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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Reggada</id>
	<title>Reggada - Revision history</title>
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	<updated>2026-10-23T12:31:14Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Reggada&amp;diff=3154&amp;oldid=prev</id>
		<title>Edb: Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Reggada&amp;diff=3154&amp;oldid=prev"/>
		<updated>2026-10-22T12:12:08Z</updated>

		<summary type="html">&lt;p&gt;Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.&lt;/p&gt;
&lt;a href=&quot;https://wiki.muglobe.com/w/index.php?title=Reggada&amp;amp;diff=3154&amp;amp;oldid=2122&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Reggada&amp;diff=2122&amp;oldid=prev</id>
		<title>Edb: Research-led Africa musical geography and article revision; existing recording sections and native bindings preserved.</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Reggada&amp;diff=2122&amp;oldid=prev"/>
		<updated>2026-10-20T03:48:59Z</updated>

		<summary type="html">&lt;p&gt;Research-led Africa musical geography and article revision; existing recording sections and native bindings preserved.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
&lt;br /&gt;
Reggada names a northeastern Moroccan music-and-dance field, associated especially with the Berkane/Béni-Snassen landscape and connected Oriental/Rif communities. Contemporary popular arrangements coexist with communal choreography and older instrumental practices. &amp;lt;ref name=&amp;quot;africa2026-ma-reggada-ima&amp;quot;&amp;gt;[https://www.imarabe.org/fr/agenda/spectacles/sous-feu-rythmique-du-reggada Institut du monde arabe, Sous le feu rythmique du reggada, 11 October 2014]. Access note: Full public programme body read.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Contemporary and trending ==&lt;br /&gt;
&lt;br /&gt;
The modern form draws together dance tradition, amplified ensembles and popular entertainment. Talbi One’s documented work illustrates that adaptation. Institutional and regional accounts establish circulation beyond the core, including migrant networks, but their promotional descriptions cannot be converted into a national listening percentage. &amp;lt;ref name=&amp;quot;africa2026-ma-reggada-ima&amp;quot; /&amp;gt; &amp;lt;ref name=&amp;quot;africa2026-ma-reggada-institution&amp;quot;&amp;gt;[https://www.jeunessesmusicales.be/namur/wp-content/uploads/sites/2/2015/10/Brochure-JM-17-18.pdf Reggada du Rif, Jeunesses Musicales]. Access note: Indexed regional/practitioner description read.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
&lt;br /&gt;
Accounts connect the choreography with older collective dances and martial symbolism. These are histories of locally meaningful performance; they need not be resolved into a single uncontested ethnic owner or etymology. The Nador regional dossier separately locates modern diffusion in the Oriental and eastern Rif. &amp;lt;ref name=&amp;quot;africa2026-ma-reggada-region&amp;quot;&amp;gt;[https://www.aunador.ma/sites/default/files/Nador%20ph1_1.pdf Nador regional planning dossier]. Access note: Indexed cultural geography passage read.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Musical characteristics ==&lt;br /&gt;
&lt;br /&gt;
Coordinated shoulder movement, foot stamping and a leader-directed group relationship distinguish the dance. Ensembles may use bendir, gasba, ghaïta or zamar, with percussion and, in modern settings, keyboards, bass and other amplified instruments. Particular combinations vary by ensemble and setting. &amp;lt;ref name=&amp;quot;africa2026-ma-reggada-ima&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Geography and communities ==&lt;br /&gt;
&lt;br /&gt;
Berkane, Oujda, Ahfir and adjoining communities form the deepest connected field. A second lower field follows eastern Rif/Nador connections. Neighboring Algerian practices and instruments have documented relationships, but Alaoui and Reggada should not be treated as universally identical labels or projected across all northern Algeria. &amp;lt;ref name=&amp;quot;africa2026-ma-reggada-region&amp;quot; /&amp;gt; &amp;lt;ref name=&amp;quot;africa2026-ma-reggada-institution&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Artists ==&lt;br /&gt;
&lt;br /&gt;
Abdelkader Talbi, known as Talbi One, is a documented modern interpreter whose family account includes his father Cheikh Said. The collective dancers and instrumentalists are also musical agents: a singer’s international profile cannot stand for the whole community practice. &amp;lt;ref name=&amp;quot;africa2026-ma-reggada-ima&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Representative performances ==&lt;br /&gt;
&lt;br /&gt;
No recordings have been curated for this entry.&lt;br /&gt;
&lt;br /&gt;
== Related genres ==&lt;br /&gt;
&lt;br /&gt;
Raï shares northeastern Moroccan and western Algerian circulation routes; Moroccan chaabi provides another popular-music context. Reggada’s own choreography, regional associations and performance identity justify a separate entry within those overlapping worlds. &amp;lt;ref name=&amp;quot;africa2026-ma-reggada-region&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== References and further reading ===&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Hotspot mushrooms ==&lt;br /&gt;
&lt;br /&gt;
Northeastern Moroccan/Oriental core around Berkane with connected eastern Rif and cross-border transition; national fame and foreign concerts do not warrant uniform high fields.&lt;br /&gt;
&lt;br /&gt;
The fields express editorial judgments about relative musical affinity and reach, not measured audience shares. Radius is the zero edge of a linear fade; same-genre overlaps combine by maximum.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable muglobe-hotspots&amp;quot;&lt;br /&gt;
|+ MuGlobe hotspot mushrooms&lt;br /&gt;
! ID !! Location !! Latitude !! Longitude !! Radius (km) !! Strength !! Notes&lt;br /&gt;
|-&lt;br /&gt;
| reggada-oriental-core || Berkane–Oujda and Oriental Reggada landscape || 34.8 || -2.25 || 320 || 0.85 || Béni-Snassen and connected towns/villages, with a cross-border taper.&lt;br /&gt;
|-&lt;br /&gt;
| reggada-eastern-rif || Eastern Rif and Nador Reggada connections || 35.0 || -3.15 || 290 || 0.57 || Related regional adoption and practice; not all Rif music is Reggada.&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
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