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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Samri</id>
	<title>Samri - Revision history</title>
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	<updated>2026-10-26T02:22:50Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Samri&amp;diff=8523&amp;oldid=prev</id>
		<title>Edb: Research-led Middle East listening expansion; preserve Israel community work, current recordings, native bindings and private geography ownership.</title>
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		<updated>2026-10-25T16:40:51Z</updated>

		<summary type="html">&lt;p&gt;Research-led Middle East listening expansion; preserve Israel community work, current recordings, native bindings and private geography ownership.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
&lt;br /&gt;
Samri is a sung and danced social performance tradition associated especially with Najd and neighboring Gulf circuits. Regional forms differ in rhythm, movement and poetic repertoire.&amp;lt;ref&amp;gt;[https://saudipedia.com/en/samri-dance Saudipedia — Samri dance].&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Contemporary and trending ==&lt;br /&gt;
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The listening collection includes identified current and worthwhile earlier performances. Two responding groups, hand percussion, clapping and coordinated seated or kneeling movement shape many performances. Poetic delivery and rhythmic articulation are central listening features.&lt;br /&gt;
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== History ==&lt;br /&gt;
&lt;br /&gt;
Community gatherings and professional folk ensembles sustain the practice through local transmission and recorded performance. Najdi centers are not interchangeable with the Gulf’s maritime traditions.&amp;lt;ref&amp;gt;[https://www.thenationalnews.com/arts-culture/music/sawt-to-nagazi-seven-traditional-music-genres-from-the-arabian-gulf-1.1245899 Al Mulaifi interview — Seven traditional Gulf genres].&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Musical characteristics ==&lt;br /&gt;
&lt;br /&gt;
Two responding groups, hand percussion, clapping and coordinated seated or kneeling movement shape many performances. Poetic delivery and rhythmic articulation are central listening features.&lt;br /&gt;
&lt;br /&gt;
== Geography and communities ==&lt;br /&gt;
&lt;br /&gt;
Qassim, Hail, Riyadh and Wadi al-Dawasir provide documented Saudi centers. Related listening and practice extend into Kuwait and other Gulf settings without implying uniform national prevalence.&lt;br /&gt;
&lt;br /&gt;
== Artists ==&lt;br /&gt;
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The collection uses identified local ensembles and credited singers when the source names them; a videographer’s channel is not substituted for the performers.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Recording entrances ===&lt;br /&gt;
&lt;br /&gt;
Dar Unaizah folk heritage ensemble — عديت بالمرقب اللي بالشفا العالي #سامري_عنيزة ( من  امسيات  شركة دار عنيزة للتراث الشعبي في مقرهم  )&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=rXr3DhvktfU عديت بالمرقب اللي بالشفا العالي #سامري_عنيزة ( من  امسيات  شركة دار عنيزة للتراث الشعبي في مقرهم  )] — primary release/performance credits.&amp;lt;/ref&amp;gt;; Unaizah ensemble — سامري فرقة عنيزة - قصيدة أبالضلعان&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=Bd8kyu8gIGg سامري فرقة عنيزة - قصيدة أبالضلعان] — primary release/performance credits.&amp;lt;/ref&amp;gt;. These identify particular versions rather than classifying every work by the performer.&lt;br /&gt;
&lt;br /&gt;
== Related genres ==&lt;br /&gt;
&lt;br /&gt;
[[Najdi ardah]]; [[Sawt]]; [[Khaliji]].&lt;br /&gt;
&lt;br /&gt;
=== References ===&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
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