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Son montuno

From MuGlobe.com

Summary

Son montuno names a strand of Cuban son especially associated with the expanded conjunto and with the creative possibilities of the repeating montuno section. The expression has also been used more loosely for eastern or rural son and for a section inside a song, so its meaning depends on context. In the narrower dance-band sense, it points to interlocking piano and tres patterns, forceful bass and percussion, brass responses and a solo singer working against a recurring chorus. It is not merely son played faster. [1]

Contemporary and trending

Its classic sound remains central to Cuban traditional dance bands, record collecting and the training of salsa musicians. Some listeners encounter it under the broad label son; others identify particular arrangements and instrumental roles as son montuno. A living performance may retain a historic chorus while changing the length of improvisations to suit dancers. Modern amplification can strengthen the bass and congas without altering the underlying ensemble conversation. Its present cultural reach therefore exceeds the number of groups that advertise the exact genre name.

History

Arsenio Rodríguez's conjunto became a decisive model in the 1940s by combining existing son resources with a heavier and more intricate ensemble conception. Piano, congas and a trumpet section enlarged the possibilities of the earlier septeto. His work developed in conversation with Afro-Cuban rhythmic knowledge and with Black working-class dance audiences, rather than as an abstract studio invention. Migration and recordings carried this approach toward New York and other Caribbean circuits. Later salsa musicians repeatedly returned to its songs and arranging principles. [2]

Musical characteristics

The attraction is partly architectural. A repeated piano figure, a tres line, bass anticipation and brass punches can overlap without saying exactly the same thing. The chorus offers a stable cycle while the singer creates rhythmic and verbal variation. Breaks and changes in density make the return of the groove more powerful. A performance can build intensity through accumulation instead of a conventional verse-and-chorus pop climax. Hearing the instruments separately helps explain why a seemingly repetitive passage can remain full of movement and surprise.

Geography and communities

The principal landscape is connected Cuba, with an especially strong Havana–Matanzas and central-western dance-band circuit alongside the eastern son world. The map does not reduce the style to Rodríguez's birthplace or to one recording address. New York and South Florida are separate migrant and repertory networks where this language continues within Cuban and wider Latin dance communities. Those fields are intentionally weaker than the Cuban heartland: an inheritance inside salsa is not identical to a local population calling all its music son montuno.

Artists

Arsenio Rodríguez is the clearest starting point, but Conjunto Chappottín, Conjunto Casino and other conjunto traditions reveal how the format supported different vocal and arranging personalities. The library documentation for Rodríguez's 1946–50 recordings identifies tres, piano, bass, bongó, congas, voices and multiple trumpets, making the ensemble expansion tangible. Compare the compact instrumental answers around a singer with the longer improvisational passages. Later interpreters often honor these arrangements while changing timbre, solo length and the balance between song and dance. [1]

Representative performances

These recordings offer listening examples of the genre. Notes identify the performance setting and any adaptation or mixed repertoire.

MuGlobe listening profile
Repertoire Field use Notes
popular regional Comprehensive catalogue; recent discovery is prioritized and worthwhile older music remains playable. Preserve specific recording contexts and dates.
MuGlobe representative performances
Artist Performance / song / title Embedded player URL Notes Repertoire kind Repertoire date Recording date Format Opening Places Fit Evidence Review note MuGlobe favorite Current hit Authentic
Arsenio Rodríguez and his conjunto Fuego en el 23 https://www.youtube.com/embed/pQid8B53QO8 An archival recording of Rodríguez’s conjunto provides a historical son-montuno example. The recurring refrain and instrumental exchanges are the musical focus; this is a recording repost, not film of the band performing.[3] unknown unknown unknown unknown unknown unknown pending Existing recording Legacy accepted recording retained during curation-field migration; no new age or geographic claims. false false false
Beny Moré and his Banda Gigante Qué bueno baila usted https://www.youtube.com/embed/AqSqJ1a7QiU Official RCA audio of Moré’s dance-band recording. The larger horn arrangement and exchanges between lead singing and refrain provide a son-montuno contrast to Arsenio Rodríguez’s conjunto sound.[4] unknown unknown unknown unknown unknown unknown pending Existing recording Legacy accepted recording retained during curation-field migration; no new age or geographic claims. false false false
Conjunto Arsenio Rodríguez (José Dumé Montero, director) Fuego En El 23! @Conjunto Arsenio Rodriguez Nuovo! https://www.youtube.com/embed/BMZ5YiAeJUE Fuego en el 23, performed by José Dumé Montero’s contemporary successor conjunto. The primary source identifies its first CD, Este Es El Son de Arsenio. This is a new interpretation, distinct from the historical Arsenio recording already retained. Source: Conjunto Arsenio Rodríguez NUEVO!!!. Video publication is separate from original/session date; unknown dates retained. Video publication: 2021-03-23; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[5] popular unknown unknown music-video unknown country:Cuba supported Recording/context source Fuego en el 23, performed by José Dumé Montero’s contemporary successor conjunto. The primary source identifies its first CD, Este Es El Son de Arsenio. This is a new interpretation, distinct from the historical Arsenio recording already retained. Source: Conjunto Arsenio Rodríguez NUEVO!!!. Video publication is separate from original/session date; unknown dates retained. false false false
Arsenio Rodríguez and conjunto Para Bailar el Montuno (Remastered) https://www.youtube.com/embed/zRqHMUT0SWE Para Bailar el Montuno, a historical Arsenio Rodríguez master on the 2013 Inolvidable 2 remastered edition. A remaster is not a new recording session; only one copy of the underlying performance is retained. Source: 월드픽스. Video publication is separate from original/session date; unknown dates retained. Video publication: 2020-04-04; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[6] popular unknown unknown audio unknown country:Cuba supported Recording/context source Para Bailar el Montuno, a historical Arsenio Rodríguez master on the 2013 Inolvidable 2 remastered edition. A remaster is not a new recording session; only one copy of the underlying performance is retained. Source: 월드픽스. Video publication is separate from original/session date; unknown dates retained. false false false
Arsenio Rodríguez and conjunto Papaupa.Son Montuno de Arsenio Rodriguez. https://www.youtube.com/embed/0-IcC_3puE8 Papaupa, a specifically identified historical son-montuno recording. The description mixes band biography with historical personnel, so the exact singer is not guessed from a list of everyone who once belonged to the group. Source: elyenica. Video publication is separate from original/session date; unknown dates retained. Video publication: 2008-05-19; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[7] popular unknown unknown audio unknown country:Cuba supported Recording/context source Papaupa, a specifically identified historical son-montuno recording. The description mixes band biography with historical personnel, so the exact singer is not guessed from a list of everyone who once belonged to the group. Source: elyenica. Video publication is separate from original/session date; unknown dates retained. false false false
Conjunto Arsenio Rodríguez Pasó en Tampa en vivo en Medellín ( Colombia 🇨🇴) #conjuntoarseniorodriguez https://www.youtube.com/embed/YJAq6yeEbU8 Pasó en Tampa, the successor conjunto’s own live performance in Medellín, featuring a tres solo. Published in 2024; the original session date is unknown. The Cuban ensemble’s tour venue is not treated as its national origin. Source: Conjunto Arsenio Rodríguez NUEVO!!!. Video publication is separate from original/session date; unknown dates retained. Video publication: 2024-09-01; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[8] popular unknown unknown live unknown country:Cuba supported Recording/context source Pasó en Tampa, the successor conjunto’s own live performance in Medellín, featuring a tres solo. Published in 2024; the original session date is unknown. The Cuban ensemble’s tour venue is not treated as its national origin. Source: Conjunto Arsenio Rodríguez NUEVO!!!. Video publication is separate from original/session date; unknown dates retained. false false false
Son Yambú Dundunbanza https://www.youtube.com/embed/nUthNtV9xKU Dundunbanza, Son Yambú’s 2012 La Maravilla recording. Apollo Sound explicitly identifies this work as son-montuno. The UK-based Cuban ensemble supports those two specific community contexts; the album’s unrelated cumbia-son tracks are not imported. Source: Son Yambu - Topic. Video publication is separate from original/session date; unknown dates retained. Video publication: 2014-12-02; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[9] popular unknown unknown audio unknown country:Cuba; country:United Kingdom supported Recording/context source Recording/context source Dundunbanza, Son Yambú’s 2012 La Maravilla recording. Apollo Sound explicitly identifies this work as son-montuno. The UK-based Cuban ensemble supports those two specific community contexts; the album’s unrelated cumbia-son tracks are not imported. Source: Son Yambu - Topic. Video publication is separate from original/session date; unknown dates retained. false false false
Arsenio Rodríguez and conjunto Dundunbanza https://www.youtube.com/embed/TyCk0VIDVbg Dundunbanza, a historical recording by Arsenio Rodríguez’s conjunto. The anthology identifies 1948–1950 repertoire; its 2017 reissue date is not a session date. This differs from the Son Yambú and Sierra Maestra interpretations. Source: Arsenio Rodriguez y su Conjunto - Topic. Video publication is separate from original/session date; unknown dates retained. Video publication: 2017-06-22; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[10] popular unknown unknown audio unknown country:Cuba supported Recording/context source Dundunbanza, a historical recording by Arsenio Rodríguez’s conjunto. The anthology identifies 1948–1950 repertoire; its 2017 reissue date is not a session date. This differs from the Son Yambú and Sierra Maestra interpretations. Source: Arsenio Rodriguez y su Conjunto - Topic. Video publication is separate from original/session date; unknown dates retained. false false false
Son Yambú Cangrejo https://www.youtube.com/embed/M3T-snGAdIc Cangrejo, Son Yambú’s 2012 Apollo Sound recording. The label explicitly identifies this particular composition as son-montuno, rather than applying that label to every song on its mixed La Maravilla album. Source: Son Yambu - Topic. Video publication is separate from original/session date; unknown dates retained. Video publication: 2014-12-02; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[11] popular unknown unknown audio unknown country:Cuba; country:United Kingdom supported Recording/context source Recording/context source Cangrejo, Son Yambú’s 2012 Apollo Sound recording. The label explicitly identifies this particular composition as son-montuno, rather than applying that label to every song on its mixed La Maravilla album. Source: Son Yambu - Topic. Video publication is separate from original/session date; unknown dates retained. false false false
Sierra Maestra Dundunbanza https://www.youtube.com/embed/9ESUTgi7lkk Dundunbanza, World Circuit’s 1994 Sierra Maestra recording. The primary credits identify José Antonio Rodríguez’s vocals and guitar, Juan de Marcos González’s tres, Jesús Alemany’s trumpet and Bernardo Sassetti’s piano. Producers are kept separate from musicians. Source: Sierra Maestra - Topic. Video publication is separate from original/session date; unknown dates retained. Video publication: 2021-07-21; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[12] popular unknown unknown audio unknown country:Cuba supported Recording/context source Dundunbanza, World Circuit’s 1994 Sierra Maestra recording. The primary credits identify José Antonio Rodríguez’s vocals and guitar, Juan de Marcos González’s tres, Jesús Alemany’s trumpet and Bernardo Sassetti’s piano. Producers are kept separate from musicians. Source: Sierra Maestra - Topic. Video publication is separate from original/session date; unknown dates retained. false false false
Arsenio Rodríguez Project Arsenio Rodriguez Project - Lo que dice usted https://www.youtube.com/embed/lXal87qfBqc Lo Que Dice Usted, a contemporary interpretation by the named Arsenio Rodríguez Project, published in 2021. Historical Arsenio is the composer and ensemble’s honoree, not a performer present on this extended rendition. Source: Yambu Productions. Video publication is separate from original/session date; unknown dates retained. Video publication: 2021-07-25; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[13] popular unknown unknown live unknown country:Cuba supported Recording/context source Lo Que Dice Usted, a contemporary interpretation by the named Arsenio Rodríguez Project, published in 2021. Historical Arsenio is the composer and ensemble’s honoree, not a performer present on this extended rendition. Source: Yambu Productions. Video publication is separate from original/session date; unknown dates retained. false false false
Conjunto Arsenio Rodríguez "Lo dicen todas" concierto en el Teatro América 2022 #elciegomaravilloso https://www.youtube.com/embed/SerccGUNJpc Lo Dicen Todas, the successor conjunto’s Teatro América performance. The source title says 2022 while describing a 110 th-birthday tribute to the 1911-born composer; the original session date remains unknown rather than resolving the contradiction by guesswork. Source: Conjunto Arsenio Rodríguez NUEVO!!!. Video publication is separate from original/session date; unknown dates retained. Video publication: 2022-03-28; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[14] popular unknown unknown live unknown country:Cuba supported Recording/context source Lo Dicen Todas, the successor conjunto’s Teatro América performance. The source title says 2022 while describing a 110 th-birthday tribute to the 1911-born composer; the original session date remains unknown rather than resolving the contradiction by guesswork. Source: Conjunto Arsenio Rodríguez NUEVO!!!. Video publication is separate from original/session date; unknown dates retained. false false false
Septeto Habanero and Septeto Habanero Jr. SEPTETO HABANERO&SEPTETO HABANERO JR.-LO DICEN TODAS-AUTOR ARSENIO RODRÍGUEZ-TVC PALMAS Y CAÑAS 2024 https://www.youtube.com/embed/wbMDL42JQcE Lo Dicen Todas, the primary channel’s joint Septeto Habanero and Habanero Jr. performance for Palmas y Cañas 2024. This is a separately documented cast and TV presentation, not the historical 1948 master. Source: Septeto Habanero. Oficial. Video publication is separate from original/session date; unknown dates retained. Video publication: 2024-04-08; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[15] popular unknown 2024 live unknown country:Cuba supported Recording/context source Lo Dicen Todas, the primary channel’s joint Septeto Habanero and Habanero Jr. performance for Palmas y Cañas 2024. This is a separately documented cast and TV presentation, not the historical 1948 master. Source: Septeto Habanero. Oficial. Video publication is separate from original/session date; unknown dates retained. false false false
Arsenio Rodríguez and conjunto Lo Que Dice Usted - Arsenio Rodriguez https://www.youtube.com/embed/g7QhOwB-MB8 Lo Que Dice Usted, a complete archival alternative after the provided-audio upload refused embedding. The New York 1950 s images illustrate the record; they are not film of the musicians performing. Only one usable copy of this master is counted. Source: LosCaballerosdelSon. Video publication is separate from original/session date; unknown dates retained. Video publication: 2011-03-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[16] popular unknown unknown audio unknown country:Cuba supported Recording/context source Lo Que Dice Usted, a complete archival alternative after the provided-audio upload refused embedding. The New York 1950 s images illustrate the record; they are not film of the musicians performing. Only one usable copy of this master is counted. Source: LosCaballerosdelSon. Video publication is separate from original/session date; unknown dates retained. false false false
Conjunto Chappottín y sus Estrellas Conjunto Chappotin - Nico Cadenón (En Vivo) https://www.youtube.com/embed/s-Uy-btTfN0 Ñico Cadenón, a substantial live interpretation by Conjunto Chappottín. It differs from the short historical studio master. The separate full 2006 programme lists other works, so no known overlapping parent and cut are counted together. Source: Sandunga Salsa. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-05-10; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[17] popular unknown unknown live unknown country:Cuba supported Recording/context source Ñico Cadenón, a substantial live interpretation by Conjunto Chappottín. It differs from the short historical studio master. The separate full 2006 programme lists other works, so no known overlapping parent and cut are counted together. Source: Sandunga Salsa. Video publication is separate from original/session date; unknown dates retained. false false false
Arsenio Rodríguez and conjunto with René Scull LO DICEN TODAS. ARSENIO RODRÍGUEZ Y SU CONJUNTO. 1948. https://www.youtube.com/embed/HcWQiG9oA7s Lo Dicen Todas, the source’s detailed 1948 RCA Victor 23-0828 attribution credits René Scull as lead singer, with Carlos Ramírez and Pedro Luis Sarracent supporting. Arsenio plays tres and directs; the 2023 upload is not a new session. Source: NEPARO Y SU SALSA. Video publication is separate from original/session date; unknown dates retained. Video publication: 2023-07-13; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[18] popular unknown unknown audio unknown country:Cuba supported Recording/context source Lo Dicen Todas, the source’s detailed 1948 RCA Victor 23-0828 attribution credits René Scull as lead singer, with Carlos Ramírez and Pedro Luis Sarracent supporting. Arsenio plays tres and directs; the 2023 upload is not a new session. Source: NEPARO Y SU SALSA. Video publication is separate from original/session date; unknown dates retained. false false false
Beny Moré with Armando Boza’s orchestra Beny Moré - Francisco Guayabal (En vivo Peru Junio 1958) https://www.youtube.com/embed/WsMbqVWy9jc Francisco Guayabal, identified as a June 1958 live performance in Peru with Armando Boza’s orchestra and pianist Rolando Columbié. This differs from the familiar short studio master; the actual accompanying orchestra is credited. Source: Aldo Luque. Video publication is separate from original/session date; unknown dates retained. Video publication: 2012-02-05; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[19] popular unknown 1958-06 live unknown country:Cuba supported Recording/context source Francisco Guayabal, identified as a June 1958 live performance in Peru with Armando Boza’s orchestra and pianist Rolando Columbié. This differs from the familiar short studio master; the actual accompanying orchestra is credited. Source: Aldo Luque. Video publication is separate from original/session date; unknown dates retained. false false false
Septeto Moneda Nacional with El Tiburón !Ay Papacito! - SEPTETO MONEDA NACIONAL con El Tiburòn https://www.youtube.com/embed/n61aWk_aofU Ay Papacito, Septeto Moneda Nacional with El Tiburón on Musicalísimo, Tele Turquino, Santiago de Cuba,2013. Posted at the septet director’s request. The actual guest is credited rather than the composition’s original author as singer. Source: Jacqueline “Lina” FERRATON. Video publication is separate from original/session date; unknown dates retained. Video publication: 2013-10-19; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[20] popular unknown 2013 live unknown country:Cuba supported Recording/context source Ay Papacito, Septeto Moneda Nacional with El Tiburón on Musicalísimo, Tele Turquino, Santiago de Cuba,2013. Posted at the septet director’s request. The actual guest is credited rather than the composition’s original author as singer. Source: Jacqueline “Lina” FERRATON. Video publication is separate from original/session date; unknown dates retained. false false false
Conjunto Cambios Conjunto Cambios en el Gran Salón Tlatelolco CDMX 02/06/2026 https://www.youtube.com/embed/gD8ks6jtnOk Conjunto Cambios at Gran Salón Tlatelolco, Mexico City,2 June 2026. The source identifies its son-montuno, salsa-dura and matancera-dura practice. One full mixed dance-band programme counts once, with Mexican musicians and scene honestly scoped. Source: El Mexiquense. Video publication is separate from original/session date; unknown dates retained. Video publication: 2026-06-05; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[21] popular unknown 2026-06-02 live unknown country:Mexico supported Recording/context source Conjunto Cambios at Gran Salón Tlatelolco, Mexico City,2 June 2026. The source identifies its son-montuno, salsa-dura and matancera-dura practice. One full mixed dance-band programme counts once, with Mexican musicians and scene honestly scoped. Source: El Mexiquense. Video publication is separate from original/session date; unknown dates retained. false false false
Ibrahim Ferrer and ensemble Ibrahim Ferrer - Mamí Me Gustó (Official Audio) https://www.youtube.com/embed/m81hjUCWel4 Mamí Me Gustó, Ibrahim Ferrer’s World Circuit recording from his 1999 debut. The album spans several styles; only this named son-montuno work is selected. Rubén González is the pianist, while Ry Cooder and Nick Gold are producers. Source: World Circuit Records. Video publication is separate from original/session date; unknown dates retained. Video publication: 2014-08-10; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[22] popular unknown unknown audio unknown country:Cuba supported Recording/context source Mamí Me Gustó, Ibrahim Ferrer’s World Circuit recording from his 1999 debut. The album spans several styles; only this named son-montuno work is selected. Rubén González is the pianist, while Ry Cooder and Nick Gold are producers. Source: World Circuit Records. Video publication is separate from original/session date; unknown dates retained. false false false
Beny Moré with Mariano Mercerón’s orchestra Orq. Mariano Merceron-Dinero no Mas https://www.youtube.com/embed/wRmwGcfWGkE Dinero No Más, a complete historical recording. FIU identifies Beny Moré with Mariano Mercerón’s orchestra, México 1949, Victor 23-1275-A and the son-montuno form. The institutional attribution supplies the vocalist missing from the uploader’s orchestra-only title. Source: Victor Hugo Mendoza.. Video publication is separate from original/session date; unknown dates retained. Video publication: 2015-06-14; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[23] popular unknown unknown audio unknown country:Cuba supported Recording/context source Recording/context source Dinero No Más, a complete historical recording. FIU identifies Beny Moré with Mariano Mercerón’s orchestra, México 1949, Victor 23-1275-A and the son-montuno form. The institutional attribution supplies the vocalist missing from the uploader’s orchestra-only title. Source: Victor Hugo Mendoza.. Video publication is separate from original/session date; unknown dates retained. false false false
Conjunto Arsenio Rodríguez with Michael McClintock and Jany Quiñones Mami, me gustó | Conjunto Arsenio Rodríguez | Treseros, Mano a Mano | Tres Cubano https://www.youtube.com/embed/3S2hLuCg7vw Mami Me Gustó, an actual performance at Estudios Areito’s patio in Havana with Conjunto Arsenio Rodríguez, Michael McClintock and Jany Quiñones. McClintock documents his participation with fellow tres player Quiñones. Lesson advertisements do not turn this complete live collaboration into instruction. Source: Michael McClintock Music. Video publication is separate from original/session date; unknown dates retained. Video publication: 2021-01-08; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[24] popular unknown unknown live unknown country:Cuba supported Recording/context source Mami Me Gustó, an actual performance at Estudios Areito’s patio in Havana with Conjunto Arsenio Rodríguez, Michael McClintock and Jany Quiñones. McClintock documents his participation with fellow tres player Quiñones. Lesson advertisements do not turn this complete live collaboration into instruction. Source: Michael McClintock Music. Video publication is separate from original/session date; unknown dates retained. false false false

Related genres

Son cubano is the wider tradition, while montuno can also name a formal process within several Cuban genres. Mambo and Latin jazz share musicians and arranging experiments with this history without being synonyms. Salsa developed a broader transnational identity while retaining much of the conjunto vocabulary. Timba extends the possibilities of breaks, bass movement and ensemble density in another direction. Calling every repeated piano pattern son montuno would flatten these differences; the whole performance context matters.

References and further reading

Hotspot mushrooms

An interconnected Cuban conjunto tradition has meaningful detached New York and South Florida repertory communities. The Cuban field spans countryside and smaller towns because band, radio and dance circulation are regional, not confined to studios.

These fields are editorial illustrations of musical affinity and cultural reach, not listener statistics. Radius marks the zero edge of the fade; overlapping fields of this genre combine by maximum.

MuGlobe hotspot mushrooms
ID Location Latitude Longitude Radius (km) Strength Notes
son-montuno-cuban-conjunto Cuban conjunto and social-dance landscape 22 -79.7 780 1 A broad island field expresses shared repertory and dance-band circulation.
son-montuno-new-york-circuit New York metropolitan Latin ensemble circuit 40.75 -73.9 170 0.65 Distinct migrant and salsa-repertory community.
son-montuno-south-florida South Florida Cuban ensemble circuit 25.8 -80.3 140 0.65 A detached Cuban-community practice and listening field.