<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Southern_African_gospel</id>
	<title>Southern African gospel - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Southern_African_gospel"/>
	<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Southern_African_gospel&amp;action=history"/>
	<updated>2026-10-23T13:15:14Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.11</generator>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Southern_African_gospel&amp;diff=3227&amp;oldid=prev</id>
		<title>Edb: Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Southern_African_gospel&amp;diff=3227&amp;oldid=prev"/>
		<updated>2026-10-22T14:05:31Z</updated>

		<summary type="html">&lt;p&gt;Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.&lt;/p&gt;
&lt;a href=&quot;https://wiki.muglobe.com/w/index.php?title=Southern_African_gospel&amp;amp;diff=3227&amp;amp;oldid=2986&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Southern_African_gospel&amp;diff=2986&amp;oldid=prev</id>
		<title>Edb: Add canonical MuGlobe favorite, current-hit and authentic fields to all recording links; preserve existing music and article content</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Southern_African_gospel&amp;diff=2986&amp;oldid=prev"/>
		<updated>2026-10-22T02:34:18Z</updated>

		<summary type="html">&lt;p&gt;Add canonical MuGlobe favorite, current-hit and authentic fields to all recording links; preserve existing music and article content&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:34, 22 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l44&quot;&gt;Line 44:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 44:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable muglobe-performances&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable muglobe-performances&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|+ MuGlobe representative performances&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|+ MuGlobe representative performances&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! Artist !! Performance / song / title !! Embedded player URL !! Notes !! Repertoire kind !! Repertoire date !! Recording date !! Format !! Opening !! Places !! Fit !! Evidence !! Review note&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! Artist !! Performance / song / title !! Embedded player URL !! Notes !! Repertoire kind !! Repertoire date !! Recording date !! Format !! Opening !! Places !! Fit !! Evidence !! Review note &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;!! MuGlobe favorite !! Current hit !! Authentic&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Tshepo Lesole || Tshepo Lesole &quot;Nkabo ke le kae&quot; Official Music Video || https://www.youtube.com/embed/lIKn4xTKJHY || Archive: retained historical reference. Specific local Christian musical performance. Video publication: 2012-11-30; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=lIKn4xTKJHY Tshepo Lesole &quot;Nkabo ke le kae&quot; Official Music Video].&amp;lt;/ref&amp;gt; || popular || 2012 || unknown || music-video || unknown || country:Botswana || supported || [https://www.youtube.com/watch?v=lIKn4xTKJHY Recording/context source] || Archive: Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Tshepo Lesole || Tshepo Lesole &quot;Nkabo ke le kae&quot; Official Music Video || https://www.youtube.com/embed/lIKn4xTKJHY || Archive: retained historical reference. Specific local Christian musical performance. Video publication: 2012-11-30; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=lIKn4xTKJHY Tshepo Lesole &quot;Nkabo ke le kae&quot; Official Music Video].&amp;lt;/ref&amp;gt; || popular || 2012 || unknown || music-video || unknown || country:Botswana || supported || [https://www.youtube.com/watch?v=lIKn4xTKJHY Recording/context source] || Archive: Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|| &amp;lt;muglobe-flag video=&quot;lIKn4xTKJHY&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;lIKn4xTKJHY&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;lIKn4xTKJHY&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Tshepo Lesole || Tshepo Lesole - I Will Wait (Official Music Video) || https://www.youtube.com/embed/Hvr5YLfo7UQ || Specific local Christian musical performance. Video publication: 2020-03-25; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=Hvr5YLfo7UQ Tshepo Lesole - I Will Wait (Official Music Video)].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Botswana || supported || [https://www.youtube.com/watch?v=Hvr5YLfo7UQ Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Tshepo Lesole || Tshepo Lesole - I Will Wait (Official Music Video) || https://www.youtube.com/embed/Hvr5YLfo7UQ || Specific local Christian musical performance. Video publication: 2020-03-25; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=Hvr5YLfo7UQ Tshepo Lesole - I Will Wait (Official Music Video)].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Botswana || supported || [https://www.youtube.com/watch?v=Hvr5YLfo7UQ Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|| &amp;lt;muglobe-flag video=&quot;Hvr5YLfo7UQ&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;Hvr5YLfo7UQ&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;Hvr5YLfo7UQ&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Kabelo Eric || Kabelo Eric Take the Glory || https://www.youtube.com/embed/2ta-cQ1pdJw || Specific local Christian musical performance. Video publication: 2020-10-07; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=2ta-cQ1pdJw Kabelo Eric Take the Glory].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Botswana || supported || [https://www.youtube.com/watch?v=2ta-cQ1pdJw Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Kabelo Eric || Kabelo Eric Take the Glory || https://www.youtube.com/embed/2ta-cQ1pdJw || Specific local Christian musical performance. Video publication: 2020-10-07; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=2ta-cQ1pdJw Kabelo Eric Take the Glory].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Botswana || supported || [https://www.youtube.com/watch?v=2ta-cQ1pdJw Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|| &amp;lt;muglobe-flag video=&quot;2ta-cQ1pdJw&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;2ta-cQ1pdJw&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;2ta-cQ1pdJw&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Kabelo Eric with Serge Iyamuremye || YOU&#039;RE GOOD-Kabelo Eric ft Serge Iyamuremye || https://www.youtube.com/embed/gPMR9zdolYY || Specific local Christian musical performance. Video publication: 2020-11-02; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=gPMR9zdolYY YOU&#039;RE GOOD-Kabelo Eric ft Serge Iyamuremye].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Botswana || supported || [https://www.youtube.com/watch?v=gPMR9zdolYY Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Kabelo Eric with Serge Iyamuremye || YOU&#039;RE GOOD-Kabelo Eric ft Serge Iyamuremye || https://www.youtube.com/embed/gPMR9zdolYY || Specific local Christian musical performance. Video publication: 2020-11-02; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=gPMR9zdolYY YOU&#039;RE GOOD-Kabelo Eric ft Serge Iyamuremye].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Botswana || supported || [https://www.youtube.com/watch?v=gPMR9zdolYY Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|| &amp;lt;muglobe-flag video=&quot;gPMR9zdolYY&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;gPMR9zdolYY&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;gPMR9zdolYY&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Maranatha Goroh || You&#039;re Glorious || https://www.youtube.com/embed/rCfbLdCSlMY || Archive: retained historical reference. Specific local Christian musical performance. Video publication: 2016-04-18; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=rCfbLdCSlMY You&#039;re Glorious].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Namibia || supported || [https://www.youtube.com/watch?v=rCfbLdCSlMY Recording/context source] || Archive: Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Maranatha Goroh || You&#039;re Glorious || https://www.youtube.com/embed/rCfbLdCSlMY || Archive: retained historical reference. Specific local Christian musical performance. Video publication: 2016-04-18; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=rCfbLdCSlMY You&#039;re Glorious].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Namibia || supported || [https://www.youtube.com/watch?v=rCfbLdCSlMY Recording/context source] || Archive: Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|| &amp;lt;muglobe-flag video=&quot;rCfbLdCSlMY&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;rCfbLdCSlMY&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;rCfbLdCSlMY&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Maranatha Goroh || Maranatha: In Your Presence || https://www.youtube.com/embed/kOIX47W-a-Y || Archive: retained historical reference. Specific local Christian musical performance. Video publication: 2016-04-18; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=kOIX47W-a-Y Maranatha: In Your Presence].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Namibia || supported || [https://www.youtube.com/watch?v=kOIX47W-a-Y Recording/context source] || Archive: Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Maranatha Goroh || Maranatha: In Your Presence || https://www.youtube.com/embed/kOIX47W-a-Y || Archive: retained historical reference. Specific local Christian musical performance. Video publication: 2016-04-18; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=kOIX47W-a-Y Maranatha: In Your Presence].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Namibia || supported || [https://www.youtube.com/watch?v=kOIX47W-a-Y Recording/context source] || Archive: Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|| &amp;lt;muglobe-flag video=&quot;kOIX47W-a-Y&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;kOIX47W-a-Y&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;kOIX47W-a-Y&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nam Gospel United || Nam Gospel United - We Pray (Official Video) || https://www.youtube.com/embed/kMCrgBS46WY || Specific local Christian musical performance. Video publication: 2018-05-31; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=kMCrgBS46WY Nam Gospel United - We Pray (Official Video)].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Namibia || supported || [https://www.youtube.com/watch?v=kMCrgBS46WY Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nam Gospel United || Nam Gospel United - We Pray (Official Video) || https://www.youtube.com/embed/kMCrgBS46WY || Specific local Christian musical performance. Video publication: 2018-05-31; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=kMCrgBS46WY Nam Gospel United - We Pray (Official Video)].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Namibia || supported || [https://www.youtube.com/watch?v=kMCrgBS46WY Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|| &amp;lt;muglobe-flag video=&quot;kMCrgBS46WY&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;kMCrgBS46WY&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;kMCrgBS46WY&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Rejoicing Choir || Rejoicing Choir Omwene Oteya video (Official Music Video) || https://www.youtube.com/embed/VA2D2ZvkdLE || Specific local Christian musical performance. Video publication: 2017-05-12; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=VA2D2ZvkdLE Rejoicing Choir Omwene Oteya video (Official Music Video)].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Namibia || supported || [https://www.youtube.com/watch?v=VA2D2ZvkdLE Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Rejoicing Choir || Rejoicing Choir Omwene Oteya video (Official Music Video) || https://www.youtube.com/embed/VA2D2ZvkdLE || Specific local Christian musical performance. Video publication: 2017-05-12; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=VA2D2ZvkdLE Rejoicing Choir Omwene Oteya video (Official Music Video)].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Namibia || supported || [https://www.youtube.com/watch?v=VA2D2ZvkdLE Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|| &amp;lt;muglobe-flag video=&quot;VA2D2ZvkdLE&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;VA2D2ZvkdLE&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;VA2D2ZvkdLE&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nothando Hlophe || Nothando Hlophe   Sithumela Wena (Official Video) || https://www.youtube.com/embed/Pj40hHgJ3HU || Specific local Christian musical performance. Video publication: 2025-08-15; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=Pj40hHgJ3HU Nothando Hlophe   Sithumela Wena (Official Video)].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Eswatini || supported || [https://www.youtube.com/watch?v=Pj40hHgJ3HU Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nothando Hlophe || Nothando Hlophe   Sithumela Wena (Official Video) || https://www.youtube.com/embed/Pj40hHgJ3HU || Specific local Christian musical performance. Video publication: 2025-08-15; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=Pj40hHgJ3HU Nothando Hlophe   Sithumela Wena (Official Video)].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Eswatini || supported || [https://www.youtube.com/watch?v=Pj40hHgJ3HU Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|| &amp;lt;muglobe-flag video=&quot;Pj40hHgJ3HU&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;Pj40hHgJ3HU&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;Pj40hHgJ3HU&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nothando Hlophe with Apostle Linda Ndaba || Uyaphendula-Nothando Hlophe ft Apostle Linda Ndaba || https://www.youtube.com/embed/UI3L2AzRM_A || Specific local Christian musical performance. Video publication: 2025-11-12; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=UI3L2AzRM_A Uyaphendula-Nothando Hlophe ft Apostle Linda Ndaba].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Eswatini || supported || [https://www.youtube.com/watch?v=UI3L2AzRM_A Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nothando Hlophe with Apostle Linda Ndaba || Uyaphendula-Nothando Hlophe ft Apostle Linda Ndaba || https://www.youtube.com/embed/UI3L2AzRM_A || Specific local Christian musical performance. Video publication: 2025-11-12; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=UI3L2AzRM_A Uyaphendula-Nothando Hlophe ft Apostle Linda Ndaba].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Eswatini || supported || [https://www.youtube.com/watch?v=UI3L2AzRM_A Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|| &amp;lt;muglobe-flag video=&quot;UI3L2AzRM_A&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;UI3L2AzRM_A&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;UI3L2AzRM_A&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nduduzo Matse with Nondumiso Nhleko || Nduduzo Matse ft Nondumiso Nhleko  Your Grace and Mercy || https://www.youtube.com/embed/C-2wwZkgVlc || Specific local Christian musical performance. Video publication: 2019-11-28; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=C-2wwZkgVlc Nduduzo Matse ft Nondumiso Nhleko  Your Grace and Mercy].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Eswatini || supported || [https://www.youtube.com/watch?v=C-2wwZkgVlc Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nduduzo Matse with Nondumiso Nhleko || Nduduzo Matse ft Nondumiso Nhleko  Your Grace and Mercy || https://www.youtube.com/embed/C-2wwZkgVlc || Specific local Christian musical performance. Video publication: 2019-11-28; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=C-2wwZkgVlc Nduduzo Matse ft Nondumiso Nhleko  Your Grace and Mercy].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Eswatini || supported || [https://www.youtube.com/watch?v=C-2wwZkgVlc Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|| &amp;lt;muglobe-flag video=&quot;C-2wwZkgVlc&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;C-2wwZkgVlc&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;C-2wwZkgVlc&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nduduzo Matse || Nduduzo Matse   Ngimbonile || https://www.youtube.com/embed/0yweDHnNzlU || Specific local Christian musical performance. Video publication: 2020-05-30; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=0yweDHnNzlU Nduduzo Matse   Ngimbonile].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Eswatini || supported || [https://www.youtube.com/watch?v=0yweDHnNzlU Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nduduzo Matse || Nduduzo Matse   Ngimbonile || https://www.youtube.com/embed/0yweDHnNzlU || Specific local Christian musical performance. Video publication: 2020-05-30; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=0yweDHnNzlU Nduduzo Matse   Ngimbonile].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Eswatini || supported || [https://www.youtube.com/watch?v=0yweDHnNzlU Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|| &amp;lt;muglobe-flag video=&quot;0yweDHnNzlU&quot; field=&quot;muglobeFavorite&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;0yweDHnNzlU&quot; field=&quot;currentHit&quot; /&amp;gt; || &amp;lt;muglobe-flag video=&quot;0yweDHnNzlU&quot; field=&quot;authentic&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key muglobe-wiki-216c67dcaa45b807:diff:1.41:old-1922:rev-2986:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Southern_African_gospel&amp;diff=1922&amp;oldid=prev</id>
		<title>Edb: Revise African Gospel geographic landscapes and relative depth from regional musical research; preserve performances and non-African fields.</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Southern_African_gospel&amp;diff=1922&amp;oldid=prev"/>
		<updated>2026-10-19T22:16:29Z</updated>

		<summary type="html">&lt;p&gt;Revise African Gospel geographic landscapes and relative depth from regional musical research; preserve performances and non-African fields.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:16, 19 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot;&gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Geography and communities ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Geography and communities ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Three separated broad landscapes represent Botswana’s &lt;/del&gt;connected eastern and central &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;communities&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Namibia’s church &lt;/del&gt;and recording &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;networks&lt;/del&gt;, and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Eswatini’s compact national scene&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A single enormous circle would imply continuity across areas the selected material does not establish&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Country scopes prevent Namibian or Swazi recordings from silently becoming Botswana’s queue&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Botswana, Namibia and Eswatini have distinct local gospel worlds &lt;/ins&gt;connected &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to wider southern African choral and recording circuits. Botswana&#039;s &lt;/ins&gt;eastern &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;population and performance corridor receives one moderate field. Namibia&#039;s northern Oshiwambo/choral landscape &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the central Windhoek-connected scene need separate fields; a maximum dome over the sparsely populated &lt;/ins&gt;central &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;desert misrepresents their depth. Eswatini has a particularly strong local commercial&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;broadcast and congregational gospel scene &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;retains a deeper compact field. These are scenes within plural national listening cultures, not interchangeable South African recordings. The category preserves its existing country-specific queues.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;[https://dailynews.gov.bw/news-detail/77328 Regional music, circulation and performance context].&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;[https://www.namibian.com.na/manda-gabriel-hosts-gospel-giants-for-live-&lt;/ins&gt;recording&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;/ Regional music&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;circulation &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;performance context]&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;[https://neweralive&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;na/top-5-namibian-gospel-musicians-currently/ Regional music, circulation and performance context]&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Artists ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Artists ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l78&quot;&gt;Line 78:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 82:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Hotspot mushrooms ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Hotspot mushrooms ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Three separated broad landscapes represent Botswana’s &lt;/del&gt;connected eastern and central &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;communities&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Namibia’s church &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;recording networks, &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Eswatini’s &lt;/del&gt;compact &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;national scene. A single enormous circle would imply continuity across areas the selected material does not establish. Country scopes prevent Namibian or Swazi recordings from silently becoming Botswana’s queue&lt;/del&gt;. These are &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;editorial affinity illustrations&lt;/del&gt;, not &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;measured listener shares&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fields fade linearly and combine by maximum&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Botswana, Namibia and Eswatini have distinct local gospel worlds &lt;/ins&gt;connected &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to wider southern African choral and recording circuits. Botswana&#039;s &lt;/ins&gt;eastern &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;population and performance corridor receives one moderate field. Namibia&#039;s northern Oshiwambo/choral landscape &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/ins&gt;central &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Windhoek-connected scene need separate fields; a maximum dome over the sparsely populated central desert misrepresents their depth. Eswatini has a particularly strong local commercial&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;broadcast &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;congregational gospel scene &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;retains a deeper &lt;/ins&gt;compact &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;field&lt;/ins&gt;. These are &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;scenes within plural national listening cultures&lt;/ins&gt;, not &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;interchangeable South African recordings&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The category preserves its existing country-specific queues&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable muglobe-hotspots&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable muglobe-hotspots&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l84&quot;&gt;Line 84:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 88:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! ID !! Location !! Latitude !! Longitude !! Radius (km) !! Strength !! Notes&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! ID !! Location !! Latitude !! Longitude !! Radius (km) !! Strength !! Notes&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| southern-african-gospel-gap-landscape-1 || &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Southern African &lt;/del&gt;gospel &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;— 1 &lt;/del&gt;|| -23 || &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;24 &lt;/del&gt;|| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1250 &lt;/del&gt;|| 0.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;95 &lt;/del&gt;|| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Three separated broad landscapes represent Botswana’s &lt;/del&gt;connected eastern and central &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;communities&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Namibia’s church &lt;/del&gt;and recording &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;networks&lt;/del&gt;, and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Eswatini’s &lt;/del&gt;compact national &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;scene&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A single enormous circle would imply continuity across areas the selected material does not establish&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Country scopes prevent &lt;/del&gt;Namibian &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;or Swazi recordings from silently becoming Botswana’s queue&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| southern-african-gospel-gap-landscape-1 || &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Eastern Botswana local &lt;/ins&gt;gospel &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and clap-and-tap corridor &lt;/ins&gt;|| -23 || &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;26 &lt;/ins&gt;|| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;750 &lt;/ins&gt;|| 0.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;4 &lt;/ins&gt;|| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Botswana, Namibia and Eswatini have distinct local gospel worlds &lt;/ins&gt;connected &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to wider southern African choral and recording circuits. Botswana&#039;s &lt;/ins&gt;eastern &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;population &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;performance corridor receives one moderate field. Namibia&#039;s northern Oshiwambo/choral landscape and the central Windhoek-connected scene need separate fields; a maximum dome over the sparsely populated &lt;/ins&gt;central &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;desert misrepresents their depth. Eswatini has a particularly strong local commercial, broadcast and congregational gospel scene and retains a deeper compact field. These are scenes within plural national listening cultures, not interchangeable South African recordings. The category preserves its existing country-specific queues. This field represents Eastern Botswana local gospel and clap-and-tap corridor. Peak and zero-edge radius are editorial relative-intensity settings, not audience percentages; overlap uses maximum.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| southern-african-gospel-gap-landscape-2 || Northern Namibian Christian song and gospel networks || -18.3 || 16.5 || 700 || 0.44 || Botswana&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Namibia and Eswatini have distinct local gospel worlds connected to wider southern African choral &lt;/ins&gt;and recording &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;circuits. Botswana&#039;s eastern population and performance corridor receives one moderate field. Namibia&#039;s northern Oshiwambo/choral landscape and the central Windhoek-connected scene need separate fields; a maximum dome over the sparsely populated central desert misrepresents their depth. Eswatini has a particularly strong local commercial&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;broadcast &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;congregational gospel scene and retains a deeper &lt;/ins&gt;compact &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;field. These are scenes within plural &lt;/ins&gt;national &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;listening cultures, not interchangeable South African recordings&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The category preserves its existing country-specific queues&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;This field represents Northern &lt;/ins&gt;Namibian &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Christian song and gospel networks. Peak and zero-edge radius are editorial relative-intensity settings, not audience percentages; overlap uses maximum&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| southern-african-gospel-gap-landscape-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2 &lt;/del&gt;|| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Southern African &lt;/del&gt;gospel &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;— 2 &lt;/del&gt;|| -22 || 17 || &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1550 &lt;/del&gt;|| 0.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;95 &lt;/del&gt;|| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Three separated broad landscapes represent Botswana’s &lt;/del&gt;connected eastern and central &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;communities&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Namibia’s church &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;recording networks, &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Eswatini’s &lt;/del&gt;compact national &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;scene&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A single enormous circle would imply continuity across areas the selected material does not establish&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Country scopes prevent &lt;/del&gt;Namibian &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;or Swazi recordings from silently becoming Botswana’s queue&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| southern-african-gospel-gap-landscape-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;3 &lt;/ins&gt;|| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Central Namibian and Windhoek &lt;/ins&gt;gospel &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;circulation &lt;/ins&gt;|| -22 || 17 || &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;550 &lt;/ins&gt;|| 0.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;3 &lt;/ins&gt;|| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Botswana, Namibia and Eswatini have distinct local gospel worlds &lt;/ins&gt;connected &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to wider southern African choral and recording circuits. Botswana&#039;s &lt;/ins&gt;eastern &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;population &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;performance corridor receives one moderate field. Namibia&#039;s northern Oshiwambo/choral landscape and the central Windhoek-connected scene need separate fields; a maximum dome over the sparsely populated &lt;/ins&gt;central &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;desert misrepresents their depth. Eswatini has a particularly strong local commercial&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;broadcast &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;congregational gospel scene &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;retains a deeper &lt;/ins&gt;compact &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;field. These are scenes within plural &lt;/ins&gt;national &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;listening cultures, not interchangeable South African recordings&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The category preserves its existing country-specific queues&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;This field represents Central &lt;/ins&gt;Namibian &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and Windhoek gospel circulation. Peak and zero-edge radius are editorial relative-intensity settings, not audience percentages; overlap uses maximum&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| southern-african-gospel-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;gap&lt;/del&gt;-landscape-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;3 &lt;/del&gt;|| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Southern African &lt;/del&gt;gospel &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;— 3 &lt;/del&gt;|| -26.5 || 31.4 || &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;500 &lt;/del&gt;|| 0.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;95 &lt;/del&gt;|| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Three separated broad landscapes represent Botswana’s &lt;/del&gt;connected eastern and central &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;communities&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Namibia’s church &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;recording networks, &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Eswatini’s &lt;/del&gt;compact national &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;scene&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A single enormous circle would imply continuity across areas the selected material does &lt;/del&gt;not &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;establish. Country scopes prevent Namibian or Swazi recordings from silently becoming Botswana’s queue&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| southern-african-gospel-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;africa&lt;/ins&gt;-landscape-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;4 &lt;/ins&gt;|| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Eswatini local &lt;/ins&gt;gospel &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;recording and broadcast landscape &lt;/ins&gt;|| -26.5 || 31.4 || &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;300 &lt;/ins&gt;|| 0.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;65 &lt;/ins&gt;|| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Botswana, Namibia and Eswatini have distinct local gospel worlds &lt;/ins&gt;connected &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to wider southern African choral and recording circuits. Botswana&#039;s &lt;/ins&gt;eastern &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;population &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;performance corridor receives one moderate field. Namibia&#039;s northern Oshiwambo/choral landscape and the &lt;/ins&gt;central &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Windhoek-connected scene need separate fields; a maximum dome over the sparsely populated central desert misrepresents their depth. Eswatini has a particularly strong local commercial&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;broadcast &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;congregational gospel scene &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;retains a deeper &lt;/ins&gt;compact &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;field. These are scenes within plural &lt;/ins&gt;national &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;listening cultures, not interchangeable South African recordings. The category preserves its existing country-specific queues. This field represents Eswatini local gospel recording and broadcast landscape&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Peak and zero-edge radius are editorial relative-intensity settings, &lt;/ins&gt;not &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;audience percentages; overlap uses maximum&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key muglobe-wiki-216c67dcaa45b807:diff:1.41:old-1669:rev-1922:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Southern_African_gospel&amp;diff=1669&amp;oldid=prev</id>
		<title>Edb: Apply the updated comprehensive catalogue policy; retain good older recordings as playable music and preserve all existing content and fields.</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Southern_African_gospel&amp;diff=1669&amp;oldid=prev"/>
		<updated>2026-10-19T13:12:37Z</updated>

		<summary type="html">&lt;p&gt;Apply the updated comprehensive catalogue policy; retain good older recordings as playable music and preserve all existing content and fields.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:12, 19 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Contemporary and trending ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Contemporary and trending ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The catalogue is being expanded for all-day listening: recent discovery is prioritized, and good older recordings remain playable. Historical labels describe age rather than excluding locally matched performances.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tshepo Lesole and Kabelo Eric provide Botswana-specific recordings; Nam Gospel United’s credited collaboration and Maranatha Goroh’s performances document Namibian Christian music. Nothando Hlophe and Nduduzo Matse offer Eswatini examples. Mixed careers and international collaborations require reviewing the particular song rather than importing an entire discography.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tshepo Lesole and Kabelo Eric provide Botswana-specific recordings; Nam Gospel United’s credited collaboration and Maranatha Goroh’s performances document Namibian Christian music. Nothando Hlophe and Nduduzo Matse offer Eswatini examples. Mixed careers and international collaborations require reviewing the particular song rather than importing an entire discography.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;[https://www.namibian.com.na/maranatha-goroh-takes-her-sound-global/ Southern African gospel — community and recording context].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;[https://www.namibian.com.na/maranatha-goroh-takes-her-sound-global/ Southern African gospel — community and recording context].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot;&gt;Line 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 29:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Representative performances ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Representative performances ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The examples distinguish video publication from original repertoire and recording dates. Unknown dates remain unknown. Explicitly archival examples remain &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;for reference and are excluded from geographic autoplay&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The examples distinguish video publication from original repertoire and recording dates. Unknown dates remain unknown. Explicitly archival examples &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;retain their age labels and &lt;/ins&gt;remain &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;playable alongside worthwhile recent material&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr class=&quot;mw-diff-slot-header&quot; lang=&quot;en&quot;&gt;&lt;th colspan=&quot;4&quot;&gt;muglobe-article&lt;/th&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&amp;quot;category&amp;quot;: &amp;quot;genre&amp;quot;,&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&amp;quot;category&amp;quot;: &amp;quot;genre&amp;quot;,&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&amp;quot;templatePageId&amp;quot;: 17,&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&amp;quot;templatePageId&amp;quot;: 17,&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&quot;templateRevisionId&quot;: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1578&lt;/del&gt;,&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&quot;templateRevisionId&quot;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1660&lt;/ins&gt;,&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&quot;templateVersion&quot;: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;12&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&quot;templateVersion&quot;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;13&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key muglobe-wiki-216c67dcaa45b807:diff:1.41:old-1652:rev-1669:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Southern_African_gospel&amp;diff=1652&amp;oldid=prev</id>
		<title>Edb: Fill researched Gospel media gaps with locally scoped performances, subordinate scenes and editorial landscapes; preserve existing material.</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Southern_African_gospel&amp;diff=1652&amp;oldid=prev"/>
		<updated>2026-10-19T12:56:28Z</updated>

		<summary type="html">&lt;p&gt;Fill researched Gospel media gaps with locally scoped performances, subordinate scenes and editorial landscapes; preserve existing material.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
A shared Gospel browsing page for locally identified Botswana, Namibian and Eswatini recordings. It connects regional church and recording networks without calling their artists South African. More detailed existing South African, Zimbabwean, Zambian and Malawian pages remain separately linked.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ MuGlobe genre parents&lt;br /&gt;
! Parent ID !! Parent article&lt;br /&gt;
|-&lt;br /&gt;
| gospel || [[Gospel]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Contemporary and trending ==&lt;br /&gt;
Tshepo Lesole and Kabelo Eric provide Botswana-specific recordings; Nam Gospel United’s credited collaboration and Maranatha Goroh’s performances document Namibian Christian music. Nothando Hlophe and Nduduzo Matse offer Eswatini examples. Mixed careers and international collaborations require reviewing the particular song rather than importing an entire discography.&lt;br /&gt;
&amp;lt;ref&amp;gt;[https://www.namibian.com.na/maranatha-goroh-takes-her-sound-global/ Southern African gospel — community and recording context].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
Local ministries, church choirs and commercial recording have built connected but independent scenes. Artists and ensembles circulate across national borders, yet country-specific musical life remains meaningful. The shared page reduces needless menu proliferation while the individual recordings preserve that detail.&lt;br /&gt;
&amp;lt;ref&amp;gt;[https://www.ub.bw/news/mophato-dance-theater-and-hi-note-productions-formalise-partnership-ub Southern African gospel — community and recording context].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Musical characteristics ==&lt;br /&gt;
Solo testimony, harmony-rich praise, choir singing and contemporary ensemble production take different forms in each local scene. Setswana-language songs, Namibian collaborative productions and Eswatini’s live praise repertoire are distinct entry points rather than interchangeable country tags.&lt;br /&gt;
&lt;br /&gt;
== Geography and communities ==&lt;br /&gt;
Three separated broad landscapes represent Botswana’s connected eastern and central communities, Namibia’s church and recording networks, and Eswatini’s compact national scene. A single enormous circle would imply continuity across areas the selected material does not establish. Country scopes prevent Namibian or Swazi recordings from silently becoming Botswana’s queue.&lt;br /&gt;
&lt;br /&gt;
== Artists ==&lt;br /&gt;
Tshepo Lesole, Kabelo Eric, Kabelo Eric with Serge Iyamuremye, Maranatha Goroh, Nam Gospel United, Rejoicing Choir, Nothando Hlophe, Nothando Hlophe with Apostle Linda Ndaba, Nduduzo Matse with Nondumiso Nhleko, Nduduzo Matse. Credits refer to the particular recordings below; a named uploader is not assumed to be the performer. These examples introduce a scene and do not assign an artist’s entire mixed repertoire to Gospel.&lt;br /&gt;
&lt;br /&gt;
== Representative performances ==&lt;br /&gt;
The examples distinguish video publication from original repertoire and recording dates. Unknown dates remain unknown. Explicitly archival examples remain for reference and are excluded from geographic autoplay.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ MuGlobe listening profile&lt;br /&gt;
! Repertoire !! Field use !! Notes&lt;br /&gt;
|-&lt;br /&gt;
| popular || regional || Locally identified Christian repertoire; recording-level country and region scopes govern playback.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable muglobe-performances&amp;quot;&lt;br /&gt;
|+ MuGlobe representative performances&lt;br /&gt;
! Artist !! Performance / song / title !! Embedded player URL !! Notes !! Repertoire kind !! Repertoire date !! Recording date !! Format !! Opening !! Places !! Fit !! Evidence !! Review note&lt;br /&gt;
|-&lt;br /&gt;
| Tshepo Lesole || Tshepo Lesole &amp;quot;Nkabo ke le kae&amp;quot; Official Music Video || https://www.youtube.com/embed/lIKn4xTKJHY || Archive: retained historical reference. Specific local Christian musical performance. Video publication: 2012-11-30; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=lIKn4xTKJHY Tshepo Lesole &amp;quot;Nkabo ke le kae&amp;quot; Official Music Video].&amp;lt;/ref&amp;gt; || popular || 2012 || unknown || music-video || unknown || country:Botswana || supported || [https://www.youtube.com/watch?v=lIKn4xTKJHY Recording/context source] || Archive: Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;br /&gt;
|-&lt;br /&gt;
| Tshepo Lesole || Tshepo Lesole - I Will Wait (Official Music Video) || https://www.youtube.com/embed/Hvr5YLfo7UQ || Specific local Christian musical performance. Video publication: 2020-03-25; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=Hvr5YLfo7UQ Tshepo Lesole - I Will Wait (Official Music Video)].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Botswana || supported || [https://www.youtube.com/watch?v=Hvr5YLfo7UQ Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;br /&gt;
|-&lt;br /&gt;
| Kabelo Eric || Kabelo Eric Take the Glory || https://www.youtube.com/embed/2ta-cQ1pdJw || Specific local Christian musical performance. Video publication: 2020-10-07; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=2ta-cQ1pdJw Kabelo Eric Take the Glory].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Botswana || supported || [https://www.youtube.com/watch?v=2ta-cQ1pdJw Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;br /&gt;
|-&lt;br /&gt;
| Kabelo Eric with Serge Iyamuremye || YOU&amp;#039;RE GOOD-Kabelo Eric ft Serge Iyamuremye || https://www.youtube.com/embed/gPMR9zdolYY || Specific local Christian musical performance. Video publication: 2020-11-02; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=gPMR9zdolYY YOU&amp;#039;RE GOOD-Kabelo Eric ft Serge Iyamuremye].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Botswana || supported || [https://www.youtube.com/watch?v=gPMR9zdolYY Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;br /&gt;
|-&lt;br /&gt;
| Maranatha Goroh || You&amp;#039;re Glorious || https://www.youtube.com/embed/rCfbLdCSlMY || Archive: retained historical reference. Specific local Christian musical performance. Video publication: 2016-04-18; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=rCfbLdCSlMY You&amp;#039;re Glorious].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Namibia || supported || [https://www.youtube.com/watch?v=rCfbLdCSlMY Recording/context source] || Archive: Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;br /&gt;
|-&lt;br /&gt;
| Maranatha Goroh || Maranatha: In Your Presence || https://www.youtube.com/embed/kOIX47W-a-Y || Archive: retained historical reference. Specific local Christian musical performance. Video publication: 2016-04-18; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=kOIX47W-a-Y Maranatha: In Your Presence].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Namibia || supported || [https://www.youtube.com/watch?v=kOIX47W-a-Y Recording/context source] || Archive: Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;br /&gt;
|-&lt;br /&gt;
| Nam Gospel United || Nam Gospel United - We Pray (Official Video) || https://www.youtube.com/embed/kMCrgBS46WY || Specific local Christian musical performance. Video publication: 2018-05-31; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=kMCrgBS46WY Nam Gospel United - We Pray (Official Video)].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Namibia || supported || [https://www.youtube.com/watch?v=kMCrgBS46WY Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;br /&gt;
|-&lt;br /&gt;
| Rejoicing Choir || Rejoicing Choir Omwene Oteya video (Official Music Video) || https://www.youtube.com/embed/VA2D2ZvkdLE || Specific local Christian musical performance. Video publication: 2017-05-12; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=VA2D2ZvkdLE Rejoicing Choir Omwene Oteya video (Official Music Video)].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Namibia || supported || [https://www.youtube.com/watch?v=VA2D2ZvkdLE Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;br /&gt;
|-&lt;br /&gt;
| Nothando Hlophe || Nothando Hlophe   Sithumela Wena (Official Video) || https://www.youtube.com/embed/Pj40hHgJ3HU || Specific local Christian musical performance. Video publication: 2025-08-15; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=Pj40hHgJ3HU Nothando Hlophe   Sithumela Wena (Official Video)].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Eswatini || supported || [https://www.youtube.com/watch?v=Pj40hHgJ3HU Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;br /&gt;
|-&lt;br /&gt;
| Nothando Hlophe with Apostle Linda Ndaba || Uyaphendula-Nothando Hlophe ft Apostle Linda Ndaba || https://www.youtube.com/embed/UI3L2AzRM_A || Specific local Christian musical performance. Video publication: 2025-11-12; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=UI3L2AzRM_A Uyaphendula-Nothando Hlophe ft Apostle Linda Ndaba].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Eswatini || supported || [https://www.youtube.com/watch?v=UI3L2AzRM_A Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;br /&gt;
|-&lt;br /&gt;
| Nduduzo Matse with Nondumiso Nhleko || Nduduzo Matse ft Nondumiso Nhleko  Your Grace and Mercy || https://www.youtube.com/embed/C-2wwZkgVlc || Specific local Christian musical performance. Video publication: 2019-11-28; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=C-2wwZkgVlc Nduduzo Matse ft Nondumiso Nhleko  Your Grace and Mercy].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Eswatini || supported || [https://www.youtube.com/watch?v=C-2wwZkgVlc Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;br /&gt;
|-&lt;br /&gt;
| Nduduzo Matse || Nduduzo Matse   Ngimbonile || https://www.youtube.com/embed/0yweDHnNzlU || Specific local Christian musical performance. Video publication: 2020-05-30; original and session dates are separate. Advancing embedded playback checked 19 October 2026.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=0yweDHnNzlU Nduduzo Matse   Ngimbonile].&amp;lt;/ref&amp;gt; || popular || unknown || unknown || music-video || unknown || country:Eswatini || supported || [https://www.youtube.com/watch?v=0yweDHnNzlU Recording/context source] || Song and community reviewed from recording/channel context; unknown original and session dates were not inferred from upload dates.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Related genres ==&lt;br /&gt;
[[Gospel]] provides the family overview. This page is a subordinate regional browsing entry, with distinct local recording contexts. See also [[South African gospel]], [[Zimbabwean gospel]], [[Zambian gospel]] and [[Malawian gospel]]. &lt;br /&gt;
&lt;br /&gt;
=== References and further reading ===&lt;br /&gt;
* [https://www.ub.bw/news/mophato-dance-theater-and-hi-note-productions-formalise-partnership-ub Southern African gospel — source 1]&lt;br /&gt;
* [https://www.namibian.com.na/maranatha-goroh-takes-her-sound-global/ Southern African gospel — source 2]&lt;br /&gt;
* [https://www.youtube.com/watch?v=kMCrgBS46WY Southern African gospel — source 3]&lt;br /&gt;
* [https://www.youtube.com/watch?v=Pj40hHgJ3HU Southern African gospel — source 4]&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Hotspot mushrooms ==&lt;br /&gt;
Three separated broad landscapes represent Botswana’s connected eastern and central communities, Namibia’s church and recording networks, and Eswatini’s compact national scene. A single enormous circle would imply continuity across areas the selected material does not establish. Country scopes prevent Namibian or Swazi recordings from silently becoming Botswana’s queue. These are editorial affinity illustrations, not measured listener shares. Fields fade linearly and combine by maximum.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable muglobe-hotspots&amp;quot;&lt;br /&gt;
|+ MuGlobe hotspot mushrooms&lt;br /&gt;
! ID !! Location !! Latitude !! Longitude !! Radius (km) !! Strength !! Notes&lt;br /&gt;
|-&lt;br /&gt;
| southern-african-gospel-gap-landscape-1 || Southern African gospel — 1 || -23 || 24 || 1250 || 0.95 || Three separated broad landscapes represent Botswana’s connected eastern and central communities, Namibia’s church and recording networks, and Eswatini’s compact national scene. A single enormous circle would imply continuity across areas the selected material does not establish. Country scopes prevent Namibian or Swazi recordings from silently becoming Botswana’s queue.&lt;br /&gt;
|-&lt;br /&gt;
| southern-african-gospel-gap-landscape-2 || Southern African gospel — 2 || -22 || 17 || 1550 || 0.95 || Three separated broad landscapes represent Botswana’s connected eastern and central communities, Namibia’s church and recording networks, and Eswatini’s compact national scene. A single enormous circle would imply continuity across areas the selected material does not establish. Country scopes prevent Namibian or Swazi recordings from silently becoming Botswana’s queue.&lt;br /&gt;
|-&lt;br /&gt;
| southern-african-gospel-gap-landscape-3 || Southern African gospel — 3 || -26.5 || 31.4 || 500 || 0.95 || Three separated broad landscapes represent Botswana’s connected eastern and central communities, Namibia’s church and recording networks, and Eswatini’s compact national scene. A single enormous circle would imply continuity across areas the selected material does not establish. Country scopes prevent Namibian or Swazi recordings from silently becoming Botswana’s queue.&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
</feed>