Saï
Summary
Saï is a southern Chadian celebratory musical and dance identity that also names a strand of modern Chadian band music. Its modern history is closely associated with Tibesti, whose name should not relocate the repertoire to the northern mountain massif. The ensemble's own account places its source material among southern peoples. [1]
Contemporary and trending
Saï's public life includes composed and arranged band music rather than only the reenactment of an inherited dance. Abdoulaye Nderguet described continued work combining local traditions and other instruments in a 2020 interview. That career illustrates creative continuity, but cannot establish a present national ranking for Saï. [2]
History
Tibesti's group history connects its formation in the 1990s with a deliberate project of making Chadian musical resources audible in a modern ensemble. Nderguet's account also connects the band's predecessors with Saï and, more specifically, Logone Dala. The relationship is one of overlapping repertoires and arrangements; it does not establish that the two names are interchangeable in every community. [1] [3]
Musical characteristics
The defining connection is between celebratory movement, southern rhythmic materials and their band arrangement. The modern ensemble places voices and local musical references alongside amplified instruments. A fixed instrumentation or one universal time signature would be too restrictive a definition on the available evidence. Nderguet's account of translating material into different Chadian languages also shows that vocal language can change within the project. [3]
Geography and communities
Southern Chad is the primary landscape, including the Logone and Sarh-connected musical worlds. N'Djamena is a meeting place, performance market and point of mediation between regional repertories. The map therefore joins a southern field to a lighter capital-area field. It does not extend a strong Saï core through all of northern Chad. Tibesti's international work is part of the ensemble's circulation rather than proof of a large Saï audience wherever it toured. [1] [2]
Artists
Tibesti is central to the modern-band account. Nderguet's subsequent work extends beyond this one label, so his entire output should not be assigned to Saï. The group history and practitioner testimony are more precise guides than the assumption that any internationally visible Chadian performer represents the same tradition. [1] [2]
Representative performances
| Repertoire | Field use | Notes |
|---|---|---|
| popular | regional | Comprehensive catalogue; recent discovery is prioritized and worthwhile older music remains playable. Preserve specific recording contexts and dates. |
| Artist | Performance / song / title | Embedded player URL | Notes | Repertoire kind | Repertoire date | Recording date | Format | Opening | Places | Fit | Evidence | Review note | MuGlobe favorite | Current hit | Authentic |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Groupe Tibesti | Pa-sei GROUPE TIBESTI | https://www.youtube.com/embed/KEL9Dia0zrg | Named Tibesti band recording in the modern southern-Chadian Saï/Dala project described by participant Abdoulaye Nderguet. Fusion band repertoire, not an assertion that all Chadian or later Nderguet recordings are Saï; no original session year inferred from 2009/2011 reuploads. Source: martial thierry Tsoungui. Video publication is separate from original/session date; unknown dates retained. Video publication: 2009-02-25; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[4] | popular | unknown | unknown | unknown | unknown | country:chad | supported | Recording/context source | Named Tibesti band recording in the modern southern-Chadian Saï/Dala project described by participant Abdoulaye Nderguet. Fusion band repertoire, not an assertion that all Chadian or later Nderguet recordings are Saï; no original session year inferred from 2009/2011 reuploads. Source: martial thierry Tsoungui. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Groupe Tibesti | Tibesti sans retour (Tchad) | https://www.youtube.com/embed/KqlEGaVUVTw | Named Tibesti band recording in the modern southern-Chadian Saï/Dala project described by participant Abdoulaye Nderguet. Fusion band repertoire, not an assertion that all Chadian or later Nderguet recordings are Saï; no original session year inferred from 2009/2011 reuploads. Source: Tchadingar. Video publication is separate from original/session date; unknown dates retained. Video publication: 2011-01-03; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[5] | popular | unknown | unknown | unknown | unknown | country:chad | supported | Recording/context source | Named Tibesti band recording in the modern southern-Chadian Saï/Dala project described by participant Abdoulaye Nderguet. Fusion band repertoire, not an assertion that all Chadian or later Nderguet recordings are Saï; no original session year inferred from 2009/2011 reuploads. Source: Tchadingar. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Groupe Tibesti | Tibesti Gospa.. TCHAD | https://www.youtube.com/embed/LHMIWsf1zaE | Named Tibesti band recording in the modern southern-Chadian Saï/Dala project described by participant Abdoulaye Nderguet. Fusion band repertoire, not an assertion that all Chadian or later Nderguet recordings are Saï; no original session year inferred from 2009/2011 reuploads. Source: Tchadingar. Video publication is separate from original/session date; unknown dates retained. Video publication: 2011-01-03; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[6] | popular | unknown | unknown | unknown | unknown | country:chad | supported | Recording/context source | Named Tibesti band recording in the modern southern-Chadian Saï/Dala project described by participant Abdoulaye Nderguet. Fusion band repertoire, not an assertion that all Chadian or later Nderguet recordings are Saï; no original session year inferred from 2009/2011 reuploads. Source: Tchadingar. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Groupe Tibesti | femme africaine Tibesti (Tchad) | https://www.youtube.com/embed/VVgcmyuaeDE | Named Tibesti band recording in the modern southern-Chadian Saï/Dala project described by participant Abdoulaye Nderguet. Fusion band repertoire, not an assertion that all Chadian or later Nderguet recordings are Saï; no original session year inferred from 2009/2011 reuploads. Source: Tchadingar. Video publication is separate from original/session date; unknown dates retained. Video publication: 2011-01-03; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[7] | popular | unknown | unknown | unknown | unknown | country:chad | supported | Recording/context source | Named Tibesti band recording in the modern southern-Chadian Saï/Dala project described by participant Abdoulaye Nderguet. Fusion band repertoire, not an assertion that all Chadian or later Nderguet recordings are Saï; no original session year inferred from 2009/2011 reuploads. Source: Tchadingar. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Groupe Tibesti | TIBESTI - Fête de la musique 1997 (Centre Culturel Français Ndjamena) | https://www.youtube.com/embed/CCcnXbGZF0c | Named Tibesti concert at Fête de la musique, Centre Culturel Français N’Djamena 1997. Band arrangement within the documented southern-Chadian Saï/Dala project; one event excerpt, no full concert parent counted. Source: ganik hor. Video publication is separate from original/session date; unknown dates retained. Video publication: 2013-12-29; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[8] | popular | unknown | 1997 | live | unknown | country:chad | supported | Recording/context source | Named Tibesti concert at Fête de la musique, Centre Culturel Français N’Djamena 1997. Band arrangement within the documented southern-Chadian Saï/Dala project; one event excerpt, no full concert parent counted. Source: ganik hor. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Mujos Ingamadji | Le Saï en live | https://www.youtube.com/embed/TznHh_tEmNg | Le Saï en live: actual performer’s channel explicitly identifies this live Chadian Saï/Dala presentation. A demonstration of the dance with musical performance is music; no spoken instruction is inferred from the word demonstration. Source: Mujos INGAMADJI. Video publication is separate from original/session date; unknown dates retained. Video publication: 2022-07-03; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[9] | traditional | unknown | unknown | live | unknown | country:chad | supported | Recording/context source | Le Saï en live: actual performer’s channel explicitly identifies this live Chadian Saï/Dala presentation. A demonstration of the dance with musical performance is music; no spoken instruction is inferred from the word demonstration. Source: Mujos INGAMADJI. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Groupe Tibesti | tibesti voyage | https://www.youtube.com/embed/OccjJVOZVFc | Voyage, named recording from the documented Tibesti southern-Chadian Saï fusion repertoire. The band’s early catalogue is independently identified; original session date is not inferred from the 2018 upload. Source: taal chifa. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-05-16; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[10] | popular | unknown | unknown | unknown | unknown | country:chad | supported | Recording/context source | Voyage, named recording from the documented Tibesti southern-Chadian Saï fusion repertoire. The band’s early catalogue is independently identified; original session date is not inferred from the 2018 upload. Source: taal chifa. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Groupe Tibesti | TIBESTI à YAOUNDE 04 03 2004 III partie | https://www.youtube.com/embed/-5bnyC-r_Sw | Live Tibesti programme in Yaoundé, 4 March 2004, part III only. Named band’s documented Saï/Dala fusion project; no same-show parent or parts I/II counted. A programme may include related fusion materials and is presented honestly as one band performance. Source: Mianroh djimbaye Kevin. Video publication is separate from original/session date; unknown dates retained. Video publication: 2012-03-28; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[11] | popular | unknown | 2004-03-04 | live | unknown | country:chad | supported | Recording/context source | Live Tibesti programme in Yaoundé, 4 March 2004, part III only. Named band’s documented Saï/Dala fusion project; no same-show parent or parts I/II counted. A programme may include related fusion materials and is presented honestly as one band performance. Source: Mianroh djimbaye Kevin. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Etilessi Famillegors | instru Saï | https://www.youtube.com/embed/935ZOoXcOzA | Performer-published instrumental explicitly inspired by the traditional Chadian Saï rhythm; contemporary instrumental arrangement, not falsely presented as an archival community dance. The source calls it a small instrumental rather than a lesson. Source: Etilessi Famillegors. Video publication is separate from original/session date; unknown dates retained. Video publication: 2019-04-13; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[12] | traditional | unknown | unknown | audio | unknown | country:chad | supported | Recording/context source | Performer-published instrumental explicitly inspired by the traditional Chadian Saï rhythm; contemporary instrumental arrangement, not falsely presented as an archival community dance. The source calls it a small instrumental rather than a lesson. Source: Etilessi Famillegors. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Explo Saï (individual singers uncredited) | Explo Saï, Alléluia | https://www.youtube.com/embed/27KJSTcBxR0 | Alléluia, specifically labelled Explo Saï by the Chadian Christian music publisher. Sacred-text adaptation of the named regional form; do not infer all Chadian gospel as Saï. Individual singers are uncredited in the source. Source: Musique Chrétienne du Tchad. Video publication is separate from original/session date; unknown dates retained. Video publication: 2025-03-04; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[13] | traditional | unknown | unknown | unknown | unknown | country:chad | supported | Recording/context source | Alléluia, specifically labelled Explo Saï by the Chadian Christian music publisher. Sacred-text adaptation of the named regional form; do not infer all Chadian gospel as Saï. Individual singers are uncredited in the source. Source: Musique Chrétienne du Tchad. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Cidson Al Guewi | CIDSON - AL GUEWI ROI DU SAÏ TONIC | https://www.youtube.com/embed/a8yMZ-Y-I_g | Source explicitly labels the Cidson recording Saï Tonic. The documented fusion combines Saï/Kidi/Bazaga references with Congolese rumba; retained as a modern Saï fusion, not claimed pure traditional Saï or every Cidson song. Original song title/session not supplied. Source: djiimet khalil. Video publication is separate from original/session date; unknown dates retained. Video publication: 2012-06-07; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[14] | popular | unknown | unknown | unknown | unknown | country:chad | supported | Recording/context source | Source explicitly labels the Cidson recording Saï Tonic. The documented fusion combines Saï/Kidi/Bazaga references with Congolese rumba; retained as a modern Saï fusion, not claimed pure traditional Saï or every Cidson song. Original song title/session not supplied. Source: djiimet khalil. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| N-NGA | R'n'Saï Le Groupe N-NGA | https://www.youtube.com/embed/qfoeAfzwzYA | R’n’Saï, source-described Hip Hop made in Chad explicitly presenting a Saï fusion. Modern reworking retains its named regional connection; not a claim that all Chadian hip-hop is Saï. Source: NANGADOUMBAYE A.. Video publication is separate from original/session date; unknown dates retained. Video publication: 2013-01-04; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[15] | popular | unknown | unknown | unknown | unknown | country:chad | supported | Recording/context source | R’n’Saï, source-described Hip Hop made in Chad explicitly presenting a Saï fusion. Modern reworking retains its named regional connection; not a claim that all Chadian hip-hop is Saï. Source: NANGADOUMBAYE A.. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Cidson Alguewi | CIDSON ALGUEWI BOUSSOLE .mov | https://www.youtube.com/embed/4hhnID16dak | Boussole from the Air Force One project, documented as Saï Tonic (Saï/Kidi/Bazaga and Congolese-rumba fusion). Source-specific album/track identity establishes the adaptation, not simply artist nationality. Original 2012-period release, exact session unknown. Source: canissius khamis Lazingar. Video publication is separate from original/session date; unknown dates retained. Video publication: 2012-12-08; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[16] | popular | unknown | unknown | unknown | unknown | country:chad | supported | Recording/context source | Boussole from the Air Force One project, documented as Saï Tonic (Saï/Kidi/Bazaga and Congolese-rumba fusion). Source-specific album/track identity establishes the adaptation, not simply artist nationality. Original 2012-period release, exact session unknown. Source: canissius khamis Lazingar. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Cidson Alguewi | Femme Libre | https://www.youtube.com/embed/7EW1yPyj7sg | Identified Total Control-period Cidson repertoire in the documented Saï Tonic fusion: named Femme Libre and Total Contrôle are specifically cited in the live repertoire account, separate from the slower Roméo et Juliette rumba segment. Contemporary southern-Chadian Saï-informed band fusion, not pure traditional form or a claim that every Cidson song is Saï. Source: Cidson . Video publication is separate from original/session date; unknown dates retained. Video publication: 2019-11-30; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[17] | popular | unknown | unknown | audio | unknown | country:chad | supported | Recording/context source | Identified Total Control-period Cidson repertoire in the documented Saï Tonic fusion: named Femme Libre and Total Contrôle are specifically cited in the live repertoire account, separate from the slower Roméo et Juliette rumba segment. Contemporary southern-Chadian Saï-informed band fusion, not pure traditional form or a claim that every Cidson song is Saï. Source: Cidson . Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Cidson Alguewi | CIDSON ALGUEWI TOTAL CONTROL 2012 | https://www.youtube.com/embed/diwWJIiKsWU | Identified Total Control-period Cidson repertoire in the documented Saï Tonic fusion: named Femme Libre and Total Contrôle are specifically cited in the live repertoire account, separate from the slower Roméo et Juliette rumba segment. Contemporary southern-Chadian Saï-informed band fusion, not pure traditional form or a claim that every Cidson song is Saï. Source: placide marouf. Video publication is separate from original/session date; unknown dates retained. Video publication: 2012-10-01; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[18] | popular | unknown | unknown | audio | unknown | country:chad | supported | Recording/context source | Identified Total Control-period Cidson repertoire in the documented Saï Tonic fusion: named Femme Libre and Total Contrôle are specifically cited in the live repertoire account, separate from the slower Roméo et Juliette rumba segment. Contemporary southern-Chadian Saï-informed band fusion, not pure traditional form or a claim that every Cidson song is Saï. Source: placide marouf. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Cidson Alguewi | Cidson Al'Guewi "Saïtonic Mondial" | https://www.youtube.com/embed/rw-qUVXeiXo | Explicitly named Saïtonic music: Mondial, Lib and the live Sarh session respectively. Modern southern-Chadian Saï fusion rather than pure ceremonial tradition. Source directly identifies the form and actual artist; no whole-career blanket classification. Source: Casimir Koudjimbaye. Video publication is separate from original/session date; unknown dates retained. Video publication: 2014-12-26; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[19] | popular | unknown | unknown | unknown | unknown | country:chad | supported | Recording/context source | Explicitly named Saïtonic music: Mondial, Lib and the live Sarh session respectively. Modern southern-Chadian Saï fusion rather than pure ceremonial tradition. Source directly identifies the form and actual artist; no whole-career blanket classification. Source: Casimir Koudjimbaye. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Cidson Alguewi | Cidson Alguewi - Saïtonic Lib ( Audio Officiel ) | https://www.youtube.com/embed/-3j9fZfR4Qo | Explicitly named Saïtonic music: Mondial, Lib and the live Sarh session respectively. Modern southern-Chadian Saï fusion rather than pure ceremonial tradition. Source directly identifies the form and actual artist; no whole-career blanket classification. Source: Cidson . Video publication is separate from original/session date; unknown dates retained. Video publication: 2022-01-23; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[20] | popular | unknown | unknown | unknown | unknown | country:chad | supported | Recording/context source | Explicitly named Saïtonic music: Mondial, Lib and the live Sarh session respectively. Modern southern-Chadian Saï fusion rather than pure ceremonial tradition. Source directly identifies the form and actual artist; no whole-career blanket classification. Source: Cidson . Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Cidson Alguewi | CIDSON ALGUEWI CESSION SAÏTONIC | https://www.youtube.com/embed/HTSP_7uboZA | Explicitly named Saïtonic music: Mondial, Lib and the live Sarh session respectively. Modern southern-Chadian Saï fusion rather than pure ceremonial tradition. Source directly identifies the form and actual artist; no whole-career blanket classification. Source: Cidson . Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-03-07; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[21] | popular | unknown | unknown | unknown | unknown | country:chad | supported | Recording/context source | Explicitly named Saïtonic music: Mondial, Lib and the live Sarh session respectively. Modern southern-Chadian Saï fusion rather than pure ceremonial tradition. Source directly identifies the form and actual artist; no whole-career blanket classification. Source: Cidson . Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Cidson Alguewi | Cidson Alguewi Temps Fort | https://www.youtube.com/embed/q2spKvSXSpw | Temps Fort, identified track from the Air Force One Saï Tonic project documented by the album-specific source. Modern Saï/rumba fusion; actual performer named, no exact session date inferred from the 2012 upload. Source: canissius khamis Lazingar. Video publication is separate from original/session date; unknown dates retained. Video publication: 2012-12-16; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[22] | popular | unknown | unknown | audio | unknown | country:chad | supported | Recording/context source | Temps Fort, identified track from the Air Force One Saï Tonic project documented by the album-specific source. Modern Saï/rumba fusion; actual performer named, no exact session date inferred from the 2012 upload. Source: canissius khamis Lazingar. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Uncredited accompanying musicians at Ballet la paix du Tchad performance | Danse Saï Ballet la paix du Tchad | https://www.youtube.com/embed/I5QsvHT2Yrc | Explicitly titled Danse Saï. Source-image review observed live xylophone/balafon players and drummers behind the dancers. Named ballet describes the event, individual instrumentalists remain uncredited. This source observation supports performance context; it is not an audible audio/master certification. Source: Mianroh djimbaye Kevin. Video publication is separate from original/session date; unknown dates retained. Video publication: 2012-03-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[23] | traditional | unknown | unknown | live | unknown | country:chad | supported | Recording/context source | Explicitly titled Danse Saï. Source-image review observed live xylophone/balafon players and drummers behind the dancers. Named ballet describes the event, individual instrumentalists remain uncredited. This source observation supports performance context; it is not an audible audio/master certification. Source: Mianroh djimbaye Kevin. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Uncredited accompanying musicians at Koravy Saï performance | danse saï koravy(RAZOLO) | https://www.youtube.com/embed/11bvxghTF-Q | Explicitly titled danse saï koravy. Source-image review observed stage dancers and seated musicians at left with percussion visible. Actual accompanying musicians remain unnamed; Koravy identifies the company/occasion. No claim of audible certification or inferred individual credits. Source: Mianroh djimbaye Kevin. Video publication is separate from original/session date; unknown dates retained. Video publication: 2021-11-26; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[24] | traditional | unknown | unknown | live | unknown | country:chad | supported | Recording/context source | Explicitly titled danse saï koravy. Source-image review observed stage dancers and seated musicians at left with percussion visible. Actual accompanying musicians remain unnamed; Koravy identifies the company/occasion. No claim of audible certification or inferred individual credits. Source: Mianroh djimbaye Kevin. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
Related genres
Dala provides a particularly close connection through Logone dance and modern guitar arrangement. Congolese-derived band music belongs to the surrounding history of Chadian popular music, but a band's use of electric instruments does not make its local repertoire Congolese rumba. Saï is retained as a documented southern/modern musical identity rather than a national catch-all. [25]
References and further reading
- ↑ 1.0 1.1 1.2 1.3 Tibesti. Access note: Indexed descriptive text read.
- ↑ 2.0 2.1 2.2 Habiba Abdelhakim, Abdoulaye N’Derguet, l’ingénieur des âmes, Ialtchad Presse,20 September2020. Access note: Interview body read; economic assertions and first-ever promotional claims not adopted.
- ↑ 3.0 3.1 Abdoulaye Nderguet — interview. Access note: Article body read, including first-person descriptions.
- ↑ Pa-sei GROUPE TIBESTI.
- ↑ Tibesti sans retour (Tchad).
- ↑ Tibesti Gospa.. TCHAD.
- ↑ femme africaine Tibesti (Tchad).
- ↑ TIBESTI - Fête de la musique 1997 (Centre Culturel Français Ndjamena).
- ↑ Le Saï en live.
- ↑ tibesti voyage.
- ↑ TIBESTI à YAOUNDE 04 03 2004 III partie.
- ↑ instru Saï.
- ↑ Explo Saï, Alléluia.
- ↑ CIDSON - AL GUEWI ROI DU SAÏ TONIC.
- ↑ R'n'Saï Le Groupe N-NGA.
- ↑ CIDSON ALGUEWI BOUSSOLE .mov.
- ↑ Femme Libre.
- ↑ CIDSON ALGUEWI TOTAL CONTROL 2012.
- ↑ Cidson Al'Guewi "Saïtonic Mondial".
- ↑ Cidson Alguewi - Saïtonic Lib ( Audio Officiel ).
- ↑ CIDSON ALGUEWI CESSION SAÏTONIC.
- ↑ Cidson Alguewi Temps Fort.
- ↑ Danse Saï Ballet la paix du Tchad.
- ↑ danse saï koravy(RAZOLO).
- ↑ Tchad. Access note: Article body read.
Hotspot mushrooms
Southern celebratory/repertoire continuity is the core; N’Djamena is a lighter connected modern-band public. Tibesti is a band name, not a northern origin claim.
The fields express editorial judgments about relative musical affinity and reach, not measured audience shares. Radius is the zero edge of a linear fade; same-genre overlaps combine by maximum.
| ID | Location | Latitude | Longitude | Radius (km) | Strength | Notes |
|---|---|---|---|---|---|---|
| sai-southern-chad | Southern Chadian Saï landscapes | 9.2 | 17.2 | 560 | 0.76 | Logone–Sarh connected rural and urban practice. |
| sai-capital-circulation | N’Djamena modern-band circulation | 12.12 | 15.08 | 270 | 0.4 | Capital performance and national mediation, lighter than the southern core. |