Rock and roll - Revision history

Edb: Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.

2026-10-22T12:55:06Z

Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.

Show changes

Edb: Add canonical MuGlobe favorite, current-hit and authentic fields to all recording links; preserve existing music and article content

2026-10-22T02:33:36Z

Add canonical MuGlobe favorite, current-hit and authentic fields to all recording links; preserve existing music and article content

← Older revision		Revision as of 02:33, 22 October 2026
Line 22:		Line 22:
	{\| class="wikitable muglobe-performances"		{\| class="wikitable muglobe-performances"
	\|+ MuGlobe representative performances		\|+ MuGlobe representative performances
	! Artist !! Performance / song / title !! Embedded player URL !! Notes		! Artist !! Performance / song / title !! Embedded player URL !! Notes !! Repertoire kind !! Repertoire date !! Recording date !! Format !! Opening !! Places !! Fit !! Evidence !! Review note !! MuGlobe favorite !! Current hit !! Authentic
	\|-		\|-
	\| Little Richard \|\| Tutti Frutti \|\| https://www.youtube.com/embed/ivhauEr3KxU \|\| The official lyric video carries the recorded song, with Little Richard's forceful vocal and piano-led rhythm-and-blues foundation. It exemplifies early rock and roll while clearly remaining audio with lyrics rather than a filmed concert.<ref name="performance-rock-and-roll-1">[https://www.youtube.com/watch?v=ivhauEr3KxU Little Richard — Tutti Frutti]. YouTube recording; metadata checked 2026-10-18.</ref>		\| Little Richard \|\| Tutti Frutti \|\| https://www.youtube.com/embed/ivhauEr3KxU \|\| The official lyric video carries the recorded song, with Little Richard's forceful vocal and piano-led rhythm-and-blues foundation. It exemplifies early rock and roll while clearly remaining audio with lyrics rather than a filmed concert.<ref name="performance-rock-and-roll-1">[https://www.youtube.com/watch?v=ivhauEr3KxU Little Richard — Tutti Frutti]. YouTube recording; metadata checked 2026-10-18.</ref> \|\| unknown \|\| unknown \|\| unknown \|\| unknown \|\| unknown \|\| unknown \|\| pending \|\| [https://www.youtube.com/watch?v=ivhauEr3KxU Existing recording] \|\| Legacy accepted recording retained during curation-field migration; no new age or geographic claims. \|\| <muglobe-flag video="ivhauEr3KxU" field="muglobeFavorite" /> \|\| <muglobe-flag video="ivhauEr3KxU" field="currentHit" /> \|\| <muglobe-flag video="ivhauEr3KxU" field="authentic" />
	\|-		\|-
	\| Chuck Berry \|\| Johnny B. Goode — The Midnight Special, 1974 \|\| https://www.youtube.com/embed/xHM3uGATtT4 \|\| The programme’s own archive presents Berry performing his guitar-driven song, providing a filmed rock-and-roll example alongside Little Richard’s released recording.<ref name="performance-rock-and-roll-2">[https://www.youtube.com/watch?v=xHM3uGATtT4 Chuck Berry — Johnny B. Goode — The Midnight Special, 1974]. YouTube recording; metadata checked 2026-10-18.</ref>		\| Chuck Berry \|\| Johnny B. Goode — The Midnight Special, 1974 \|\| https://www.youtube.com/embed/xHM3uGATtT4 \|\| The programme’s own archive presents Berry performing his guitar-driven song, providing a filmed rock-and-roll example alongside Little Richard’s released recording.<ref name="performance-rock-and-roll-2">[https://www.youtube.com/watch?v=xHM3uGATtT4 Chuck Berry — Johnny B. Goode — The Midnight Special, 1974]. YouTube recording; metadata checked 2026-10-18.</ref> \|\| unknown \|\| unknown \|\| unknown \|\| unknown \|\| unknown \|\| unknown \|\| pending \|\| [https://www.youtube.com/watch?v=xHM3uGATtT4 Existing recording] \|\| Legacy accepted recording retained during curation-field migration; no new age or geographic claims. \|\| <muglobe-flag video="xHM3uGATtT4" field="muglobeFavorite" /> \|\| <muglobe-flag video="xHM3uGATtT4" field="currentHit" /> \|\| <muglobe-flag video="xHM3uGATtT4" field="authentic" />
	\|}		\|}

Edb: Add sourced representative performance playlist; preserve article prose and hotspot mushrooms

2026-10-18T18:06:49Z

Add sourced representative performance playlist; preserve article prose and hotspot mushrooms

muglobe-article
← Older revision		Revision as of 18:06, 18 October 2026
Line 16:		Line 16:
	== Artists ==		== Artists ==
	Chuck Berry's guitar-led songs make an excellent starting point for phrasing and narrative; Little Richard's singing and piano foreground explosive rhythmic energy. Fats Domino offers a different New Orleans feel, while Sister Rosetta Tharpe makes the gospel and electric-guitar relationship audible. Elvis Presley, Carl Perkins and Wanda Jackson illuminate country-associated intersections. Compare recordings rather than treating one performer as the inventor. The differences among these musicians explain why the label encompasses a conversation among traditions rather than one uniform sound. <ref name="gm-cities">[https://rockhall.com/exhibitions/cities-and-sounds/ Rock & Roll Hall of Fame — Cities and Sounds].</ref>		Chuck Berry's guitar-led songs make an excellent starting point for phrasing and narrative; Little Richard's singing and piano foreground explosive rhythmic energy. Fats Domino offers a different New Orleans feel, while Sister Rosetta Tharpe makes the gospel and electric-guitar relationship audible. Elvis Presley, Carl Perkins and Wanda Jackson illuminate country-associated intersections. Compare recordings rather than treating one performer as the inventor. The differences among these musicians explain why the label encompasses a conversation among traditions rather than one uniform sound. <ref name="gm-cities">[https://rockhall.com/exhibitions/cities-and-sounds/ Rock & Roll Hall of Fame — Cities and Sounds].</ref>

			== Representative performances ==
			These recordings offer listening examples of the genre. Notes identify the performance setting and any adaptation or mixed repertoire.

			{\| class="wikitable muglobe-performances"
			\|+ MuGlobe representative performances
			! Artist !! Performance / song / title !! Embedded player URL !! Notes
			\|-
			\| Little Richard \|\| Tutti Frutti \|\| https://www.youtube.com/embed/ivhauEr3KxU \|\| The official lyric video carries the recorded song, with Little Richard's forceful vocal and piano-led rhythm-and-blues foundation. It exemplifies early rock and roll while clearly remaining audio with lyrics rather than a filmed concert.<ref name="performance-rock-and-roll-1">[https://www.youtube.com/watch?v=ivhauEr3KxU Little Richard — Tutti Frutti]. YouTube recording; metadata checked 2026-10-18.</ref>
			\|-
			\| Chuck Berry \|\| Johnny B. Goode — The Midnight Special, 1974 \|\| https://www.youtube.com/embed/xHM3uGATtT4 \|\| The programme’s own archive presents Berry performing his guitar-driven song, providing a filmed rock-and-roll example alongside Little Richard’s released recording.<ref name="performance-rock-and-roll-2">[https://www.youtube.com/watch?v=xHM3uGATtT4 Chuck Berry — Johnny B. Goode — The Midnight Special, 1974]. YouTube recording; metadata checked 2026-10-18.</ref>
			\|}

	== Related genres ==		== Related genres ==
Line 2:		Line 2:
	"category": "genre",		"category": "genre",
	"templatePageId": 17,		"templatePageId": 17,
	"templateRevisionId": 86,		"templateRevisionId": 1065,
	"templateVersion": 8		"templateVersion": 9
	}		}

Edb: Create researched genre article and inferred regional musical landscapes; Ed’s approved authoring method

2026-10-18T00:40:13Z

Create researched genre article and inferred regional musical landscapes; Ed’s approved authoring method

New page

== Summary ==
Rock and roll names a major mid-twentieth-century transformation of US popular music and the continuing repertoire and performance traditions that grew around it. Its familiar sound combines a strong dance pulse, repeated blues-derived patterns, expressive singing and the excitement of a small amplified band. The label has also been used more broadly for later rock. Here it refers chiefly to the foundational music associated with the 1950s and its revival cultures, while acknowledging that musicians and audiences did not experience a neat boundary between rhythm and blues, country and emerging rock.

== Contemporary and trending ==
The original recordings remain widely circulated, but present participation takes several forms: roots bands, rockabilly gatherings, dance communities, reissues, family listening and the interpretation of older songs by younger performers. A revival event is evidence of living engagement rather than proof that the surrounding population listens mainly to this music. The style is historically central to later rock while occupying a more particular place in current everyday listening. MuGlobe therefore distinguishes its US musical landscape and durable overseas dance circuits from the much broader reach of rock as a whole.

== History ==
African American rhythm and blues, gospel, boogie-woogie and electric blues supplied essential musical foundations; country, western swing and commercial pop were also part of the interaction. Record companies, radio, touring and segregated marketing shaped which performers reached different audiences. Memphis, New Orleans, Chicago and other places contributed, so a single-birthplace story obscures the network. The 1950s brought unusually broad youth identification and international circulation, but the familiar idea of a sudden invention can erase the Black musicians whose earlier work made that moment possible. <ref name="rr-roots">[https://rockhall.com/exhibitions/roots-of-rock/ Rock & Roll Hall of Fame — Roots of Rock].</ref>

== Musical characteristics ==
The backbeat places an emphatic accent on beats two and four, encouraging a bodily response even when the melody is simple. Piano may drive rolling boogie figures; guitars can supply sharp rhythmic chords, melodic fills or a featured solo. Bass might be plucked acoustically or played electrically. Vocal styles range from forceful shouts and gospel-derived ornament to restrained country phrasing. Twelve-bar blues is common but not universal. In early recordings, room sound, tape echo and the balance of a small ensemble contribute as much character as harmonic complexity.

== Geography and communities ==
The strongest historical landscape connects the US South and Mississippi corridor with the Great Lakes through migration and performance. Musicians, records and audiences moved across that geography, including small towns as well as famous studios. A separate broad British field represents long-established adoption and revival rather than an alternative US birthplace. Continental European dance and roots circuits also matter. These are distinct forms of relationship to place: origin, continuing practice and later cultural adoption should remain legible without being reduced to a pin for every pioneering performer.

== Artists ==
Chuck Berry's guitar-led songs make an excellent starting point for phrasing and narrative; Little Richard's singing and piano foreground explosive rhythmic energy. Fats Domino offers a different New Orleans feel, while Sister Rosetta Tharpe makes the gospel and electric-guitar relationship audible. Elvis Presley, Carl Perkins and Wanda Jackson illuminate country-associated intersections. Compare recordings rather than treating one performer as the inventor. The differences among these musicians explain why the label encompasses a conversation among traditions rather than one uniform sound. <ref name="gm-cities">[https://rockhall.com/exhibitions/cities-and-sounds/ Rock & Roll Hall of Fame — Cities and Sounds].</ref>

== Related genres ==
[[Rhythm and blues]], [[Blues]], [[Gospel]] and [[Western swing]] help explain the music's foundations. [[Rock]] names the larger later family, whereas rockabilly describes one particular country-associated strand of the earlier formation. A song can travel between these settings without losing all its earlier meanings; labels describe histories and communities as well as audible ingredients.

=== References and further reading ===
<references />

== Hotspot mushrooms ==
The early music belongs to a connected southern US and migration-corridor landscape, not just Sun Studio or one city. Later British and continental revival/dance cultures are separate adopted landscapes. Broad fields include the country between centers while avoiding a claim of uniformly high contemporary listening.

These fields are editorial illustrations of musical affinity and cultural reach, not listener statistics. Radius marks the zero edge of the fade; overlapping fields of this genre combine by maximum.

{| class="wikitable muglobe-hotspots"
|+ MuGlobe hotspot mushrooms
! ID !! Location !! Latitude !! Longitude !! Radius (km) !! Strength !! Notes

|-
| rock-and-roll-southern-heartland || Southern US and Mississippi-corridor foundations || 34 || -89 || 1700 || 1 || Connects southern communities, ports and inland circuits rather than isolating Memphis or New Orleans.

|-
| rock-and-roll-great-lakes || Great Lakes and northeastern migration circuits || 41 || -84 || 1400 || 0.75 || Migration, touring and records connected the northern cities with the southern musical world.

|-
| rock-and-roll-british-adoption || British roots and revival circuits || 53.5 || -2.5 || 1000 || 0.65 || Long-lived adopted dance and performance traditions extend beyond one capital.

|-
| rock-and-roll-european-revival || Continental European roots-dance circuits || 50 || 8 || 1400 || 0.5 || A selected regional adoption field, lighter than the founding US landscape.

|}