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[[File:MuGlobe-62228d4848e8ddd7.jpg|thumb|right|320px|alt=Koo Nimo on guitar with his son Yaw Amponsah on rhumba box, 2000.|Koo Nimo on guitar with his son Yaw Amponsah on rhumba box, 2000.<br />Image: Richard Grassy (Rgrassy), 15 July 2000 10:53:06; [http://grassy.net/anthonys.html http://grassy.net/anthonys.html]; [https://commons.wikimedia.org/w/index.php?title=User:Rgrassy&action=edit&redlink=1 Rgrassy]. [https://creativecommons.org/licenses/by-sa/3.0/ CC BY-SA 3.0]. [https://commons.wikimedia.org/wiki/File:KooNimo-Yaw-2000.jpg Source].]]
== Summary ==
== Summary ==
Koo Nimo, also known as Daniel Amponsah, is a Ghanaian guitarist, singer, composer and teacher associated with [[Palm-wine music|palm-wine music]] and [[Highlife|highlife]]. Storytelling, ensemble playing and the transmission of musical knowledge are connected parts of his work.<ref name="koo-about">[https://koonimo.org/koonimo.php?section=about Koo Nimo: autobiographical recollections, official website]. Accessed 23 October 2026.</ref>
Koo Nimo, also known as Daniel Amponsah, is a Ghanaian guitarist, singer, composer and teacher associated with [[Palm-wine music|palm-wine music]] and [[Highlife|highlife]]. Storytelling, ensemble playing and the transmission of musical knowledge are connected parts of his work.<ref name="koo-about">[https://koonimo.org/koonimo.php?section=about Koo Nimo: autobiographical recollections, official website]. Accessed 23 October 2026.</ref>

Latest revision as of 20:31, 23 October 2026

Koo Nimo on guitar with his son Yaw Amponsah on rhumba box, 2000.
Koo Nimo on guitar with his son Yaw Amponsah on rhumba box, 2000.
Image: Richard Grassy (Rgrassy), 15 July 2000 10:53:06; http://grassy.net/anthonys.html; Rgrassy. CC BY-SA 3.0. Source.

Summary

Koo Nimo, also known as Daniel Amponsah, is a Ghanaian guitarist, singer, composer and teacher associated with palm-wine music and highlife. Storytelling, ensemble playing and the transmission of musical knowledge are connected parts of his work.[1]

Life and career

His recollections describe early church-organ instruction, later study of guitar and sustained connections with Ghanaian cultural institutions. They also acknowledge encounters with jazz musicians and classical guitar teachers. He identifies guitarist Kofi Twumasi as a performing partner over roughly thirty years, emphasizing the relationships behind a career often represented by one celebrated name.[1]

Music and style

His palm-wine language brings acoustic guitar and percussion together with conversational singing and stories. Jazz and classical-guitar study formed part of his musical education, while the songs remain grounded in Ghanaian social and cultural experience. Highlife Roots Revival was recorded in a domestic setting and foregrounds the acoustic ensemble rather than a large electric dance band.[2]

Works and performances

The official discography lists Osabarima, Highlife Roots Revival (2012) and Palm Wine Music in the 21st Century (2015). Titles such as 'Old Man Plants a Coconut Tree' and 'Integrity (The Cat and the Dog)' indicate the narrative and reflective dimension of the repertoire.[3]


Selected recordings in MuGlobe: