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Rebita: Difference between revisions

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Approved editors, Bureaucrats, Interface administrators, MuGlobe superadministrators, Administrators
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Research-led Africa musical geography and article revision; existing recording sections and native bindings preserved.
 
Edb (talk | contribs)
Approved editors, Bureaucrats, Interface administrators, MuGlobe superadministrators, Administrators
3,510 edits
Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.
 
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== Representative performances ==
== Representative performances ==


No recordings have been curated for this entry.
{| class="wikitable"
|+ MuGlobe listening profile
! Repertoire !! Field use !! Notes
|-
| traditional || regional || Comprehensive catalogue; recent discovery is prioritized and worthwhile older music remains playable. Preserve specific recording contexts and dates.
|}
 
{| class="wikitable"
|+ MuGlobe representative performances
! Artist !! Performance / song / title !! Embedded player URL !! Notes !! Repertoire kind !! Repertoire date !! Recording date !! Format !! Opening !! Places !! Fit !! Evidence !! Review note !! MuGlobe favorite !! Current hit !! Authentic
|-
| Makalé — João Elmiro da Rocha Chaves project (vocalist not credited) || As Meninas da Cela — Rebita de Saudade e Encanto &#124; Waku Kungo, Angola || https://www.youtube.com/embed/tQymodEYdNU || Reviewed Rebita musical recording. Source: Makalé . Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Primary names creator and explicitly describes actual As Meninas da Cela as rebita/Angolan afro-house/semba-kuduro fusion. Creator is not asserted to be singer; illustrated artwork alone is not human musical-provenance proof. Specific declared adaptation, not all Waku Kungo music. Video publication: 2026-07-09; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=tQymodEYdNU As Meninas da Cela — Rebita de Saudade e Encanto &#124; Waku Kungo, Angola].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=tQymodEYdNU Recording/context source] || Reviewed Rebita musical recording. Source: Makalé . Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Primary names creator and explicitly describes actual As Meninas da Cela as rebita/Angolan afro-house/semba-kuduro fusion. Creator is not asserted to be singer; illustrated artwork alone is not human musical-provenance proof. Specific declared adaptation, not all Waku Kungo music. || <muglobe-flag video="tQymodEYdNU" field="muglobeFavorite" /> || <muglobe-flag video="tQymodEYdNU" field="currentHit" /> || <muglobe-flag video="tQymodEYdNU" field="authentic" />
|-
| Minguito and ensemble || Minguito - Nhoka Iala Kuebi &#124; 🇦🇴, 1975 || https://www.youtube.com/embed/fUOHMgaDHwo || Reviewed Rebita musical recording. Source: emrotação. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Nhoka Iala Kuebi historical concertina interpretation, source identifies actual 1975 repertoire rather than newly recorded 2026 music. No source-based claim entire mixed-style career equals rebita. Video publication: 2026-03-27; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=fUOHMgaDHwo Minguito - Nhoka Iala Kuebi &#124; 🇦🇴, 1975].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=fUOHMgaDHwo Recording/context source] || Reviewed Rebita musical recording. Source: emrotação. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Nhoka Iala Kuebi historical concertina interpretation, source identifies actual 1975 repertoire rather than newly recorded 2026 music. No source-based claim entire mixed-style career equals rebita. || <muglobe-flag video="fUOHMgaDHwo" field="muglobeFavorite" /> || <muglobe-flag video="fUOHMgaDHwo" field="currentHit" /> || <muglobe-flag video="fUOHMgaDHwo" field="authentic" />
|-
| Os Novatos da Ilha || Novatos da Ilha - Dança e Musica Rebita / Mestre Petchu || https://www.youtube.com/embed/1cALCTrqox0 || Reviewed Rebita musical recording. Source: Mestre Petchu  ( Pedro Vieira Dias Tomas ) . Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Primary actual ensemble dance/music presentation, different modern hall setting; no invented individual voice or exact date. Educational publisher is not itself a reason to exclude completed music. Video publication: 2025-05-10; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=1cALCTrqox0 Novatos da Ilha - Dança e Musica Rebita / Mestre Petchu].</ref> || traditional || unknown || unknown || live || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=1cALCTrqox0 Recording/context source] || Reviewed Rebita musical recording. Source: Mestre Petchu  ( Pedro Vieira Dias Tomas ) . Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Primary actual ensemble dance/music presentation, different modern hall setting; no invented individual voice or exact date. Educational publisher is not itself a reason to exclude completed music. || <muglobe-flag video="1cALCTrqox0" field="muglobeFavorite" /> || <muglobe-flag video="1cALCTrqox0" field="currentHit" /> || <muglobe-flag video="1cALCTrqox0" field="authentic" />
|-
| Kituxi e Seus Acompanhantes || Kyamukambe - Kituxi e Seus Acompanhantes &#124; Aprenda Kimbundu || https://www.youtube.com/embed/x0wQ8kMBuVg || Reviewed Rebita musical recording. Source: Kelly Stress. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Kyamukambe / Kia Mu Kambe traditional ensemble recording. Similar-duration generic Semba-Rebita source held as probable alternate presentation, not counted as second master. Video publication: 2023-03-20; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=x0wQ8kMBuVg Kyamukambe - Kituxi e Seus Acompanhantes &#124; Aprenda Kimbundu].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=x0wQ8kMBuVg Recording/context source] || Reviewed Rebita musical recording. Source: Kelly Stress. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Kyamukambe / Kia Mu Kambe traditional ensemble recording. Similar-duration generic Semba-Rebita source held as probable alternate presentation, not counted as second master. || <muglobe-flag video="x0wQ8kMBuVg" field="muglobeFavorite" /> || <muglobe-flag video="x0wQ8kMBuVg" field="currentHit" /> || <muglobe-flag video="x0wQ8kMBuVg" field="authentic" />
|-
| Minguito; Os Kiezos || Minguito - N'Gue Tula Kubanza Roça Yame &#124; 🇦🇴, 197- || https://www.youtube.com/embed/qc8x7KJmAkk || Reviewed Rebita musical recording. Source: emrotação. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Full collector caption and exact-work account identify actual N’Gue Tula Kubanza Roça Yame concertina/voice with Os Kiezos counterpoint. Editorially included as the electrified Ambundu concertina lineage, not every song released on Rebita label. Video publication: 2023-03-10; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=qc8x7KJmAkk Minguito - N'Gue Tula Kubanza Roça Yame &#124; 🇦🇴, 197-].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=qc8x7KJmAkk Recording/context source] [https://angola45.wordpress.com/2012/10/17/minguito-ngue-tula-kubanza-roca-yame-rebita-early-70s/ Recording/context source] || Reviewed Rebita musical recording. Source: emrotação. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Full collector caption and exact-work account identify actual N’Gue Tula Kubanza Roça Yame concertina/voice with Os Kiezos counterpoint. Editorially included as the electrified Ambundu concertina lineage, not every song released on Rebita label. || <muglobe-flag video="qc8x7KJmAkk" field="muglobeFavorite" /> || <muglobe-flag video="qc8x7KJmAkk" field="currentHit" /> || <muglobe-flag video="qc8x7KJmAkk" field="authentic" />
|-
| Minguito and ensemble || Minguito - N'Gandala Ku N'Ganhala Oh Fuma || https://www.youtube.com/embed/bg8K343N0VA || Reviewed Rebita musical recording. Source: AnalogAfrica. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct Ngandala Ku Nganhala O Fuma and Várias Moças de Luanda, primary Analog Africa masters and exact-work historical account identify concertina-led urban traditional interpretations. Label R1010/R1020 not the sole form evidence; no duplicate Lusafrica Ngandala master counted. Video publication: 2022-04-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=bg8K343N0VA Minguito - N'Gandala Ku N'Ganhala Oh Fuma].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=bg8K343N0VA Recording/context source] [https://angola45.wordpress.com/2012/10/17/minguito-ngue-tula-kubanza-roca-yame-rebita-early-70s/ Recording/context source] || Reviewed Rebita musical recording. Source: AnalogAfrica. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct Ngandala Ku Nganhala O Fuma and Várias Moças de Luanda, primary Analog Africa masters and exact-work historical account identify concertina-led urban traditional interpretations. Label R1010/R1020 not the sole form evidence; no duplicate Lusafrica Ngandala master counted. || <muglobe-flag video="bg8K343N0VA" field="muglobeFavorite" /> || <muglobe-flag video="bg8K343N0VA" field="currentHit" /> || <muglobe-flag video="bg8K343N0VA" field="authentic" />
|-
| Minguito and ensemble || Minguito - Várias Mocas De Luanda || https://www.youtube.com/embed/CAd8zuMEHgc || Reviewed Rebita musical recording. Source: AnalogAfrica. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct Ngandala Ku Nganhala O Fuma and Várias Moças de Luanda, primary Analog Africa masters and exact-work historical account identify concertina-led urban traditional interpretations. Label R1010/R1020 not the sole form evidence; no duplicate Lusafrica Ngandala master counted. Video publication: 2022-04-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=CAd8zuMEHgc Minguito - Várias Mocas De Luanda].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=CAd8zuMEHgc Recording/context source] [https://angola45.wordpress.com/2012/10/17/minguito-ngue-tula-kubanza-roca-yame-rebita-early-70s/ Recording/context source] || Reviewed Rebita musical recording. Source: AnalogAfrica. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct Ngandala Ku Nganhala O Fuma and Várias Moças de Luanda, primary Analog Africa masters and exact-work historical account identify concertina-led urban traditional interpretations. Label R1010/R1020 not the sole form evidence; no duplicate Lusafrica Ngandala master counted. || <muglobe-flag video="CAd8zuMEHgc" field="muglobeFavorite" /> || <muglobe-flag video="CAd8zuMEHgc" field="currentHit" /> || <muglobe-flag video="CAd8zuMEHgc" field="authentic" />
|-
| Minguito and ensemble || AKWA MINI SAIA - MINGUITO &#124; MPA &#124; SEMBA &#124; REBITA || https://www.youtube.com/embed/zWzod0Ep6bY || Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. Video publication: 2021-12-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=zWzod0Ep6bY AKWA MINI SAIA - MINGUITO &#124; MPA &#124; SEMBA &#124; REBITA].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=zWzod0Ep6bY Recording/context source] || Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. || <muglobe-flag video="zWzod0Ep6bY" field="muglobeFavorite" /> || <muglobe-flag video="zWzod0Ep6bY" field="currentHit" /> || <muglobe-flag video="zWzod0Ep6bY" field="authentic" />
|-
| Minguito and ensemble || AMIZADE POR INTERESSE - MINGUITO &#124; MPA &#124; REBITA || https://www.youtube.com/embed/YW8Qy6473jk || Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. Video publication: 2021-12-23; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=YW8Qy6473jk AMIZADE POR INTERESSE - MINGUITO &#124; MPA &#124; REBITA].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=YW8Qy6473jk Recording/context source] || Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. || <muglobe-flag video="YW8Qy6473jk" field="muglobeFavorite" /> || <muglobe-flag video="YW8Qy6473jk" field="currentHit" /> || <muglobe-flag video="YW8Qy6473jk" field="authentic" />
|-
| Minguito and ensemble || AS PEQUENAS QUE GOSTAM - MINGUITO &#124; MPA &#124; SEMBA &#124; REBITA || https://www.youtube.com/embed/obbpba7u0mY || Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. Video publication: 2021-12-22; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=obbpba7u0mY AS PEQUENAS QUE GOSTAM - MINGUITO &#124; MPA &#124; SEMBA &#124; REBITA].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=obbpba7u0mY Recording/context source] || Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. || <muglobe-flag video="obbpba7u0mY" field="muglobeFavorite" /> || <muglobe-flag video="obbpba7u0mY" field="currentHit" /> || <muglobe-flag video="obbpba7u0mY" field="authentic" />
|-
| Minguito and ensemble || AMOR POR INTERESSE - MINGUITO &#124; MPA &#124; REBITA || https://www.youtube.com/embed/Xo8hMM8WuXs || Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. Video publication: 2021-12-21; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=Xo8hMM8WuXs AMOR POR INTERESSE - MINGUITO &#124; MPA &#124; REBITA].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=Xo8hMM8WuXs Recording/context source] || Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. || <muglobe-flag video="Xo8hMM8WuXs" field="muglobeFavorite" /> || <muglobe-flag video="Xo8hMM8WuXs" field="currentHit" /> || <muglobe-flag video="Xo8hMM8WuXs" field="authentic" />
|-
| Minguito and ensemble || CANTAR EM TEMPO DE LIBERDADE -  MINGUITO &#124; MPA &#124; REBITA || https://www.youtube.com/embed/34O1ZGkasaA || Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. Video publication: 2021-12-18; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=34O1ZGkasaA CANTAR EM TEMPO DE LIBERDADE -  MINGUITO &#124; MPA &#124; REBITA].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=34O1ZGkasaA Recording/context source] || Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. || <muglobe-flag video="34O1ZGkasaA" field="muglobeFavorite" /> || <muglobe-flag video="34O1ZGkasaA" field="currentHit" /> || <muglobe-flag video="34O1ZGkasaA" field="authentic" />
|-
| Minguito and ensemble || DOMINGAS AMADELA - MINGUITO &#124; MPA &#124; REBITA || https://www.youtube.com/embed/8ba0zEBUebU || Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. Video publication: 2021-12-17; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=8ba0zEBUebU DOMINGAS AMADELA - MINGUITO &#124; MPA &#124; REBITA].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=8ba0zEBUebU Recording/context source] || Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. || <muglobe-flag video="8ba0zEBUebU" field="muglobeFavorite" /> || <muglobe-flag video="8ba0zEBUebU" field="currentHit" /> || <muglobe-flag video="8ba0zEBUebU" field="authentic" />
|-
| Paulino Pinheiro and ensemble || MERENGUE REBITA - PAULINO PINHEIRO 1973 REBITA RECORDS 45rpm || https://www.youtube.com/embed/DwGq8rb89W4 || Reviewed Rebita musical recording. Source: Osvaldo Oliveros. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Merengue Rebita source credited original 1973 45rpm. Shorter same-work Kizomba Romana upload held, and producer INDUS edit not counted as another original performance. Video publication: 2020-09-07; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=DwGq8rb89W4 MERENGUE REBITA - PAULINO PINHEIRO 1973 REBITA RECORDS 45rpm].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=DwGq8rb89W4 Recording/context source] || Reviewed Rebita musical recording. Source: Osvaldo Oliveros. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Merengue Rebita source credited original 1973 45rpm. Shorter same-work Kizomba Romana upload held, and producer INDUS edit not counted as another original performance. || <muglobe-flag video="DwGq8rb89W4" field="muglobeFavorite" /> || <muglobe-flag video="DwGq8rb89W4" field="currentHit" /> || <muglobe-flag video="DwGq8rb89W4" field="authentic" />
|-
| Né Gonçalves || Rebita Amor || https://www.youtube.com/embed/rHtSKmVjYik || Reviewed Rebita musical recording. Source: Né Gonçalves - Topic. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Rebita Amor own-distributed recording from Sembamar; no blanket other album tracks imported. Distributor release: 2015-11-30; reissue date does not establish original recording. Video publication: 2020-07-23; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=rHtSKmVjYik Rebita Amor].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=rHtSKmVjYik Recording/context source] || Reviewed Rebita musical recording. Source: Né Gonçalves - Topic. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Rebita Amor own-distributed recording from Sembamar; no blanket other album tracks imported. Distributor release: 2015-11-30; reissue date does not establish original recording. || <muglobe-flag video="rHtSKmVjYik" field="muglobeFavorite" /> || <muglobe-flag video="rHtSKmVjYik" field="currentHit" /> || <muglobe-flag video="rHtSKmVjYik" field="authentic" />
|-
| Os Alegres || Os Alegres -  Merengue Rebita || https://www.youtube.com/embed/KN3-ZE3MGM8 || Reviewed Rebita musical recording. Source: Discosriosidades pseudoraridades. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Merengue Rebita cover, source identifies Cape Verde band/7-inch; documented adopted repertoire, not an invented Angolan birthplace. Video publication: 2018-07-27; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=KN3-ZE3MGM8 Os Alegres -  Merengue Rebita].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola; country:Cabo Verde || supported || [https://www.youtube.com/watch?v=KN3-ZE3MGM8 Recording/context source] || Reviewed Rebita musical recording. Source: Discosriosidades pseudoraridades. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Merengue Rebita cover, source identifies Cape Verde band/7-inch; documented adopted repertoire, not an invented Angolan birthplace. || <muglobe-flag video="KN3-ZE3MGM8" field="muglobeFavorite" /> || <muglobe-flag video="KN3-ZE3MGM8" field="currentHit" /> || <muglobe-flag video="KN3-ZE3MGM8" field="authentic" />
|-
| Urbano de Castro and ensemble || URBANO DE CASTRO - Merebgue Rebita || https://www.youtube.com/embed/FG24uMO5Qd0 || Reviewed Rebita musical recording. Source: AnalogAfrica. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Merengue Rebita actual Analog Africa recording, explicitly a named urban hybrid interpretation; no generic mixed Rebita 1973 album added. Video publication: 2017-10-11; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=FG24uMO5Qd0 URBANO DE CASTRO - Merebgue Rebita].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=FG24uMO5Qd0 Recording/context source] || Reviewed Rebita musical recording. Source: AnalogAfrica. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Merengue Rebita actual Analog Africa recording, explicitly a named urban hybrid interpretation; no generic mixed Rebita 1973 album added. || <muglobe-flag video="FG24uMO5Qd0" field="muglobeFavorite" /> || <muglobe-flag video="FG24uMO5Qd0" field="currentHit" /> || <muglobe-flag video="FG24uMO5Qd0" field="authentic" />
|-
| Conjunto Evolução África || Conjunto Evolucao Africa  Merengue Rebita || https://www.youtube.com/embed/eXt4yDM9uuw || Reviewed Rebita musical recording. Source: AFRICOLOMBIA. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific separately credited Merengue Rebita interpretation, distinct actual ensemble; Colombian collector/uploader location not assumed recording origin. Video publication: 2016-01-22; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=eXt4yDM9uuw Conjunto Evolucao Africa  Merengue Rebita].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=eXt4yDM9uuw Recording/context source] || Reviewed Rebita musical recording. Source: AFRICOLOMBIA. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific separately credited Merengue Rebita interpretation, distinct actual ensemble; Colombian collector/uploader location not assumed recording origin. || <muglobe-flag video="eXt4yDM9uuw" field="muglobeFavorite" /> || <muglobe-flag video="eXt4yDM9uuw" field="currentHit" /> || <muglobe-flag video="eXt4yDM9uuw" field="authentic" />
|-
| Banda Maravilha || Banda Maravilha-Rebita || https://www.youtube.com/embed/Q9gvGeXxFOc || Reviewed Rebita musical recording. Source: Dizanga. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Rebita primary repertoire, one playable alternate after Topic refused; same-song dancers/other uploads are not distinct music masters. Video publication: 2015-05-28; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=Q9gvGeXxFOc Banda Maravilha-Rebita].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=Q9gvGeXxFOc Recording/context source] || Reviewed Rebita musical recording. Source: Dizanga. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Rebita primary repertoire, one playable alternate after Topic refused; same-song dancers/other uploads are not distinct music masters. || <muglobe-flag video="Q9gvGeXxFOc" field="muglobeFavorite" /> || <muglobe-flag video="Q9gvGeXxFOc" field="currentHit" /> || <muglobe-flag video="Q9gvGeXxFOc" field="authentic" />
|-
| Os Novatos da Ilha || REBITA NOVATOS DA ILHA DE LUANDA 2014 - BTK || https://www.youtube.com/embed/Bzbe7BrtwwA || Reviewed Rebita musical recording. Source: Ballet Tradicional Kilandukilu. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Primary Ballet Tradicional Kilandukilu actual 2014 musical-dance presentation; alternate 866-second upload not selected. Documented performance/session: 2014. Video publication: 2015-03-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=Bzbe7BrtwwA REBITA NOVATOS DA ILHA DE LUANDA 2014 - BTK].</ref> || traditional || unknown || 2014 || live || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=Bzbe7BrtwwA Recording/context source] || Reviewed Rebita musical recording. Source: Ballet Tradicional Kilandukilu. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Primary Ballet Tradicional Kilandukilu actual 2014 musical-dance presentation; alternate 866-second upload not selected. Documented performance/session: 2014. || <muglobe-flag video="Bzbe7BrtwwA" field="muglobeFavorite" /> || <muglobe-flag video="Bzbe7BrtwwA" field="currentHit" /> || <muglobe-flag video="Bzbe7BrtwwA" field="authentic" />
|-
| Minguito and ensemble || Minguito - Sant`ana.wmv || https://www.youtube.com/embed/OKvX1clT5Uc || Reviewed Rebita musical recording. Source: Filipe Fragata. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Sant’Ana traditional concertina rendition, source names actual historical musician; not Mestre Geraldo Morgado or publisher Filipe Fragata. Video publication: 2011-12-07; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=OKvX1clT5Uc Minguito - Sant`ana.wmv].</ref> || traditional || unknown || unknown || audio || unknown || country:Angola || supported || [https://www.youtube.com/watch?v=OKvX1clT5Uc Recording/context source] || Reviewed Rebita musical recording. Source: Filipe Fragata. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Sant’Ana traditional concertina rendition, source names actual historical musician; not Mestre Geraldo Morgado or publisher Filipe Fragata. || <muglobe-flag video="OKvX1clT5Uc" field="muglobeFavorite" /> || <muglobe-flag video="OKvX1clT5Uc" field="currentHit" /> || <muglobe-flag video="OKvX1clT5Uc" field="authentic" />
|}


== Related genres ==
== Related genres ==
muglobe-article
Line 2: Line 2:
"category": "genre",
"category": "genre",
"templatePageId": 17,
"templatePageId": 17,
"templateRevisionId": 1660,
"templateRevisionId": 2999,
"templateVersion": 13
"templateVersion": 14
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Latest revision as of 12:12, 22 October 2026

Summary

Angolan social dance/music with local historical forms and later popular ensemble transformations. [1] [2]

Contemporary and trending

Social dance, cultural presentation and popular ensemble adaptation preserve a distinct Rebita identity. Wider national familiarity does not make every Angolan dance repertoire Rebita. [1]

History

Sources describe Luanda/Bengo and Malanje-associated histories that should remain visible rather than being collapsed into one city of origin. Modern bands transformed inherited musical resources. [1] [2]

Musical characteristics

Ensemble accompaniment and organized social dancing form the practice. Local historical versions and later popular arrangements should be identified in context instead of prescribing one universal instrumentation. [1]

Geography and communities

Luanda/Bengo and separately documented Malanje-associated networks. National social/cultural performance and diaspora. [1] [2]

Artists

Social-dance ensembles and Angolan popular musicians carry different versions. The cultural broadcaster’s historical notes place Rebita among several sources of modern Angolan band music. [2]

Representative performances

MuGlobe listening profile
Repertoire Field use Notes
traditional regional Comprehensive catalogue; recent discovery is prioritized and worthwhile older music remains playable. Preserve specific recording contexts and dates.
MuGlobe representative performances
Artist Performance / song / title Embedded player URL Notes Repertoire kind Repertoire date Recording date Format Opening Places Fit Evidence Review note MuGlobe favorite Current hit Authentic
Makalé — João Elmiro da Rocha Chaves project (vocalist not credited) As Meninas da Cela — Rebita de Saudade e Encanto | Waku Kungo, Angola https://www.youtube.com/embed/tQymodEYdNU Reviewed Rebita musical recording. Source: Makalé . Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Primary names creator and explicitly describes actual As Meninas da Cela as rebita/Angolan afro-house/semba-kuduro fusion. Creator is not asserted to be singer; illustrated artwork alone is not human musical-provenance proof. Specific declared adaptation, not all Waku Kungo music. Video publication: 2026-07-09; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[3] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: Makalé . Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Primary names creator and explicitly describes actual As Meninas da Cela as rebita/Angolan afro-house/semba-kuduro fusion. Creator is not asserted to be singer; illustrated artwork alone is not human musical-provenance proof. Specific declared adaptation, not all Waku Kungo music. false false false
Minguito and ensemble Minguito - Nhoka Iala Kuebi | 🇦🇴, 1975 https://www.youtube.com/embed/fUOHMgaDHwo Reviewed Rebita musical recording. Source: emrotação. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Nhoka Iala Kuebi historical concertina interpretation, source identifies actual 1975 repertoire rather than newly recorded 2026 music. No source-based claim entire mixed-style career equals rebita. Video publication: 2026-03-27; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[4] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: emrotação. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Nhoka Iala Kuebi historical concertina interpretation, source identifies actual 1975 repertoire rather than newly recorded 2026 music. No source-based claim entire mixed-style career equals rebita. false false false
Os Novatos da Ilha Novatos da Ilha - Dança e Musica Rebita / Mestre Petchu https://www.youtube.com/embed/1cALCTrqox0 Reviewed Rebita musical recording. Source: Mestre Petchu ( Pedro Vieira Dias Tomas ) . Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Primary actual ensemble dance/music presentation, different modern hall setting; no invented individual voice or exact date. Educational publisher is not itself a reason to exclude completed music. Video publication: 2025-05-10; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[5] traditional unknown unknown live unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: Mestre Petchu ( Pedro Vieira Dias Tomas ) . Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Primary actual ensemble dance/music presentation, different modern hall setting; no invented individual voice or exact date. Educational publisher is not itself a reason to exclude completed music. false false false
Kituxi e Seus Acompanhantes Kyamukambe - Kituxi e Seus Acompanhantes | Aprenda Kimbundu https://www.youtube.com/embed/x0wQ8kMBuVg Reviewed Rebita musical recording. Source: Kelly Stress. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Kyamukambe / Kia Mu Kambe traditional ensemble recording. Similar-duration generic Semba-Rebita source held as probable alternate presentation, not counted as second master. Video publication: 2023-03-20; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[6] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: Kelly Stress. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Kyamukambe / Kia Mu Kambe traditional ensemble recording. Similar-duration generic Semba-Rebita source held as probable alternate presentation, not counted as second master. false false false
Minguito; Os Kiezos Minguito - N'Gue Tula Kubanza Roça Yame | 🇦🇴, 197- https://www.youtube.com/embed/qc8x7KJmAkk Reviewed Rebita musical recording. Source: emrotação. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Full collector caption and exact-work account identify actual N’Gue Tula Kubanza Roça Yame concertina/voice with Os Kiezos counterpoint. Editorially included as the electrified Ambundu concertina lineage, not every song released on Rebita label. Video publication: 2023-03-10; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[7] traditional unknown unknown audio unknown country:Angola supported Recording/context source Recording/context source Reviewed Rebita musical recording. Source: emrotação. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Full collector caption and exact-work account identify actual N’Gue Tula Kubanza Roça Yame concertina/voice with Os Kiezos counterpoint. Editorially included as the electrified Ambundu concertina lineage, not every song released on Rebita label. false false false
Minguito and ensemble Minguito - N'Gandala Ku N'Ganhala Oh Fuma https://www.youtube.com/embed/bg8K343N0VA Reviewed Rebita musical recording. Source: AnalogAfrica. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct Ngandala Ku Nganhala O Fuma and Várias Moças de Luanda, primary Analog Africa masters and exact-work historical account identify concertina-led urban traditional interpretations. Label R1010/R1020 not the sole form evidence; no duplicate Lusafrica Ngandala master counted. Video publication: 2022-04-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[8] traditional unknown unknown audio unknown country:Angola supported Recording/context source Recording/context source Reviewed Rebita musical recording. Source: AnalogAfrica. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct Ngandala Ku Nganhala O Fuma and Várias Moças de Luanda, primary Analog Africa masters and exact-work historical account identify concertina-led urban traditional interpretations. Label R1010/R1020 not the sole form evidence; no duplicate Lusafrica Ngandala master counted. false false false
Minguito and ensemble Minguito - Várias Mocas De Luanda https://www.youtube.com/embed/CAd8zuMEHgc Reviewed Rebita musical recording. Source: AnalogAfrica. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct Ngandala Ku Nganhala O Fuma and Várias Moças de Luanda, primary Analog Africa masters and exact-work historical account identify concertina-led urban traditional interpretations. Label R1010/R1020 not the sole form evidence; no duplicate Lusafrica Ngandala master counted. Video publication: 2022-04-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[9] traditional unknown unknown audio unknown country:Angola supported Recording/context source Recording/context source Reviewed Rebita musical recording. Source: AnalogAfrica. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct Ngandala Ku Nganhala O Fuma and Várias Moças de Luanda, primary Analog Africa masters and exact-work historical account identify concertina-led urban traditional interpretations. Label R1010/R1020 not the sole form evidence; no duplicate Lusafrica Ngandala master counted. false false false
Minguito and ensemble AKWA MINI SAIA - MINGUITO | MPA | SEMBA | REBITA https://www.youtube.com/embed/zWzod0Ep6bY Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. Video publication: 2021-12-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[10] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. false false false
Minguito and ensemble AMIZADE POR INTERESSE - MINGUITO | MPA | REBITA https://www.youtube.com/embed/YW8Qy6473jk Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. Video publication: 2021-12-23; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[11] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. false false false
Minguito and ensemble AS PEQUENAS QUE GOSTAM - MINGUITO | MPA | SEMBA | REBITA https://www.youtube.com/embed/obbpba7u0mY Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. Video publication: 2021-12-22; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[12] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. false false false
Minguito and ensemble AMOR POR INTERESSE - MINGUITO | MPA | REBITA https://www.youtube.com/embed/Xo8hMM8WuXs Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. Video publication: 2021-12-21; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[13] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. false false false
Minguito and ensemble CANTAR EM TEMPO DE LIBERDADE - MINGUITO | MPA | REBITA https://www.youtube.com/embed/34O1ZGkasaA Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. Video publication: 2021-12-18; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[14] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. false false false
Minguito and ensemble DOMINGAS AMADELA - MINGUITO | MPA | REBITA https://www.youtube.com/embed/8ba0zEBUebU Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. Video publication: 2021-12-17; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[15] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: planet Dox. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Distinct actual named concertina-led historical repertoires: Akwa Mini Saia, Cantar em Tempo de Liberdade, Amor por Interesse, Amizade por Interesse, Domingas Amadela and As Pequenas Que Gostam. Publisher specifically labels these works rebita/semba. Included as electrified Ambundu concertina interpretations within the broad tradition, not because a sleeve says Rebita Records; exact sessions unknown. false false false
Paulino Pinheiro and ensemble MERENGUE REBITA - PAULINO PINHEIRO 1973 REBITA RECORDS 45rpm https://www.youtube.com/embed/DwGq8rb89W4 Reviewed Rebita musical recording. Source: Osvaldo Oliveros. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Merengue Rebita source credited original 1973 45rpm. Shorter same-work Kizomba Romana upload held, and producer INDUS edit not counted as another original performance. Video publication: 2020-09-07; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[16] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: Osvaldo Oliveros. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Merengue Rebita source credited original 1973 45rpm. Shorter same-work Kizomba Romana upload held, and producer INDUS edit not counted as another original performance. false false false
Né Gonçalves Rebita Amor https://www.youtube.com/embed/rHtSKmVjYik Reviewed Rebita musical recording. Source: Né Gonçalves - Topic. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Rebita Amor own-distributed recording from Sembamar; no blanket other album tracks imported. Distributor release: 2015-11-30; reissue date does not establish original recording. Video publication: 2020-07-23; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[17] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: Né Gonçalves - Topic. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Rebita Amor own-distributed recording from Sembamar; no blanket other album tracks imported. Distributor release: 2015-11-30; reissue date does not establish original recording. false false false
Os Alegres Os Alegres - Merengue Rebita https://www.youtube.com/embed/KN3-ZE3MGM8 Reviewed Rebita musical recording. Source: Discosriosidades pseudoraridades. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Merengue Rebita cover, source identifies Cape Verde band/7-inch; documented adopted repertoire, not an invented Angolan birthplace. Video publication: 2018-07-27; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[18] traditional unknown unknown audio unknown country:Angola; country:Cabo Verde supported Recording/context source Reviewed Rebita musical recording. Source: Discosriosidades pseudoraridades. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Merengue Rebita cover, source identifies Cape Verde band/7-inch; documented adopted repertoire, not an invented Angolan birthplace. false false false
Urbano de Castro and ensemble URBANO DE CASTRO - Merebgue Rebita https://www.youtube.com/embed/FG24uMO5Qd0 Reviewed Rebita musical recording. Source: AnalogAfrica. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Merengue Rebita actual Analog Africa recording, explicitly a named urban hybrid interpretation; no generic mixed Rebita 1973 album added. Video publication: 2017-10-11; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[19] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: AnalogAfrica. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Merengue Rebita actual Analog Africa recording, explicitly a named urban hybrid interpretation; no generic mixed Rebita 1973 album added. false false false
Conjunto Evolução África Conjunto Evolucao Africa Merengue Rebita https://www.youtube.com/embed/eXt4yDM9uuw Reviewed Rebita musical recording. Source: AFRICOLOMBIA. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific separately credited Merengue Rebita interpretation, distinct actual ensemble; Colombian collector/uploader location not assumed recording origin. Video publication: 2016-01-22; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[20] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: AFRICOLOMBIA. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific separately credited Merengue Rebita interpretation, distinct actual ensemble; Colombian collector/uploader location not assumed recording origin. false false false
Banda Maravilha Banda Maravilha-Rebita https://www.youtube.com/embed/Q9gvGeXxFOc Reviewed Rebita musical recording. Source: Dizanga. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Rebita primary repertoire, one playable alternate after Topic refused; same-song dancers/other uploads are not distinct music masters. Video publication: 2015-05-28; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[21] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: Dizanga. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Specific Rebita primary repertoire, one playable alternate after Topic refused; same-song dancers/other uploads are not distinct music masters. false false false
Os Novatos da Ilha REBITA NOVATOS DA ILHA DE LUANDA 2014 - BTK https://www.youtube.com/embed/Bzbe7BrtwwA Reviewed Rebita musical recording. Source: Ballet Tradicional Kilandukilu. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Primary Ballet Tradicional Kilandukilu actual 2014 musical-dance presentation; alternate 866-second upload not selected. Documented performance/session: 2014. Video publication: 2015-03-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[22] traditional unknown 2014 live unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: Ballet Tradicional Kilandukilu. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Primary Ballet Tradicional Kilandukilu actual 2014 musical-dance presentation; alternate 866-second upload not selected. Documented performance/session: 2014. false false false
Minguito and ensemble Minguito - Sant`ana.wmv https://www.youtube.com/embed/OKvX1clT5Uc Reviewed Rebita musical recording. Source: Filipe Fragata. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Sant’Ana traditional concertina rendition, source names actual historical musician; not Mestre Geraldo Morgado or publisher Filipe Fragata. Video publication: 2011-12-07; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[23] traditional unknown unknown audio unknown country:Angola supported Recording/context source Reviewed Rebita musical recording. Source: Filipe Fragata. Video publication is separate from unknown original/session dates. Specific Angolan rebita/massemba repertoire or named modern/merengue interpretation. The Rebita record label alone is not a genre designation; country scope marks repertoire/adoption, not invented filming origin. Particular Sant’Ana traditional concertina rendition, source names actual historical musician; not Mestre Geraldo Morgado or publisher Filipe Fragata. false false false

Related genres

Semba and Kizomba are related Angolan listening contexts with different histories. Rebita retains its own social-dance repertoire and local accounts. [1]

References and further reading

  1. ↑ 1.0 1.1 1.2 1.3 1.4 1.5 Traditional music in Angola — Analtino Santos,2020. Access note: Relevant musical/community sections read.
  2. ↑ 2.0 2.1 2.2 2.3 Angolan music history context — Câmara dos Deputados,2020. Access note: Introductory genre/geographic context read only; no audio or track investigation.
  3. ↑ As Meninas da Cela — Rebita de Saudade e Encanto | Waku Kungo, Angola.
  4. ↑ Minguito - Nhoka Iala Kuebi | 🇦🇴, 1975.
  5. ↑ Novatos da Ilha - Dança e Musica Rebita / Mestre Petchu.
  6. ↑ Kyamukambe - Kituxi e Seus Acompanhantes | Aprenda Kimbundu.
  7. ↑ Minguito - N'Gue Tula Kubanza Roça Yame | 🇦🇴, 197-.
  8. ↑ Minguito - N'Gandala Ku N'Ganhala Oh Fuma.
  9. ↑ Minguito - Várias Mocas De Luanda.
  10. ↑ AKWA MINI SAIA - MINGUITO | MPA | SEMBA | REBITA.
  11. ↑ AMIZADE POR INTERESSE - MINGUITO | MPA | REBITA.
  12. ↑ AS PEQUENAS QUE GOSTAM - MINGUITO | MPA | SEMBA | REBITA.
  13. ↑ AMOR POR INTERESSE - MINGUITO | MPA | REBITA.
  14. ↑ CANTAR EM TEMPO DE LIBERDADE - MINGUITO | MPA | REBITA.
  15. ↑ DOMINGAS AMADELA - MINGUITO | MPA | REBITA.
  16. ↑ MERENGUE REBITA - PAULINO PINHEIRO 1973 REBITA RECORDS 45rpm.
  17. ↑ Rebita Amor.
  18. ↑ Os Alegres - Merengue Rebita.
  19. ↑ URBANO DE CASTRO - Merebgue Rebita.
  20. ↑ Conjunto Evolucao Africa Merengue Rebita.
  21. ↑ Banda Maravilha-Rebita.
  22. ↑ REBITA NOVATOS DA ILHA DE LUANDA 2014 - BTK.
  23. ↑ Minguito - Sant`ana.wmv.

Hotspot mushrooms

Luanda/Bengo and separately documented Malanje-associated networks. National social/cultural performance and diaspora. Fields distinguish the community heartland from specifically documented wider use; political borders and population totals do not determine intensity.

The fields express editorial judgments about relative musical affinity and reach, not measured audience shares. Radius is the zero edge of a linear fade; same-genre overlaps combine by maximum.

MuGlobe hotspot mushrooms
ID Location Latitude Longitude Radius (km) Strength Notes
rebita-luanda-bengo Luanda–Bengo Rebita social landscape -8.9 13.8 280 0.67 Specific tradition with wider familiar influence; not merely a synonym for Semba.
rebita-malanje Malanje-associated Rebita traditions -9.5 16.3 260 0.55 Specific tradition with wider familiar influence; not merely a synonym for Semba.
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