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[[File:MuGlobe-2100cbbee5a0eb5b.png|thumb|right|320px|alt=Dan Maraya Jos.|Dan Maraya Jos.<br />Image: Photographer not named by source; published by Music In Africa; Music In Africa. [https://creativecommons.org/licenses/by-nc/4.0/ CC BY-NC 4.0]. [https://musicinafrica.net/magazine/nigeria-mourns-dan-maraya-jos/ Source].]]
== Summary ==
== Summary ==
Dan Maraya Jos was a Nigerian Hausa singer associated with the single-stringed kuntigi lute. His work belongs to [[Hausa praise song|Hausa professional song]], combining praise with close observation of everyday life.<ref name="danmaraya-ucla">[https://aflang.humanities.ucla.edu/language-materials/chadic-languages/hausa/hausa-poetry-song/ UCLA African Languages: Dan Maraya Jos, biography, accompaniment and marriage-song analysis]. Accessed 23 October 2026.</ref>
Dan Maraya Jos was a [[Music of Nigeria|Nigerian]] Hausa singer associated with the single-stringed kuntigi lute. His work belongs to [[Hausa praise song|Hausa professional song]], combining praise with close observation of everyday life.<ref name="danmaraya-ucla">[https://aflang.humanities.ucla.edu/language-materials/chadic-languages/hausa/hausa-poetry-song/ UCLA African Languages: Dan Maraya Jos, biography, accompaniment and marriage-song analysis]. Accessed 23 October 2026.</ref>


== Life and career ==
== Life and career ==

Latest revision as of 00:21, 24 October 2026

Dan Maraya Jos.
Dan Maraya Jos.
Image: Photographer not named by source; published by Music In Africa; Music In Africa. CC BY-NC 4.0. Source.

Summary

Dan Maraya Jos was a Nigerian Hausa singer associated with the single-stringed kuntigi lute. His work belongs to Hausa professional song, combining praise with close observation of everyday life.[1]

Life and career

Born in 1946 near Jos, he lost his parents in infancy; his performing name means the Little Orphan of Jos. Local musicians shaped his early interests. Hearing performers in Maiduguri encouraged him to make a kuntigi and develop the self-accompanied style for which he became known.[1]

Music and style

Rapidly repeated lute patterns support his singing, sometimes changing pitch to follow the vocal line. His subjects include workers and relationships. UCLA's study of his marriage songs describes dramatic characterization, including imitated voices, as well as advice and criticism. The small instrumental texture leaves room for detailed verbal storytelling.[1]

Works and performances

'Wak'ar Karen Mota' honors a driver's mate. 'Jawabin Aure', 'Auren Dole' and 'Gulma-Wuya' explore marriage, coercion and gossip. In a 2015 interview, his son Anas emphasized that the repertoire celebrated both ordinary people and prominent figures, and connected its lasting appeal with the social issues it addressed.[1][2]


Selected recordings in MuGlobe: