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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Sucu-sucu</id>
	<title>Sucu-sucu - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Sucu-sucu"/>
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	<updated>2026-10-23T16:25:21Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Sucu-sucu&amp;diff=3333&amp;oldid=prev</id>
		<title>Edb: Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Sucu-sucu&amp;diff=3333&amp;oldid=prev"/>
		<updated>2026-10-22T16:34:36Z</updated>

		<summary type="html">&lt;p&gt;Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:34, 22 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l62&quot;&gt;Line 62:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 62:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Arahí || A Bailar el Sucu Suco || https://www.youtube.com/embed/56TyHqYpKbs || A Bailar el Sucu Suco, specifically named song in the actual artist Manake catalogue, Music Art Entertainment/InnerCat distribution. Contemporary popular arrangement of the named Cuban form, not a claim that all Manake songs are sucu sucu.2016 release not a new 2026 session. Source: Arahí - Topic. Video publication is separate from original/session date; unknown dates retained. Video publication: 2016-09-22; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=56TyHqYpKbs A Bailar el Sucu Suco].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || audio || unknown || country:cuba || supported || [https://www.youtube.com/watch?v=56TyHqYpKbs Recording/context source] || A Bailar el Sucu Suco, specifically named song in the actual artist Manake catalogue, Music Art Entertainment/InnerCat distribution. Contemporary popular arrangement of the named Cuban form, not a claim that all Manake songs are sucu sucu.2016 release not a new 2026 session. Source: Arahí - Topic. Video publication is separate from original/session date; unknown dates retained. || &amp;lt;muglobe-flag video=&amp;quot;56TyHqYpKbs&amp;quot; field=&amp;quot;muglobeFavorite&amp;quot; /&amp;gt; || &amp;lt;muglobe-flag video=&amp;quot;56TyHqYpKbs&amp;quot; field=&amp;quot;currentHit&amp;quot; /&amp;gt; || &amp;lt;muglobe-flag video=&amp;quot;56TyHqYpKbs&amp;quot; field=&amp;quot;authentic&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Arahí || A Bailar el Sucu Suco || https://www.youtube.com/embed/56TyHqYpKbs || A Bailar el Sucu Suco, specifically named song in the actual artist Manake catalogue, Music Art Entertainment/InnerCat distribution. Contemporary popular arrangement of the named Cuban form, not a claim that all Manake songs are sucu sucu.2016 release not a new 2026 session. Source: Arahí - Topic. Video publication is separate from original/session date; unknown dates retained. Video publication: 2016-09-22; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=56TyHqYpKbs A Bailar el Sucu Suco].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || audio || unknown || country:cuba || supported || [https://www.youtube.com/watch?v=56TyHqYpKbs Recording/context source] || A Bailar el Sucu Suco, specifically named song in the actual artist Manake catalogue, Music Art Entertainment/InnerCat distribution. Contemporary popular arrangement of the named Cuban form, not a claim that all Manake songs are sucu sucu.2016 release not a new 2026 session. Source: Arahí - Topic. Video publication is separate from original/session date; unknown dates retained. || &amp;lt;muglobe-flag video=&amp;quot;56TyHqYpKbs&amp;quot; field=&amp;quot;muglobeFavorite&amp;quot; /&amp;gt; || &amp;lt;muglobe-flag video=&amp;quot;56TyHqYpKbs&amp;quot; field=&amp;quot;currentHit&amp;quot; /&amp;gt; || &amp;lt;muglobe-flag video=&amp;quot;56TyHqYpKbs&amp;quot; field=&amp;quot;authentic&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Cuerdas y Voces del Llano || Cuerdas y voces del llano - Quiero Bailar con Marielena mi sucu-sucu || https://www.youtube.com/embed/nT04zPJimE4 || Quiero bailar con Marielena mi sucu-sucu, actual Cuban group’s focused interpretation of specific Abelino/Avelino Cabrera island repertoire popularized by Mongo Rives. Not all this ensemble’s tonada, punto or other campesina work imported; this exact source explicitly names sucu-sucu. Original session unknown, April 2022 publication not a new 2026 session. Source: Yarel de la C. Perez Martinez. Video publication is separate from original/session date; unknown dates retained. Video publication: 2022-04-27; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=nT04zPJimE4 Cuerdas y voces del llano - Quiero Bailar con Marielena mi sucu-sucu].&amp;lt;/ref&amp;gt; || traditional || unknown || unknown || live || unknown || country:cuba || supported || [https://www.youtube.com/watch?v=nT04zPJimE4 Recording/context source] || Quiero bailar con Marielena mi sucu-sucu, actual Cuban group’s focused interpretation of specific Abelino/Avelino Cabrera island repertoire popularized by Mongo Rives. Not all this ensemble’s tonada, punto or other campesina work imported; this exact source explicitly names sucu-sucu. Original session unknown, April 2022 publication not a new 2026 session. Source: Yarel de la C. Perez Martinez. Video publication is separate from original/session date; unknown dates retained. || &amp;lt;muglobe-flag video=&quot;nT04zPJimE4&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;nT04zPJimE4&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;nT04zPJimE4&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Frangollo.com || La Guaracha de Felipe Blanco - FRANGOLLO.COM - Concierto en Santa Lucía de Tirajana 2012 || https://www.youtube.com/embed/PTbCR17O004 || Felipe Blanco (La Guaracha de Felipe Blanco), actual Gran Canaria Santa Lucía de Tirajana concert 2012 reinterpretation of classic Cuban sucu-sucu repertoire, also catalogued by Conjunto Casino/Frontera as sucu-sucu. Source calls this arrangement guaracha: explicit Canarian concert adaptation of a specific Cuban work, not assertion mainland Cuba/Canaries all have same local scene. Source: GranCanariaTv.com. Video publication is separate from original/session date; unknown dates retained. Video publication: 2013-05-01; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=PTbCR17O004 La Guaracha de Felipe Blanco - FRANGOLLO.COM - Concierto en Santa Lucía de Tirajana 2012].&amp;lt;/ref&amp;gt; || traditional || unknown || 2012 || live || unknown || country:cuba || supported || [https://www.youtube.com/watch?v=PTbCR17O004 Recording/context source] [h Recording/context source] [t Recording/context source] [p Recording/context source] [s Recording/context source] [: Recording/context source] [/ Recording/context source] [w Recording/context source] [. Recording/context source] [y Recording/context source] [o Recording/context source] [u Recording/context source] [b Recording/context source] [e Recording/context source] [c Recording/context source] [m Recording/context source] [a Recording/context source] [? Recording/context source] [v Recording/context source] [= Recording/context source] [6 Recording/context source] [S Recording/context source] [0 Recording/context source] [j Recording/context source] [F Recording/context source] [L Recording/context source] [Y Recording/context source] [D Recording/context source] [4 Recording/context source] || Felipe Blanco (La Guaracha de Felipe Blanco), actual Gran Canaria Santa Lucía de Tirajana concert 2012 reinterpretation of classic Cuban sucu-sucu repertoire, also catalogued by Conjunto Casino/Frontera as sucu-sucu. Source calls this arrangement guaracha: explicit Canarian concert adaptation of a specific Cuban work, not assertion mainland Cuba/Canaries all have same local scene. Source: GranCanariaTv.com. Video publication is separate from original/session date; unknown dates retained. || &amp;lt;muglobe-flag video=&quot;PTbCR17O004&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;PTbCR17O004&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;PTbCR17O004&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Son y No Son (Rey Arteaga, Russell Scanlon, Jean Jacques Barrera &amp;amp;amp; Mary Harsh) || &quot;Yo quiero bailar con Maria Elena&quot;  with  Son y No Son || https://www.youtube.com/embed/y1XSf9VM100 || Yo quiero bailar con María Elena, actual independent group live rendition at Central Market Austin on26 January 2014. Source names congas, guitar, bajo sexto and bass players; artist roles retained. Cabrera’s exact María Elena source composition is explicitly identified by Isla de la Juventud Islavisión as signature sucu-sucu repertoire. Contemporary son-oriented diaspora arrangement of that specific work, not assertion all Austin son music is sucu-sucu or island-local geography. Specific composition/source also https://www.youtube.com/watch?v=Y4 AE_yg UUv U (Islavisión 2014 documentary identifies Cabrera work, documentary itself not accepted). Source: Javier Flores. Video publication is separate from original/session date; unknown dates retained. Video publication: 2014-01-27; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=y1XSf9VM100 &quot;Yo quiero bailar con Maria Elena&quot;  with  Son y No Son].&amp;lt;/ref&amp;gt; || traditional || unknown || 2014-01-26 || live || unknown || country:cuba || supported || [https://www.youtube.com/watch?v=y1XSf9VM100 Recording/context source] [h Recording/context source] [t Recording/context source] [p Recording/context source] [s Recording/context source] [: Recording/context source] [/ Recording/context source] [f Recording/context source] [o Recording/context source] [l Recording/context source] [k Recording/context source] [w Recording/context source] [a Recording/context source] [y Recording/context source] [. Recording/context source] [i Recording/context source] [e Recording/context source] [d Recording/context source] [u Recording/context source] [- Recording/context source] [m Recording/context source] [c Recording/context source] [b Recording/context source] [r Recording/context source] [n Recording/context source] || Yo quiero bailar con María Elena, actual independent group live rendition at Central Market Austin on26 January 2014. Source names congas, guitar, bajo sexto and bass players; artist roles retained. Cabrera’s exact María Elena source composition is explicitly identified by Isla de la Juventud Islavisión as signature sucu-sucu repertoire. Contemporary son-oriented diaspora arrangement of that specific work, not assertion all Austin son music is sucu-sucu or island-local geography. Specific composition/source also https://www.youtube.com/watch?v=Y4 AE_yg UUv U (Islavisión 2014 documentary identifies Cabrera work, documentary itself not accepted). Source: Javier Flores. Video publication is separate from original/session date; unknown dates retained. || &amp;lt;muglobe-flag video=&quot;y1XSf9VM100&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;y1XSf9VM100&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;y1XSf9VM100&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Los Hermanos Bravo || Nostalgia Cubana - Los Hermanos Bravo - Felipe Blanco || https://www.youtube.com/embed/S8JQTwGfOQQ || Felipe Blanco, actual focused historical trio rendition. Individual players/session uncredited; source identifies Cuban trio and work, composition catalogued by Smithsonian/Frontera sources as sucu-sucu. Specific repertoire reinterpretation, not blanket all trio boleros or son assumed same form. Source: elmarakazo. Video publication is separate from original/session date; unknown dates retained. Video publication: 2010-01-20; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=S8JQTwGfOQQ Nostalgia Cubana - Los Hermanos Bravo - Felipe Blanco].&amp;lt;/ref&amp;gt; || traditional || unknown || unknown || unknown || unknown || country:cuba || supported || [https://www.youtube.com/watch?v=S8JQTwGfOQQ Recording/context source] [h Recording/context source] [t Recording/context source] [p Recording/context source] [s Recording/context source] [: Recording/context source] [/ Recording/context source] [w Recording/context source] [. Recording/context source] [y Recording/context source] [o Recording/context source] [u Recording/context source] [b Recording/context source] [e Recording/context source] [c Recording/context source] [m Recording/context source] [a Recording/context source] [? Recording/context source] [v Recording/context source] [= Recording/context source] [6 Recording/context source] [S Recording/context source] [0 Recording/context source] [j Recording/context source] [F Recording/context source] [L Recording/context source] [Y Recording/context source] [D Recording/context source] [4 Recording/context source] || Felipe Blanco, actual focused historical trio rendition. Individual players/session uncredited; source identifies Cuban trio and work, composition catalogued by Smithsonian/Frontera sources as sucu-sucu. Specific repertoire reinterpretation, not blanket all trio boleros or son assumed same form. Source: elmarakazo. Video publication is separate from original/session date; unknown dates retained. || &amp;lt;muglobe-flag video=&quot;S8JQTwGfOQQ&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;S8JQTwGfOQQ&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;S8JQTwGfOQQ&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Los Novels de Cuba &amp;amp;amp; Alberto Alberto || MUSICA CUBANA - LOS NOVELS DE CUBA  - FELIPE BLANCO - || https://www.youtube.com/embed/cLLPM9DDAUE || Felipe Blanco, actual Cuban ensemble with named singer Alberto Alberto, primary publisher identifies group’s international career separately from music credit. This is an independent arrangement of specific Cuban sucu-sucu classic, with modern son ensemble sound explicitly acknowledged; not classification of all songs by Cuban ensembles. Original session unknown. Source: CUBA ES MUSICA. Video publication is separate from original/session date; unknown dates retained. Video publication: 2018-05-01; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=cLLPM9DDAUE MUSICA CUBANA - LOS NOVELS DE CUBA  - FELIPE BLANCO -].&amp;lt;/ref&amp;gt; || traditional || unknown || unknown || live || unknown || country:cuba || supported || [https://www.youtube.com/watch?v=cLLPM9DDAUE Recording/context source] [h Recording/context source] [t Recording/context source] [p Recording/context source] [s Recording/context source] [: Recording/context source] [/ Recording/context source] [w Recording/context source] [. Recording/context source] [y Recording/context source] [o Recording/context source] [u Recording/context source] [b Recording/context source] [e Recording/context source] [c Recording/context source] [m Recording/context source] [a Recording/context source] [? Recording/context source] [v Recording/context source] [= Recording/context source] [6 Recording/context source] [S Recording/context source] [0 Recording/context source] [j Recording/context source] [F Recording/context source] [L Recording/context source] [Y Recording/context source] [D Recording/context source] [4 Recording/context source] || Felipe Blanco, actual Cuban ensemble with named singer Alberto Alberto, primary publisher identifies group’s international career separately from music credit. This is an independent arrangement of specific Cuban sucu-sucu classic, with modern son ensemble sound explicitly acknowledged; not classification of all songs by Cuban ensembles. Original session unknown. Source: CUBA ES MUSICA. Video publication is separate from original/session date; unknown dates retained. || &amp;lt;muglobe-flag video=&quot;cLLPM9DDAUE&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;cLLPM9DDAUE&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;cLLPM9DDAUE&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Pachalo &amp;amp;amp; Orquesta Sabor Cubano feat. Juan de la Cruz Antomarchí Cotó || Sucu Suco en Navidad con Pachalo de Cuba || https://www.youtube.com/embed/RRgyo540geE || Sucu Suco en Navidad, actual modern Cuban-led Christmas composition published 2022 by Malanga Fundación Cultural. Primary credits identify Rafael Arquímedes Gavilán Caña as composer/director/lead voice/percussion, international brass/rhythm orchestra and guest Cotó on Cuban tres. A named modern sucu-suco adaptation in expanded orchestral arrangement, not Mongo’s historic master, Tarateño Rojas novelty or all salsa automatically treated as island form. Cuba scope denotes explicitly Cuban-led source repertoire; no claim to a new dense mainland or Colombian geographic field. Original session unknown. Source: Malanga Fundacion Cultural Int. Video publication is separate from original/session date; unknown dates retained. Video publication: 2022-12-20; original-release and performance dates are separate. Advancing embedded playback checked 22 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=RRgyo540geE Sucu Suco en Navidad con Pachalo de Cuba].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:cuba || supported || [https://www.youtube.com/watch?v=RRgyo540geE Recording/context source] || Sucu Suco en Navidad, actual modern Cuban-led Christmas composition published 2022 by Malanga Fundación Cultural. Primary credits identify Rafael Arquímedes Gavilán Caña as composer/director/lead voice/percussion, international brass/rhythm orchestra and guest Cotó on Cuban tres. A named modern sucu-suco adaptation in expanded orchestral arrangement, not Mongo’s historic master, Tarateño Rojas novelty or all salsa automatically treated as island form. Cuba scope denotes explicitly Cuban-led source repertoire; no claim to a new dense mainland or Colombian geographic field. Original session unknown. Source: Malanga Fundacion Cultural Int. Video publication is separate from original/session date; unknown dates retained. || &amp;lt;muglobe-flag video=&quot;RRgyo540geE&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;RRgyo540geE&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;RRgyo540geE&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key muglobe-wiki-216c67dcaa45b807:diff:1.41:old-3248:rev-3333:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Sucu-sucu&amp;diff=3248&amp;oldid=prev</id>
		<title>Edb: Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Sucu-sucu&amp;diff=3248&amp;oldid=prev"/>
		<updated>2026-10-22T14:40:07Z</updated>

		<summary type="html">&lt;p&gt;Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.&lt;/p&gt;
&lt;a href=&quot;https://wiki.muglobe.com/w/index.php?title=Sucu-sucu&amp;amp;diff=3248&amp;amp;oldid=2891&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Sucu-sucu&amp;diff=2891&amp;oldid=prev</id>
		<title>Edb: Add canonical MuGlobe favorite, current-hit and authentic fields to all recording links; preserve existing music and article content</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Sucu-sucu&amp;diff=2891&amp;oldid=prev"/>
		<updated>2026-10-22T02:33:42Z</updated>

		<summary type="html">&lt;p&gt;Add canonical MuGlobe favorite, current-hit and authentic fields to all recording links; preserve existing music and article content&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:33, 22 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot;&gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable muglobe-performances&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable muglobe-performances&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|+ MuGlobe representative performances&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|+ MuGlobe representative performances&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! Artist !! Performance / song / title !! Embedded player URL !! Notes&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! Artist !! Performance / song / title !! Embedded player URL !! Notes &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;!! Repertoire kind !! Repertoire date !! Recording date !! Format !! Opening !! Places !! Fit !! Evidence !! Review note !! MuGlobe favorite !! Current hit !! Authentic&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Mongo Rives y su Tumbita Criolla || Sucu Sucu para Ti || https://www.youtube.com/embed/DqLwgORty-U || The ensemble’s released audio is linked by the Cuban-music teaching resource specifically as a sucu-sucu example. It offers the Isle of Youth tradition through Mongo Rives’s named group rather than a dance remix.&amp;lt;ref name=&quot;performance-sucu-sucu-1&quot;&amp;gt;[https://www.youtube.com/watch?v=DqLwgORty-U Mongo Rives y su Tumbita Criolla — Sucu Sucu para Ti]. YouTube recording; metadata checked 2026-10-18. Context: [https://www.cubana.si/268lanki/zgodnja-glasba-kubanskega-podezelja supporting source].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Mongo Rives y su Tumbita Criolla || Sucu Sucu para Ti || https://www.youtube.com/embed/DqLwgORty-U || The ensemble’s released audio is linked by the Cuban-music teaching resource specifically as a sucu-sucu example. It offers the Isle of Youth tradition through Mongo Rives’s named group rather than a dance remix.&amp;lt;ref name=&quot;performance-sucu-sucu-1&quot;&amp;gt;[https://www.youtube.com/watch?v=DqLwgORty-U Mongo Rives y su Tumbita Criolla — Sucu Sucu para Ti]. YouTube recording; metadata checked 2026-10-18. Context: [https://www.cubana.si/268lanki/zgodnja-glasba-kubanskega-podezelja supporting source].&amp;lt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; || unknown || unknown || unknown || unknown || unknown || unknown || pending || [https://www.youtube.com/watch?v=DqLwgORty-U Existing recording] || Legacy accepted recording retained during curation-field migration; no new age or geographic claims. || &amp;lt;muglobe-flag video=&quot;DqLwgORty-U&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;DqLwgORty-U&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;DqLwgORty-U&quot; field=&quot;authentic&quot; /&lt;/ins&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Mongo Rives and accompanying musicians || Se quedó sin ropa el chivo || https://www.youtube.com/embed/JR0HOYR52FE || La Rendija’s cultural-programme upload identifies Rives in a presentation associated with UNEAC on Isla de la Juventud. It provides a filmed sucu-sucu example alongside the existing recorded song.&amp;lt;ref name=&quot;performance-sucu-sucu-2&quot;&amp;gt;[https://www.youtube.com/watch?v=JR0HOYR52FE Mongo Rives and accompanying musicians — Se quedó sin ropa el chivo]. YouTube recording; metadata checked 2026-10-18.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Mongo Rives and accompanying musicians || Se quedó sin ropa el chivo || https://www.youtube.com/embed/JR0HOYR52FE || La Rendija’s cultural-programme upload identifies Rives in a presentation associated with UNEAC on Isla de la Juventud. It provides a filmed sucu-sucu example alongside the existing recorded song.&amp;lt;ref name=&quot;performance-sucu-sucu-2&quot;&amp;gt;[https://www.youtube.com/watch?v=JR0HOYR52FE Mongo Rives and accompanying musicians — Se quedó sin ropa el chivo]. YouTube recording; metadata checked 2026-10-18.&amp;lt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; || unknown || unknown || unknown || unknown || unknown || unknown || pending || [https://www.youtube.com/watch?v=JR0HOYR52FE Existing recording] || Legacy accepted recording retained during curation-field migration; no new age or geographic claims. || &amp;lt;muglobe-flag video=&quot;JR0HOYR52FE&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;JR0HOYR52FE&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;JR0HOYR52FE&quot; field=&quot;authentic&quot; /&lt;/ins&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key muglobe-wiki-216c67dcaa45b807:diff:1.41:old-1553:rev-2891:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Sucu-sucu&amp;diff=1553&amp;oldid=prev</id>
		<title>Edb: Add sourced representative performance playlist; preserve article prose and hotspot mushrooms</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Sucu-sucu&amp;diff=1553&amp;oldid=prev"/>
		<updated>2026-10-18T18:13:38Z</updated>

		<summary type="html">&lt;p&gt;Add sourced representative performance playlist; preserve article prose and hotspot mushrooms&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:13, 18 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot;&gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Artists ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Artists ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ramón Mongo Rives and his ensemble are the clearest documented listening route in the inherited catalogue. Folkways lists the Mongo Rives Country Ensemble performing a sucu-sucu, connecting a named bearer to an identifiable repertory example. Local musicians and teachers who continue that work matter alongside the best-known name. Comparing a public presentation with archival documentation can reveal changes in arrangement and amplification while preserving the basic relation between repeated song, rhythmic strings and social dance. No claim to having auditioned those recordings is made here. &amp;lt;ref name=&amp;quot;ga-cuba-folk&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ramón Mongo Rives and his ensemble are the clearest documented listening route in the inherited catalogue. Folkways lists the Mongo Rives Country Ensemble performing a sucu-sucu, connecting a named bearer to an identifiable repertory example. Local musicians and teachers who continue that work matter alongside the best-known name. Comparing a public presentation with archival documentation can reveal changes in arrangement and amplification while preserving the basic relation between repeated song, rhythmic strings and social dance. No claim to having auditioned those recordings is made here. &amp;lt;ref name=&amp;quot;ga-cuba-folk&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Representative performances ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;These recordings offer listening examples of the genre. Notes identify the performance setting and any adaptation or mixed repertoire.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{| class=&quot;wikitable muglobe-performances&quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|+ MuGlobe representative performances&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;! Artist !! Performance / song / title !! Embedded player URL !! Notes&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Mongo Rives y su Tumbita Criolla || Sucu Sucu para Ti || https://www.youtube.com/embed/DqLwgORty-U || The ensemble’s released audio is linked by the Cuban-music teaching resource specifically as a sucu-sucu example. It offers the Isle of Youth tradition through Mongo Rives’s named group rather than a dance remix.&amp;lt;ref name=&quot;performance-sucu-sucu-1&quot;&amp;gt;[https://www.youtube.com/watch?v=DqLwgORty-U Mongo Rives y su Tumbita Criolla — Sucu Sucu para Ti]. YouTube recording; metadata checked 2026-10-18. Context: [https://www.cubana.si/268lanki/zgodnja-glasba-kubanskega-podezelja supporting source].&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Mongo Rives and accompanying musicians || Se quedó sin ropa el chivo || https://www.youtube.com/embed/JR0HOYR52FE || La Rendija’s cultural-programme upload identifies Rives in a presentation associated with UNEAC on Isla de la Juventud. It provides a filmed sucu-sucu example alongside the existing recorded song.&amp;lt;ref name=&quot;performance-sucu-sucu-2&quot;&amp;gt;[https://www.youtube.com/watch?v=JR0HOYR52FE Mongo Rives and accompanying musicians — Se quedó sin ropa el chivo]. YouTube recording; metadata checked 2026-10-18.&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Related genres ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Related genres ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr class=&quot;mw-diff-slot-header&quot; lang=&quot;en&quot;&gt;&lt;th colspan=&quot;4&quot;&gt;muglobe-article&lt;/th&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&amp;quot;category&amp;quot;: &amp;quot;genre&amp;quot;,&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&amp;quot;category&amp;quot;: &amp;quot;genre&amp;quot;,&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&amp;quot;templatePageId&amp;quot;: 17,&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&amp;quot;templatePageId&amp;quot;: 17,&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&quot;templateRevisionId&quot;: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;86&lt;/del&gt;,&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&quot;templateRevisionId&quot;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1065&lt;/ins&gt;,&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&quot;templateVersion&quot;: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;8&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&quot;templateVersion&quot;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;9&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key muglobe-wiki-216c67dcaa45b807:diff:1.41:old-162:rev-1553:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Sucu-sucu&amp;diff=162&amp;oldid=prev</id>
		<title>Edb: Create researched genre article and inferred regional musical landscapes; Ed’s approved authoring method</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Sucu-sucu&amp;diff=162&amp;oldid=prev"/>
		<updated>2026-10-18T00:46:17Z</updated>

		<summary type="html">&lt;p&gt;Create researched genre article and inferred regional musical landscapes; Ed’s approved authoring method&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
Sucu-sucu is a song-and-dance tradition closely associated with Cuba&amp;#039;s Isla de la Juventud, historically called Isla de Pinos. Its buoyant string-and-percussion sound belongs to social gathering and regional identity rather than to a single internationally standardized dance formula. A singer, answering voices and repeating instrumental figures create a setting in which people can dance and participate. It is related to the broader son world but retains a distinctive local name, repertory and history. &amp;lt;ref name=&amp;quot;ga-cuba-folk&amp;quot;&amp;gt;[https://folkways.si.edu/folk-music-of-cuba/world/music/album/smithsonian Folk Music of Cuba — UNESCO Collection / Smithsonian Folkways].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Contemporary and trending ==&lt;br /&gt;
The tradition continues through local musicians, cultural presentations, teaching and repertory memory on the island. Its visibility may be strongest in community and heritage settings rather than national commercial broadcasting. That does not make it merely a historical remnant: musicians can sustain an older repertory as useful music for present relationships. Visitors often encounter a staged version, which can introduce the sound while compressing the longer social life around it. The community&amp;#039;s own identification of the practice remains more informative than an outside assumption based only on instrumentation.&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
Local accounts connect sucu-sucu to rural island gatherings and family lines of transmission. Mongo Rives became a particularly visible bearer and interpreter, linking inherited practice with recording and public performance. The exact early chronology is often narrated through community memory and origin stories; those accounts deserve attention without converting every remembered date into a proven archival fact. Movement between rural life, the island&amp;#039;s towns and wider Cuban cultural institutions helped make the genre recognizable beyond its home setting. &amp;lt;ref name=&amp;quot;new-sucu&amp;quot;&amp;gt;[https://isladelajuventud-cuba.com/centro-municipal-musica/ Centro Municipal de la Música — Isla de la Juventud].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Musical characteristics ==&lt;br /&gt;
Plucked strings provide a bright, repeated framework while percussion and bass establish a compact dance groove. The texture is often lighter than a large urban conjunto, allowing the singer and group response to remain close to the dancers. A recurring phrase can gather energy through timing and participation rather than through a sequence of elaborate orchestral sections. The listener should attend to the ensemble&amp;#039;s bounce and the way voices enter, not merely search for one rhythmic figure that supposedly proves the genre in every example.&lt;br /&gt;
&lt;br /&gt;
== Geography and communities ==&lt;br /&gt;
The map gives the Isla de la Juventud and its neighboring social connections one appropriately scaled field. It is broad enough to include the island&amp;#039;s rural communities, not only Nueva Gerona or a performer&amp;#039;s birthplace, yet it does not flood mainland Cuba with equal intensity. This is a case where a relatively compact mushroom reflects actual regional specificity rather than the earlier mistake of making every city a separate musical island. Performances elsewhere are transmission, not automatic evidence of a second dense everyday landscape.&lt;br /&gt;
&lt;br /&gt;
== Artists ==&lt;br /&gt;
Ramón Mongo Rives and his ensemble are the clearest documented listening route in the inherited catalogue. Folkways lists the Mongo Rives Country Ensemble performing a sucu-sucu, connecting a named bearer to an identifiable repertory example. Local musicians and teachers who continue that work matter alongside the best-known name. Comparing a public presentation with archival documentation can reveal changes in arrangement and amplification while preserving the basic relation between repeated song, rhythmic strings and social dance. No claim to having auditioned those recordings is made here. &amp;lt;ref name=&amp;quot;ga-cuba-folk&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Related genres ==&lt;br /&gt;
[[Son cubano]] provides the wider family resemblance in strings, percussion and responsorial organization. [[Guajira cubana]] and [[Punto cubano]] offer other ways Cuban rural identities became named repertories, but their poetic and rhythmic conventions differ. Regional distinctiveness does not require isolation: sucu-sucu can share instruments and musicians&amp;#039; knowledge with broader Cuban music while remaining a locally meaningful practice. The island&amp;#039;s cultural identity is the organizing principle, not a claim that the music exists nowhere else.&lt;br /&gt;
&lt;br /&gt;
=== References and further reading ===&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Hotspot mushrooms ==&lt;br /&gt;
Sucu-sucu&amp;#039;s meaningful scale is the island-wide rural–urban community landscape of Isla de la Juventud. A single compact regional field is justified by that specificity, not by one documented city address.&lt;br /&gt;
&lt;br /&gt;
These fields are editorial illustrations of musical affinity and cultural reach, not listener statistics. Radius marks the zero edge of the fade; overlapping fields of this genre combine by maximum.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable muglobe-hotspots&amp;quot;&lt;br /&gt;
|+ MuGlobe hotspot mushrooms&lt;br /&gt;
! ID !! Location !! Latitude !! Longitude !! Radius (km) !! Strength !! Notes&lt;br /&gt;
&lt;br /&gt;
|-&lt;br /&gt;
| sucu-sucu-isla-juventud || Isla de la Juventud sucu-sucu landscape || 21.65 || -82.85 || 160 || 1 || Includes the island and rural bearer relationships, fading before equating mainland Cuban practice.&lt;br /&gt;
&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
</feed>