions unknown. Source: Timecop1983. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| FM-84, Timecop1983 & Josh Dally | Let's Talk | https://www.youtube.com/embed/FfhSGxo12OI | Let’s Talk, actual Atlas recording originally released 25 April 2016, newly redistributed 2025. Colin Bennett is FM-84 and Jordy Leenaerts is Timecop1983, not two extra performing artists. Source: FM-84 - Topic. Video publication is separate from original/session date; unknown dates retained. Video publication: 2025-09-26; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[22] | popular | unknown | unknown | audio | unknown | country:united-states; country:netherlands | supported | Recording/context source | Let’s Talk, actual Atlas recording originally released 25 April 2016, newly redistributed 2025. Colin Bennett is FM-84 and Jordy Leenaerts is Timecop1983, not two extra performing artists. Source: FM-84 - Topic. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| FM-84, Timecop1983, Josh Dally & Ollie Wride | FM-84, Timecop1983, Josh Dally, Ollie Wride - Let's Talk - London - 16/2/19 | https://www.youtube.com/embed/MQHyT8WyMYo | Let’s Talk, actual London concert 16 February 2019 with four named performing artists. Distinct live master from the Atlas studio recording. Source: AlbionRanger. Video publication is separate from original/session date; unknown dates retained. Video publication: 2019-02-17; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[23] | popular | unknown | 2019-02-16 | live | unknown | country:united-states; country:netherlands | supported | Recording/context source | Let’s Talk, actual London concert 16 February 2019 with four named performing artists. Distinct live master from the Atlas studio recording. Source: AlbionRanger. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Waves On Waves, Timecop1983 & Pastel Arcade | Waves_On_Waves X Timecop1983 X Waves On Waves 1987 "Dangerous" Ft. Pastel Arcade (Official Video) | https://www.youtube.com/embed/E00vR4cyz7E | Dangerous, primary artist collaboration; actual singer Chris Sevier and pianist Jon Brown named in musician credits, with production and visual roles distinct. Timecop1983/Jordy Leenaerts is a musical collaborator, not a second extra person. Explicit cinematic synthwave song rather than all Waves On Waves acoustic repertoire. Source: Waves On Waves. Video publication is separate from original/session date; unknown dates retained. Video publication: 2022-09-28; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[24] | popular | unknown | unknown | music-video | unknown | country:united-states; country:netherlands | supported | Recording/context source | Dangerous, primary artist collaboration; actual singer Chris Sevier and pianist Jon Brown named in musician credits, with production and visual roles distinct. Timecop1983/Jordy Leenaerts is a musical collaborator, not a second extra person. Explicit cinematic synthwave song rather than all Waves On Waves acoustic repertoire. Source: Waves On Waves. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
Related genres
Synth-pop, Italo disco, soundtrack music, electronic rock and house provide resources and neighboring routes. Vaporwave has related interests in mediated memory but different musical and conceptual tendencies. Synthwave's past is selective and constructed: people can feel nostalgia for an audiovisual world they never personally inhabited. That does not make the emotion unreal. The genre is useful precisely as a way of hearing how production choices, images and shared cultural references allow new music to feel simultaneously familiar, distant and open to a future that earlier media once imagined.
References and further reading
- ↑ 1.0 1.1 Valerie Stories: 10 Years of College’s Essential LP Secret Diary — Vehlinggo.
- ↑ The Midnight on synthwave, collaboration and production — MusicRadar.
- ↑ Kavinsky — Nightcall — official audio. YouTube recording; metadata checked 2026-10-18.
- ↑ The Midnight — Sunset — live audio. YouTube recording; metadata checked 2026-10-18.
- ↑ The Midnight - 'Heroes (Live)' (Official Music Video).
- ↑ The Midnight - 'Los Angeles (Live)' (Official Audio).
- ↑ The Midnight - 'Good in Red' (Live).
- ↑ GUNSHIP - Time After Time [Official Music Video].
- ↑ GUNSHIP x Sonic Mayhem - Core Breach (Built to Destroy) [Official Music Video].
- ↑ GUNSHIP - MaD wOrLd [Official Lyric Video].
- ↑ Evanescence - Afterlife (GUNSHIP Remix) [Official Lyric Video].
- ↑ GUNSHIP - Tech Noir 2 (Feat. John Carpenter, Charlie Simpson) [Official Music Video].
- ↑ Send Me An Angel [Official Lyric Video].
- ↑ Carpenter Brut - Leather Temple (Live) @ Denver, 4/8/2026.
- ↑ Carpenter Brut - She Rules the Ruins (Live) @ Denver, 4/8/2026.
- ↑ Carpenter Brut - Speed or Perish (Live) @ Denver, 4/8/2026.
- ↑ Carpenter Brut - Turbo Killer (live London 22.03.2026).
- ↑ Jessie Frye ft. Timecop1983 - Faded Memory (Official).
- ↑ Timecop1983 - In The Rearview Mirror (feat. Josh Dally).
- ↑ Neon Lights.
- ↑ It Was Only a Dream.
- ↑ Let's Talk.
- ↑ FM-84, Timecop1983, Josh Dally, Ollie Wride - Let's Talk - London - 16/2/19.
- ↑ Waves_On_Waves X Timecop1983 X Waves On Waves 1987 "Dangerous" Ft. Pastel Arcade (Official Video).
Hotspot mushrooms
Dispersed digitally linked culture with meaningful French/European and North American depth. Moderate adopted fields elsewhere; imagined audiovisual geography is distinguished from actual audience geography.
These fields are editorial illustrations of musical affinity and cultural reach, not listener statistics. Radius marks the zero edge of the fade; overlapping fields of this genre combine by maximum.
| ID | Location | Latitude | Longitude | Radius (km) | Strength | Notes |
|---|---|---|---|---|---|---|
| synthwave-france | French and western European Synthwave landscape | 47 | 1 | 1200 | 0.9 | Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share. |
| synthwave-europe | Northern and central European Synthwave landscape | 53 | 13 | 1700 | 0.75 | Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share. |
| synthwave-northamerica-west | Western North American Synthwave landscape | 39 | -119 | 1800 | 0.8 | Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share. |
| synthwave-northamerica-east | Eastern North American Synthwave landscape | 40 | -79 | 1900 | 0.8 | Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share. |
| synthwave-latinamerica | Southern Latin American Synthwave circuit | -27 | -60 | 2000 | 0.45 | Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share. |
| synthwave-japan | Japanese Synthwave listening circuit | 36 | 137 | 1000 | 0.45 | Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share. |
| synthwave-australia | Southeastern Australian Synthwave circuit | -35 | 146 | 1450 | 0.45 | Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share. |