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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Tarc%C3%ADsio_do_Acordeon</id>
	<title>Tarcísio do Acordeon - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Tarc%C3%ADsio_do_Acordeon"/>
	<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Tarc%C3%ADsio_do_Acordeon&amp;action=history"/>
	<updated>2026-10-24T02:40:48Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Tarc%C3%ADsio_do_Acordeon&amp;diff=6342&amp;oldid=prev</id>
		<title>Edb: Add contextual links to existing MuGlobe wiki articles; whole-wiki review requested by Ed (batch 032)</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Tarc%C3%ADsio_do_Acordeon&amp;diff=6342&amp;oldid=prev"/>
		<updated>2026-10-24T00:23:41Z</updated>

		<summary type="html">&lt;p&gt;Add contextual links to existing MuGlobe wiki articles; whole-wiki review requested by Ed (batch 032)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:23, 24 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Life and career ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Life and career ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In an interview about the piseiro boom, Tarcísio described bringing earlier band experience and accordion playing into a smaller electronic setup. He also identified his practice with forró de vaquejada. These descriptions explain why sources can apply several labels to the same career without necessarily contradicting one another.&amp;lt;ref name=&quot;fr-opovo&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In an interview about the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Pisadinha / &lt;/ins&gt;piseiro&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|piseiro]] &lt;/ins&gt;boom, Tarcísio described bringing earlier band experience and accordion playing into a smaller electronic setup. He also identified his practice with &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Forró de vaquejada|&lt;/ins&gt;forró de vaquejada&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;. These descriptions explain why sources can apply several labels to the same career without necessarily contradicting one another.&amp;lt;ref name=&quot;fr-opovo&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music and style ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music and style ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Edb</name></author>
	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Tarc%C3%ADsio_do_Acordeon&amp;diff=4986&amp;oldid=prev</id>
		<title>Edb: Add researched forró artist and ensemble biographies, sourced musical distinctions and contextual links</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Tarc%C3%ADsio_do_Acordeon&amp;diff=4986&amp;oldid=prev"/>
		<updated>2026-10-23T22:21:33Z</updated>

		<summary type="html">&lt;p&gt;Add researched forró artist and ensemble biographies, sourced musical distinctions and contextual links&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
&lt;br /&gt;
Tarcísio do Acordeon is a Brazilian singer and accordionist whose music connects [[Forró de vaquejada]], [[Pisadinha / piseiro|piseiro]] and electronic accompaniment. The accordion is central to his identity without confining him to an exclusively acoustic style.&amp;lt;ref name=&amp;quot;fr-opovo&amp;quot;&amp;gt;[https://mais.opovo.com.br/reportagens-especiais/pisadinha-novo-ritmo-musical/2021/02/19/aumenta-o-som-do-paredao--o-sucesso-da-pisadinha.html Bruna Forte: Aumenta o som do paredão; interviews with Tarcísio and Zé Vaqueiro, O Povo, 2021].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Life and career ==&lt;br /&gt;
&lt;br /&gt;
In an interview about the piseiro boom, Tarcísio described bringing earlier band experience and accordion playing into a smaller electronic setup. He also identified his practice with forró de vaquejada. These descriptions explain why sources can apply several labels to the same career without necessarily contradicting one another.&amp;lt;ref name=&amp;quot;fr-opovo&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Music and style ==&lt;br /&gt;
&lt;br /&gt;
Accordion melody, a strong sung presence and programmed accompaniment coexist in his recordings. That combination links instrumental inheritance to contemporary production. The presence of a sanfona alone does not determine whether a recording belongs to [[Traditional Forró]], while electronic backing does not sever its regional musical relationships.&lt;br /&gt;
&lt;br /&gt;
== Works and performances ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;Meia Noite&amp;#039; and &amp;#039;Meu Sonho&amp;#039; offer entry points into his repertoire. His participation in the wider circuit described by [[Xand Avião]] places him alongside [[João Gomes]], [[Zé Vaqueiro]] and other contemporary singers, while his specific accordion-led approach remains identifiable.&amp;lt;ref name=&amp;quot;fr-opovo&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;fr-xand&amp;quot;&amp;gt;[https://www.tenhomaisdiscosqueamigos.com/2023/05/23/tmdqa-entrevista-xand-aviao/ Xand Avião interview: roots, piseiro and the shared festival circuit (2023)].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== References ===&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
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