Santomean Puíta: Difference between revisions
Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields. |
Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields. |
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| Sangazuza || Sangasuza - mama cadela sê bô yemu (puita) || https://www.youtube.com/embed/ZEGrzCUODfU || Mama Cadela Sê Bô Yemu, specifically labelled Puíta in title/description. Same conjunto’s Puxa or Rumba songs are not automatically merged into this tradition. Source: REI AMADOR 👑. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-04-20; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=ZEGrzCUODfU Sangasuza - mama cadela sê bô yemu (puita)].</ref> || traditional || unknown || unknown || audio || unknown || country:São Tomé and Príncipe || supported || [https://www.youtube.com/watch?v=ZEGrzCUODfU Recording/context source] || Mama Cadela Sê Bô Yemu, specifically labelled Puíta in title/description. Same conjunto’s Puxa or Rumba songs are not automatically merged into this tradition. Source: REI AMADOR 👑. Video publication is separate from original/session date; unknown dates retained. || <muglobe-flag video="ZEGrzCUODfU" field="muglobeFavorite" /> || <muglobe-flag video="ZEGrzCUODfU" field="currentHit" /> || <muglobe-flag video="ZEGrzCUODfU" field="authentic" /> | | Sangazuza || Sangasuza - mama cadela sê bô yemu (puita) || https://www.youtube.com/embed/ZEGrzCUODfU || Mama Cadela Sê Bô Yemu, specifically labelled Puíta in title/description. Same conjunto’s Puxa or Rumba songs are not automatically merged into this tradition. Source: REI AMADOR 👑. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-04-20; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=ZEGrzCUODfU Sangasuza - mama cadela sê bô yemu (puita)].</ref> || traditional || unknown || unknown || audio || unknown || country:São Tomé and Príncipe || supported || [https://www.youtube.com/watch?v=ZEGrzCUODfU Recording/context source] || Mama Cadela Sê Bô Yemu, specifically labelled Puíta in title/description. Same conjunto’s Puxa or Rumba songs are not automatically merged into this tradition. Source: REI AMADOR 👑. Video publication is separate from original/session date; unknown dates retained. || <muglobe-flag video="ZEGrzCUODfU" field="muglobeFavorite" /> || <muglobe-flag video="ZEGrzCUODfU" field="currentHit" /> || <muglobe-flag video="ZEGrzCUODfU" field="authentic" /> | ||
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| Água Izé Puíta ensemble (individual musicians uncredited) || Puíta de Água Izé || https://www.youtube.com/embed/8GYXgLG8IUA || Source-titled Água Izé Puíta presentation at a 12 July event in Cauê, published in July 2017. The source image shows a participating percussionist and microphone-equipped musical ensemble; the typo Puta in the publisher title is rendered Puíta. Individual musicians and original filming day are uncredited. Source: Digital Millennium STP. Video publication is separate from original/session date; unknown dates retained. Video publication: 2017-07-26; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=8GYXgLG8IUA Puíta de Água Izé].</ref> || traditional || unknown || unknown || live || unknown || country:São Tomé and Príncipe || supported || [https://www.youtube.com/watch?v=8GYXgLG8IUA Recording/context source] || Source-titled Água Izé Puíta presentation at a 12 July event in Cauê, published in July 2017. The source image shows a participating percussionist and microphone-equipped musical ensemble; the typo Puta in the publisher title is rendered Puíta. Individual musicians and original filming day are uncredited. Source: Digital Millennium STP. Video publication is separate from original/session date; unknown dates retained. || <muglobe-flag video="8GYXgLG8IUA" field="muglobeFavorite" /> || <muglobe-flag video="8GYXgLG8IUA" field="currentHit" /> || <muglobe-flag video="8GYXgLG8IUA" field="authentic" /> | |||
|- | |||
| Gilnox || Puíta São Tomé — Modern Beat || https://www.youtube.com/embed/1Xz7Ayi-bHM || Modern instrumental beat explicitly described by producer Gilnox as inspired by traditional Puíta of São Tomé and Príncipe. Retained as a named contemporary Puíta-derived adaptation, not represented as an acoustic village ensemble or an anonymous traditional archive. Published February 2026; exact session day unspecified. Source: Gilson lourenço. Video publication is separate from original/session date; unknown dates retained. Video publication: 2026-02-19; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=1Xz7Ayi-bHM Puíta São Tomé — Modern Beat].</ref> || popular || unknown || unknown || audio || unknown || country:São Tomé and Príncipe || supported || [https://www.youtube.com/watch?v=1Xz7Ayi-bHM Recording/context source] || Modern instrumental beat explicitly described by producer Gilnox as inspired by traditional Puíta of São Tomé and Príncipe. Retained as a named contemporary Puíta-derived adaptation, not represented as an acoustic village ensemble or an anonymous traditional archive. Published February 2026; exact session day unspecified. Source: Gilson lourenço. Video publication is separate from original/session date; unknown dates retained. || <muglobe-flag video="1Xz7Ayi-bHM" field="muglobeFavorite" /> || <muglobe-flag video="1Xz7Ayi-bHM" field="currentHit" /> || <muglobe-flag video="1Xz7Ayi-bHM" field="authentic" /> | |||
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| Vento Certo — Stalone, Evil.k and Rayel Lima || Puíta || https://www.youtube.com/embed/Mt3fqylxdPs || Puíta, the named 2024 Vento Certo song with vocals explicitly credited to Stalone, Evil.k and Rayel Lima. Modern Santomean pop/Afropop presentation of Puíta, retained as a contemporary adaptation alongside traditional community performances. Evil.k is also credited for mix/master; Blackorp is the video producer/director, not a vocalist. Source: Evil.k. Video publication is separate from original/session date; unknown dates retained. Video publication: 2024-10-01; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=Mt3fqylxdPs Puíta].</ref> || popular || unknown || unknown || music-video || unknown || country:São Tomé and Príncipe || supported || [https://www.youtube.com/watch?v=Mt3fqylxdPs Recording/context source] || Puíta, the named 2024 Vento Certo song with vocals explicitly credited to Stalone, Evil.k and Rayel Lima. Modern Santomean pop/Afropop presentation of Puíta, retained as a contemporary adaptation alongside traditional community performances. Evil.k is also credited for mix/master; Blackorp is the video producer/director, not a vocalist. Source: Evil.k. Video publication is separate from original/session date; unknown dates retained. || <muglobe-flag video="Mt3fqylxdPs" field="muglobeFavorite" /> || <muglobe-flag video="Mt3fqylxdPs" field="currentHit" /> || <muglobe-flag video="Mt3fqylxdPs" field="authentic" /> | |||
|- | |||
| António Carneiro (Fá Star) || Puíta || https://www.youtube.com/embed/PbJw8uFrgNc || Puíta, explicitly titled by the musician publisher António Carneiro/Fá Star in a 2013 musical presentation. Contemporary amplified Puíta adaptation; this does not import the same musician’s separately identified Soukous, Kuduro or other national repertoire. His source catalogue separately documents actual performances in São Tomé. Original session date unspecified. Source: antonio carneiro. Video publication is separate from original/session date; unknown dates retained. Video publication: 2013-10-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=PbJw8uFrgNc Puíta].</ref> || popular || unknown || unknown || music-video || unknown || country:São Tomé and Príncipe || supported || [https://www.youtube.com/watch?v=PbJw8uFrgNc Recording/context source] [https://www.youtube.com/watch?v=BTGR5g1p_Mg Recording/context source] || Puíta, explicitly titled by the musician publisher António Carneiro/Fá Star in a 2013 musical presentation. Contemporary amplified Puíta adaptation; this does not import the same musician’s separately identified Soukous, Kuduro or other national repertoire. His source catalogue separately documents actual performances in São Tomé. Original session date unspecified. Source: antonio carneiro. Video publication is separate from original/session date; unknown dates retained. || <muglobe-flag video="PbJw8uFrgNc" field="muglobeFavorite" /> || <muglobe-flag video="PbJw8uFrgNc" field="currentHit" /> || <muglobe-flag video="PbJw8uFrgNc" field="authentic" /> | |||
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| São Marçal Puíta community ensemble (individual musicians uncredited) || Puíta de São Marçal — community performance excerpt || https://www.youtube.com/embed/RT2x4BYTusc || Puíta S. Marçal renovado, a short focused community musical excerpt with visible drum and metal-percussion players and participating vocalists. The publisher is not silently credited as lead singer. March 2020 is the publication date; session date unspecified. Source: Sidney Afonso. Video publication is separate from original/session date; unknown dates retained. Video publication: 2020-03-20; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=RT2x4BYTusc Puíta de São Marçal — community performance excerpt].</ref> || traditional || unknown || unknown || live || unknown || country:São Tomé and Príncipe || supported || [https://www.youtube.com/watch?v=RT2x4BYTusc Recording/context source] || Puíta S. Marçal renovado, a short focused community musical excerpt with visible drum and metal-percussion players and participating vocalists. The publisher is not silently credited as lead singer. March 2020 is the publication date; session date unspecified. Source: Sidney Afonso. Video publication is separate from original/session date; unknown dates retained. || <muglobe-flag video="RT2x4BYTusc" field="muglobeFavorite" /> || <muglobe-flag video="RT2x4BYTusc" field="currentHit" /> || <muglobe-flag video="RT2x4BYTusc" field="authentic" /> | |||
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| Puíta Atlântico de Pantufo || Muala Cu Tê Môiô — Pantufo presentation || https://www.youtube.com/embed/B0IeyspQSiU || Muala Cu Tê Môiô, identified in the community publisher caption as moala que te monho. One Pantufo performance presentation/source is retained after the focused Topic recording refused embedding. The related same-day Boa Gente/Atlântico upload is not also counted, and no claim of a new studio session is made. December 2018 is publication only. Source: Amilcar Antonio. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-12-17; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=B0IeyspQSiU Muala Cu Tê Môiô — Pantufo presentation].</ref> || popular || unknown || unknown || unknown || unknown || country:São Tomé and Príncipe || supported || [https://www.youtube.com/watch?v=B0IeyspQSiU Recording/context source] || Muala Cu Tê Môiô, identified in the community publisher caption as moala que te monho. One Pantufo performance presentation/source is retained after the focused Topic recording refused embedding. The related same-day Boa Gente/Atlântico upload is not also counted, and no claim of a new studio session is made. December 2018 is publication only. Source: Amilcar Antonio. Video publication is separate from original/session date; unknown dates retained. || <muglobe-flag video="B0IeyspQSiU" field="muglobeFavorite" /> || <muglobe-flag video="B0IeyspQSiU" field="currentHit" /> || <muglobe-flag video="B0IeyspQSiU" field="authentic" /> | |||
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| Laura dos Santos || Labandela || https://www.youtube.com/embed/PuINTB8hZoY || Labandela, a new single explicitly identified as Puíta by the singer’s Kinté Nguê Tamé programme publisher. Focused December 2024 musical single, distinct from the same programme’s older spoken/dance feature Ziglizy; the whole mixed programme is not also imported. Source: Programa Kinté Nguê Tamé. Video publication is separate from original/session date; unknown dates retained. Video publication: 2024-12-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.<ref>[https://www.youtube.com/watch?v=PuINTB8hZoY Labandela].</ref> || popular || unknown || unknown || music-video || unknown || country:São Tomé and Príncipe || supported || [https://www.youtube.com/watch?v=PuINTB8hZoY Recording/context source] || Labandela, a new single explicitly identified as Puíta by the singer’s Kinté Nguê Tamé programme publisher. Focused December 2024 musical single, distinct from the same programme’s older spoken/dance feature Ziglizy; the whole mixed programme is not also imported. Source: Programa Kinté Nguê Tamé. Video publication is separate from original/session date; unknown dates retained. || <muglobe-flag video="PuINTB8hZoY" field="muglobeFavorite" /> || <muglobe-flag video="PuINTB8hZoY" field="currentHit" /> || <muglobe-flag video="PuINTB8hZoY" field="authentic" /> | |||
|} | |} | ||
Latest revision as of 16:34, 22 October 2026
Summary
Santomean Puíta is a percussion, singing and social-dance repertoire with specific Angolan labor and migration histories in the islands. The name also identifies a principal drum, but instrument and repertoire are not identical categories. [1]
Contemporary and trending
Puíta remains a specifically recognized repertoire in the 2024 institutional transmission programme. Its modern national identity follows a longer history of participation across plantation and island communities. This recognition is distinct from commercial popularity or a fixed ritual calendar. [2] [1]
History
The monograph traces changing communities of practice involving Angolan workers, their descendants and other island residents. A uniform single-origin account would miss exchanges between plantations and local publics. Historical testimony also describes Puíta on Príncipe. [1]
Musical characteristics
The principal drum, mussumba, metal percussion and voices organize a repeating pulse and exchanges of song and dance. Ensemble resources expanded over time. A documented circle-dance account relates movement directly to the principal drum’s calls. [1]
Geography and communities
São Tomé’s linked plantation, village and town communities provide the principal landscape, with lower separate Príncipe presence. An Angolan historical connection does not automatically locate identical Santomean repertoire throughout Angola. [1]
Artists
Community drummers, lead singers, answering participants and dancers maintain the repertoire. The monograph’s interviewees describe different local histories; their contributions are collective expertise rather than evidence for a single permanent professional lineup. [1]
Representative performances
| Repertoire | Field use | Notes |
|---|---|---|
| traditional | regional | Comprehensive catalogue; recent discovery is prioritized and worthwhile older music remains playable. Preserve specific recording contexts and dates. |
| Artist | Performance / song / title | Embedded player URL | Notes | Repertoire kind | Repertoire date | Recording date | Format | Opening | Places | Fit | Evidence | Review note | MuGlobe favorite | Current hit | Authentic |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Grupo Zagaia (Amolete) | Grupo Zagaia (Amolete) - iya ya (Puita) | https://www.youtube.com/embed/BnxAZUdrVO8 | Iya Ya, explicitly labelled Puíta and credited to Grupo Zagaia (Amolete), in a focused Santomean song archive. Different named work/master from Camilo Domingos selections. Source: REI AMADOR 👑. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-04-20; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[3] | traditional | unknown | unknown | audio | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Iya Ya, explicitly labelled Puíta and credited to Grupo Zagaia (Amolete), in a focused Santomean song archive. Different named work/master from Camilo Domingos selections. Source: REI AMADOR 👑. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| João Aparício | Puita Musica de S.TOME E PRÍNCIPE- JOÃO APARÍCIO | https://www.youtube.com/embed/JZbGgiujvu4 | Puita, actual Santomean musical song credited in the title to João Aparício. Publisher João Santos is not silently the singer; original session date unknown. Source: João Santos. Video publication is separate from original/session date; unknown dates retained. Video publication: 2013-12-29; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[4] | traditional | unknown | unknown | unknown | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Puita, actual Santomean musical song credited in the title to João Aparício. Publisher João Santos is not silently the singer; original session date unknown. Source: João Santos. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Sebastiana | Sebastiana - Ê sa nê za ê (Puita) | https://www.youtube.com/embed/8ziopyujs3Q | Ê Sa Nê Za Ê, explicitly identified Puíta song in Santomean music archive. Sebastiana is the named singer; archive publisher Rei Amador is not the vocalist. Source: REI AMADOR 👑. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-04-20; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[5] | traditional | unknown | unknown | audio | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Ê Sa Nê Za Ê, explicitly identified Puíta song in Santomean music archive. Sebastiana is the named singer; archive publisher Rei Amador is not the vocalist. Source: REI AMADOR 👑. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Tigre T and Michel | Tigre T - Corona Bé Bô (puita) | https://www.youtube.com/embed/leRvDTnqaGE | Corona Bé Bô, primary artist explicitly identifies Puíta and names actual voices Tigre T and Michel. Pedro Sequeira is lyricist, Dico Mendes producer,50PRB video production. Source: Tigre T. Video publication is separate from original/session date; unknown dates retained. Video publication: 2020-05-12; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[6] | traditional | unknown | unknown | music-video | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Corona Bé Bô, primary artist explicitly identifies Puíta and names actual voices Tigre T and Michel. Pedro Sequeira is lyricist, Dico Mendes producer,50PRB video production. Source: Tigre T. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Lindex | Lindex - Homé de sumi ca ta cama (Puita) | https://www.youtube.com/embed/HXZHLjTLuOs | Homé de sumi ca ta cama, specifically labelled Puíta in Santomean song archive. Lindex is named singer; no blanket import of his other unspecified-form recordings. Source: REI AMADOR 👑. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-04-20; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[7] | traditional | unknown | unknown | audio | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Homé de sumi ca ta cama, specifically labelled Puíta in Santomean song archive. Lindex is named singer; no blanket import of his other unspecified-form recordings. Source: REI AMADOR 👑. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Família Forte | Amole puita-_Família Forte (vídeo oficial) | https://www.youtube.com/embed/hyyoYSnhyJQ | Amolê Puíta, primary group-owned official song video,2023 publication. National STP-Press group interview independently names this work; modern Puíta song adaptation, not every song by Família Forte or a generic Gospel work. Source: 2F..Família Forte. Video publication is separate from original/session date; unknown dates retained. Video publication: 2023-02-17; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[8] | popular | unknown | unknown | music-video | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Amolê Puíta, primary group-owned official song video,2023 publication. National STP-Press group interview independently names this work; modern Puíta song adaptation, not every song by Família Forte or a generic Gospel work. Source: 2F..Família Forte. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Ju Lima | Ju Lima, Puita-Lepalo 2015/2016, Video Oficial By HEROIMAGE | https://www.youtube.com/embed/9wsbQEkXCc0 | Puíta-Lepalo, explicitly named musical work and performer in primary production-company release. Published December2015 with2015/2016 branding; no invented exact recording date. Source: HEROIMAGE PRO. Video publication is separate from original/session date; unknown dates retained. Video publication: 2015-12-20; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[9] | popular | unknown | unknown | music-video | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Puíta-Lepalo, explicitly named musical work and performer in primary production-company release. Published December2015 with2015/2016 branding; no invented exact recording date. Source: HEROIMAGE PRO. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Grupo Cultural de Estudantes de São Tomé e Príncipe em Coimbra | puita.AVI | https://www.youtube.com/embed/pRCBs49QB-8 | Puíta at the cultural sarau for Africa Day in Coimbra, primary caption identifies the actual student cultural group. Silent source image shows stage ensemble with microphones and apparent percussion; supports musical group context, not an exact unheard soundtrack identity. Unknown session date;2012 is publication only. Source: Diamebá Carvalho. Video publication is separate from original/session date; unknown dates retained. Video publication: 2012-05-26; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[10] | traditional | unknown | unknown | live | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Puíta at the cultural sarau for Africa Day in Coimbra, primary caption identifies the actual student cultural group. Silent source image shows stage ensemble with microphones and apparent percussion; supports musical group context, not an exact unheard soundtrack identity. Unknown session date;2012 is publication only. Source: Diamebá Carvalho. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Alcino das Estrelas | Alcino das Estrelas - Padê ténu | https://www.youtube.com/embed/NMuGqDbg2rE | Padê Ténu, primary archive explicitly labels this specific work Puíta. Named singer distinct from archive publisher Rei Amador; no invented historical session date. Source: REI AMADOR 👑. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-04-20; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[11] | traditional | unknown | unknown | audio | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Padê Ténu, primary archive explicitly labels this specific work Puíta. Named singer distinct from archive publisher Rei Amador; no invented historical session date. Source: REI AMADOR 👑. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Sangazuza | Sangasuza - mama cadela sê bô yemu (puita) | https://www.youtube.com/embed/ZEGrzCUODfU | Mama Cadela Sê Bô Yemu, specifically labelled Puíta in title/description. Same conjunto’s Puxa or Rumba songs are not automatically merged into this tradition. Source: REI AMADOR 👑. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-04-20; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[12] | traditional | unknown | unknown | audio | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Mama Cadela Sê Bô Yemu, specifically labelled Puíta in title/description. Same conjunto’s Puxa or Rumba songs are not automatically merged into this tradition. Source: REI AMADOR 👑. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Água Izé Puíta ensemble (individual musicians uncredited) | Puíta de Água Izé | https://www.youtube.com/embed/8GYXgLG8IUA | Source-titled Água Izé Puíta presentation at a 12 July event in Cauê, published in July 2017. The source image shows a participating percussionist and microphone-equipped musical ensemble; the typo Puta in the publisher title is rendered Puíta. Individual musicians and original filming day are uncredited. Source: Digital Millennium STP. Video publication is separate from original/session date; unknown dates retained. Video publication: 2017-07-26; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[13] | traditional | unknown | unknown | live | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Source-titled Água Izé Puíta presentation at a 12 July event in Cauê, published in July 2017. The source image shows a participating percussionist and microphone-equipped musical ensemble; the typo Puta in the publisher title is rendered Puíta. Individual musicians and original filming day are uncredited. Source: Digital Millennium STP. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Gilnox | Puíta São Tomé — Modern Beat | https://www.youtube.com/embed/1Xz7Ayi-bHM | Modern instrumental beat explicitly described by producer Gilnox as inspired by traditional Puíta of São Tomé and Príncipe. Retained as a named contemporary Puíta-derived adaptation, not represented as an acoustic village ensemble or an anonymous traditional archive. Published February 2026; exact session day unspecified. Source: Gilson lourenço. Video publication is separate from original/session date; unknown dates retained. Video publication: 2026-02-19; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[14] | popular | unknown | unknown | audio | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Modern instrumental beat explicitly described by producer Gilnox as inspired by traditional Puíta of São Tomé and Príncipe. Retained as a named contemporary Puíta-derived adaptation, not represented as an acoustic village ensemble or an anonymous traditional archive. Published February 2026; exact session day unspecified. Source: Gilson lourenço. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Vento Certo — Stalone, Evil.k and Rayel Lima | Puíta | https://www.youtube.com/embed/Mt3fqylxdPs | Puíta, the named 2024 Vento Certo song with vocals explicitly credited to Stalone, Evil.k and Rayel Lima. Modern Santomean pop/Afropop presentation of Puíta, retained as a contemporary adaptation alongside traditional community performances. Evil.k is also credited for mix/master; Blackorp is the video producer/director, not a vocalist. Source: Evil.k. Video publication is separate from original/session date; unknown dates retained. Video publication: 2024-10-01; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[15] | popular | unknown | unknown | music-video | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Puíta, the named 2024 Vento Certo song with vocals explicitly credited to Stalone, Evil.k and Rayel Lima. Modern Santomean pop/Afropop presentation of Puíta, retained as a contemporary adaptation alongside traditional community performances. Evil.k is also credited for mix/master; Blackorp is the video producer/director, not a vocalist. Source: Evil.k. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| António Carneiro (Fá Star) | Puíta | https://www.youtube.com/embed/PbJw8uFrgNc | Puíta, explicitly titled by the musician publisher António Carneiro/Fá Star in a 2013 musical presentation. Contemporary amplified Puíta adaptation; this does not import the same musician’s separately identified Soukous, Kuduro or other national repertoire. His source catalogue separately documents actual performances in São Tomé. Original session date unspecified. Source: antonio carneiro. Video publication is separate from original/session date; unknown dates retained. Video publication: 2013-10-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[16] | popular | unknown | unknown | music-video | unknown | country:São Tomé and Príncipe | supported | Recording/context source Recording/context source | Puíta, explicitly titled by the musician publisher António Carneiro/Fá Star in a 2013 musical presentation. Contemporary amplified Puíta adaptation; this does not import the same musician’s separately identified Soukous, Kuduro or other national repertoire. His source catalogue separately documents actual performances in São Tomé. Original session date unspecified. Source: antonio carneiro. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| São Marçal Puíta community ensemble (individual musicians uncredited) | Puíta de São Marçal — community performance excerpt | https://www.youtube.com/embed/RT2x4BYTusc | Puíta S. Marçal renovado, a short focused community musical excerpt with visible drum and metal-percussion players and participating vocalists. The publisher is not silently credited as lead singer. March 2020 is the publication date; session date unspecified. Source: Sidney Afonso. Video publication is separate from original/session date; unknown dates retained. Video publication: 2020-03-20; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[17] | traditional | unknown | unknown | live | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Puíta S. Marçal renovado, a short focused community musical excerpt with visible drum and metal-percussion players and participating vocalists. The publisher is not silently credited as lead singer. March 2020 is the publication date; session date unspecified. Source: Sidney Afonso. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Puíta Atlântico de Pantufo | Muala Cu Tê Môiô — Pantufo presentation | https://www.youtube.com/embed/B0IeyspQSiU | Muala Cu Tê Môiô, identified in the community publisher caption as moala que te monho. One Pantufo performance presentation/source is retained after the focused Topic recording refused embedding. The related same-day Boa Gente/Atlântico upload is not also counted, and no claim of a new studio session is made. December 2018 is publication only. Source: Amilcar Antonio. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-12-17; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[18] | popular | unknown | unknown | unknown | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Muala Cu Tê Môiô, identified in the community publisher caption as moala que te monho. One Pantufo performance presentation/source is retained after the focused Topic recording refused embedding. The related same-day Boa Gente/Atlântico upload is not also counted, and no claim of a new studio session is made. December 2018 is publication only. Source: Amilcar Antonio. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
| Laura dos Santos | Labandela | https://www.youtube.com/embed/PuINTB8hZoY | Labandela, a new single explicitly identified as Puíta by the singer’s Kinté Nguê Tamé programme publisher. Focused December 2024 musical single, distinct from the same programme’s older spoken/dance feature Ziglizy; the whole mixed programme is not also imported. Source: Programa Kinté Nguê Tamé. Video publication is separate from original/session date; unknown dates retained. Video publication: 2024-12-24; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.[19] | popular | unknown | unknown | music-video | unknown | country:São Tomé and Príncipe | supported | Recording/context source | Labandela, a new single explicitly identified as Puíta by the singer’s Kinté Nguê Tamé programme publisher. Focused December 2024 musical single, distinct from the same programme’s older spoken/dance feature Ziglizy; the whole mixed programme is not also imported. Source: Programa Kinté Nguê Tamé. Video publication is separate from original/session date; unknown dates retained. | false | false | false |
Related genres
Djambi is a related ritual context whose music has close rhythmic connections, but it is not simply another name for every Puíta social occasion. Bulawê and Socopé have different organizational histories, while Semba supplies a wider Angolan comparison. [20] [1]
References and further reading
- ↑ 1.0 1.1 1.2 1.3 1.4 1.5 1.6 Magdalena Bialoborska Chambel, Dêxa puíta sócó(m)pé. Música em São Tomé e Príncipe: do colonialismo à independência, Centro de História da Universidade de Lisboa,2022. Access note: Repository synopsis and substantial publicly readable monograph facsimile/transcription read: title/author, taxonomy, Socopé/Ússua pp.96–103, Dêxa pp.118–119, Puíta pp.154–158 and Bulauê pp.309–312. Full353-page book not claimed.2013–20 interviews and historical accounts distinguished from present frequencies; no referenced audio/media accessed.
- ↑ RSTP, Comitiva de STP para Expo Japão2025 anuncia casting de dança tradicional para jovens são-tomenses,26 November2024. Access note: Full substantive public announcement read. Proposed Lisbon/São Tomé/Príncipe casting is not treated as proof of completed Japanese performances or foreign heartlands.
- ↑ Grupo Zagaia (Amolete) - iya ya (Puita).
- ↑ Puita Musica de S.TOME E PRÍNCIPE- JOÃO APARÍCIO.
- ↑ Sebastiana - Ê sa nê za ê (Puita).
- ↑ Tigre T - Corona Bé Bô (puita).
- ↑ Lindex - Homé de sumi ca ta cama (Puita).
- ↑ Amole puita-_Família Forte (vídeo oficial).
- ↑ Ju Lima, Puita-Lepalo 2015/2016, Video Oficial By HEROIMAGE.
- ↑ puita.AVI.
- ↑ Alcino das Estrelas - Padê ténu.
- ↑ Sangasuza - mama cadela sê bô yemu (puita).
- ↑ Puíta de Água Izé.
- ↑ Puíta São Tomé — Modern Beat.
- ↑ Puíta.
- ↑ Puíta.
- ↑ Puíta de São Marçal — community performance excerpt.
- ↑ Muala Cu Tê Môiô — Pantufo presentation.
- ↑ Labandela.
- ↑ Magdalena Bialoborska, Vungu Téla. Estudo da música santomense: Uma proposta de métodos, técnicas e objetivos, Cadernos de Estudos Africanos32 (2016),97–122. Access note: Public26-page PDF downloaded. Abstract, introductory/method passages and complete taxonomy on printed pp.110–111 read. This is explicitly a research/method proposal; the later monograph provides additional historical and interview work. No linked media accessed.
Hotspot mushrooms
São Tomé’s connected community/plantation-derived practice and a lower separately documented Príncipe field. Social repertoire and related Djambi ritual are differentiated.
The fields express editorial judgments about relative musical affinity and reach, not measured audience shares. Radius is the zero edge of a linear fade; same-genre overlaps combine by maximum.
| ID | Location | Latitude | Longitude | Radius (km) | Strength | Notes |
|---|---|---|---|---|---|---|
| puita-sao-tome | São Tomé Puíta community landscape | 0.25 | 6.65 | 170 | 0.69 | Connected communities and changing social-dance practice with specific labor/migration histories. |
| puita-principe | Príncipe related Puíta community landscape | 1.62 | 7.42 | 90 | 0.36 | Lower historically documented island-community practice, distinct from Dêxa. |