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== Summary ==
== Summary ==
Obour, born Bice Osei Kuffour, is a Ghanaian [[Hiplife|hiplife]] musician whose work draws on Asante performance resources and socially directed song. The stage name means 'stone'.<ref name="obour-bio">[https://musicinafrica.net/node/9574 Music In Africa: Obour, 2015 artist profile]. Accessed 23 October 2026.</ref>
Obour, born Bice Osei Kuffour, is a [[Music of Ghana|Ghanaian]] [[Hiplife|hiplife]] musician whose work draws on Asante performance resources and socially directed song. The stage name means 'stone'.<ref name="obour-bio">[https://musicinafrica.net/node/9574 Music In Africa: Obour, 2015 artist profile]. Accessed 23 October 2026.</ref>


== Life and career ==
== Life and career ==
He entered recording through Soul Records after secondary school. His early successes included ''Atentenben'' and ''Dondo'', followed by a wider public role in music organization and advocacy. His history includes a period leading the Musicians Union of Ghana, a role recorded in the dated 2015 profile.<ref name="obour-bio" /><ref name="obour-history">[https://ghanaremembers.com/stories/people/bice-osei-kuffour-obour-a-multifaceted-journey-from-music-to-public-service.html GhanaRemembers: Obour, musical career and public service]. Accessed 23 October 2026.</ref>
He entered recording through [[Soul]] Records after secondary school. His early successes included ''Atentenben'' and ''Dondo'', followed by a wider public role in music organization and advocacy. His history includes a period leading the Musicians Union of [[Music of Ghana|Ghana]], a role recorded in the dated 2015 profile.<ref name="obour-bio" /><ref name="obour-history">[https://ghanaremembers.com/stories/people/bice-osei-kuffour-obour-a-multifaceted-journey-from-music-to-public-service.html GhanaRemembers: Obour, musical career and public service]. Accessed 23 October 2026.</ref>


== Music and style ==
== Music and style ==
A traditional Asante rhythmic emphasis and warrior-like stage persona distinguished his contribution to the developing hiplife scene. That approach made local performance knowledge a visible part of rap's Ghanaian transformation.<ref name="obour-genre">[https://musicinafrica.net/node/17010 Music In Africa: The story of Ghana’s favourite genre, part 2]. Accessed 23 October 2026.</ref>
A traditional Asante rhythmic emphasis and warrior-like stage persona distinguished his contribution to the developing [[Hiplife|hiplife]] scene. That approach made local performance knowledge a visible part of [[Hip-hop|rap]]'s [[Music of Ghana|Ghanaian]] transformation.<ref name="obour-genre">[https://musicinafrica.net/node/17010 Music In Africa: The story of Ghana’s favourite genre, part 2]. Accessed 23 October 2026.</ref>


== Works and performances ==
== Works and performances ==

Latest revision as of 00:23, 24 October 2026

Obour, also known as Bice Osei Kuffour, speaking at the Creative Commons Global Summit in Warsaw, 2011.
Obour, also known as Bice Osei Kuffour, speaking at the Creative Commons Global Summit in Warsaw, 2011.
Image: David Kindler. CC BY 2.0. Source.

Summary

Obour, born Bice Osei Kuffour, is a Ghanaian hiplife musician whose work draws on Asante performance resources and socially directed song. The stage name means 'stone'.[1]

Life and career

He entered recording through Soul Records after secondary school. His early successes included Atentenben and Dondo, followed by a wider public role in music organization and advocacy. His history includes a period leading the Musicians Union of Ghana, a role recorded in the dated 2015 profile.[1][2]

Music and style

A traditional Asante rhythmic emphasis and warrior-like stage persona distinguished his contribution to the developing hiplife scene. That approach made local performance knowledge a visible part of rap's Ghanaian transformation.[3]

Works and performances

The 2004 album Atumpan and the associated tour joined new music to a road-safety project. 'Konkontibaa' featured Batman, while 'Shyne ur eye' included Tic Tac and Baba Shanty. These collaborations show his place in an interconnected recording scene. The contemporary launch report also documents coordinated radio presentation and the planned national tour.[4]