Psytrance - Revision history

Edb: Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.

2026-10-22T10:51:53Z

Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.

Show changes

Edb: Add canonical MuGlobe favorite, current-hit and authentic fields to all recording links; preserve existing music and article content

2026-10-22T02:33:33Z

Add canonical MuGlobe favorite, current-hit and authentic fields to all recording links; preserve existing music and article content

← Older revision		Revision as of 02:33, 22 October 2026
Line 25:		Line 25:
	{\| class="wikitable muglobe-performances"		{\| class="wikitable muglobe-performances"
	\|+ MuGlobe representative performances		\|+ MuGlobe representative performances
	! Artist !! Performance / song / title !! Embedded player URL !! Notes		! Artist !! Performance / song / title !! Embedded player URL !! Notes !! Repertoire kind !! Repertoire date !! Recording date !! Format !! Opening !! Places !! Fit !! Evidence !! Review note !! MuGlobe favorite !! Current hit !! Authentic
	\|-		\|-
	\| Astrix \|\| Deep Jungle Walk \|\| https://www.youtube.com/embed/lIuEuJvKos4 \|\| Astrix’s official release supplies an extended psychedelic-trance track rather than a festival teaser. Its sustained dance pulse and gradually changing electronic layers are the focus of this recorded production.<ref name="performance-psytrance-1">[https://www.youtube.com/watch?v=lIuEuJvKos4 Astrix — Deep Jungle Walk]. YouTube recording; metadata checked 2026-10-18.</ref>		\| Astrix \|\| Deep Jungle Walk \|\| https://www.youtube.com/embed/lIuEuJvKos4 \|\| Astrix’s official release supplies an extended psychedelic-trance track rather than a festival teaser. Its sustained dance pulse and gradually changing electronic layers are the focus of this recorded production.<ref name="performance-psytrance-1">[https://www.youtube.com/watch?v=lIuEuJvKos4 Astrix — Deep Jungle Walk]. YouTube recording; metadata checked 2026-10-18.</ref> \|\| unknown \|\| unknown \|\| unknown \|\| unknown \|\| unknown \|\| unknown \|\| pending \|\| [https://www.youtube.com/watch?v=lIuEuJvKos4 Existing recording] \|\| Legacy accepted recording retained during curation-field migration; no new age or geographic claims. \|\| <muglobe-flag video="lIuEuJvKos4" field="muglobeFavorite" /> \|\| <muglobe-flag video="lIuEuJvKos4" field="currentHit" /> \|\| <muglobe-flag video="lIuEuJvKos4" field="authentic" />
	\|-		\|-
	\| Infected Mushroom \|\| Becoming Insane \|\| https://www.youtube.com/embed/uwUNbeiiOzM \|\| Official audio from Vicious Delicious. This song-shaped recording brings guitar and vocals into the duo’s psychedelic electronic style; it is a hybrid contrast to Astrix’s extended instrumental recording rather than a purely instrumental psytrance track.<ref name="performance-psytrance-2">[https://www.youtube.com/watch?v=uwUNbeiiOzM Infected Mushroom — Becoming Insane]. YouTube recording; metadata checked 2026-10-18.</ref>		\| Infected Mushroom \|\| Becoming Insane \|\| https://www.youtube.com/embed/uwUNbeiiOzM \|\| Official audio from Vicious Delicious. This song-shaped recording brings guitar and vocals into the duo’s psychedelic electronic style; it is a hybrid contrast to Astrix’s extended instrumental recording rather than a purely instrumental psytrance track.<ref name="performance-psytrance-2">[https://www.youtube.com/watch?v=uwUNbeiiOzM Infected Mushroom — Becoming Insane]. YouTube recording; metadata checked 2026-10-18.</ref> \|\| unknown \|\| unknown \|\| unknown \|\| unknown \|\| unknown \|\| unknown \|\| pending \|\| [https://www.youtube.com/watch?v=uwUNbeiiOzM Existing recording] \|\| Legacy accepted recording retained during curation-field migration; no new age or geographic claims. \|\| <muglobe-flag video="uwUNbeiiOzM" field="muglobeFavorite" /> \|\| <muglobe-flag video="uwUNbeiiOzM" field="currentHit" /> \|\| <muglobe-flag video="uwUNbeiiOzM" field="authentic" />
	\|}		\|}

Edb: Research-led Africa musical geography and article revision; existing recording sections and native bindings preserved.

2026-10-22T01:13:41Z

Research-led Africa musical geography and article revision; existing recording sections and native bindings preserved.

← Older revision		Revision as of 01:13, 22 October 2026
Line 12:		Line 12:

	== Geography and communities ==		== Geography and communities ==

	Goa remains a meaningful historical and continuing node, while Israel and several European regions have substantial cultural depth. Brazil needs strong broad fields across its central, southeastern and connected coastal landscapes, not a few dots around festivals. Southern Africa and Australia also have independent histories and communities. Detached fields express these locally sustained cultures without claiming that rural space is empty between cities. Participation is uneven within each region, and overlapping mushrooms describe gradual familiarity rather than national ownership of a supposedly placeless global movement.		Goa remains a meaningful historical and continuing node, while Israel and several European regions have substantial cultural depth. Brazil needs strong broad fields across its central, southeastern and connected coastal landscapes, not a few dots around festivals. Southern Africa and Australia also have independent histories and communities. Detached fields express these locally sustained cultures without claiming that rural space is empty between cities. Participation is uneven within each region, and overlapping mushrooms describe gradual familiarity rather than national ownership of a supposedly placeless global movement.

			A practitioner’s retrospective of Alien Safari describes a Western Cape network extending through Cape Town, Scarborough, Worcester and Hangklip over many years. A stronger Western Cape field now supplements the gentler national circulation field. This represents a connected outdoor-event and listening culture rather than dots at individual festival sites; the evidence does not establish uniform participation across southern Africa. <ref name="africa2026-za-psy-tuneraider">[https://idmmag.com/featured/regular-features/diary-of-a-djane/alien-safari-21-years-celebration/ Tune Raider, Alien Safari 21 Years Celebration, 2016]. Access note: Full firsthand scene account read; embedded media not opened.</ref>

	== Artists ==		== Artists ==
Line 33:		Line 36:

	=== References and further reading ===		=== References and further reading ===

	<references />		<references />

Line 38:		Line 42:

	== Hotspot mushrooms ==		== Hotspot mushrooms ==

	Goa as source convergence, multiple adopted homelands. Strong Israeli, European and broad Brazilian inland/coastal fields; independent South African/Australian cultures. No festival-only geography.		Goa as source convergence, multiple adopted homelands. Strong Israeli, European and broad Brazilian inland/coastal fields; independent South African/Australian cultures. No festival-only geography.

	These fields are editorial illustrations of musical affinity and cultural reach, not listener statistics. Radius marks the zero edge of the fade; overlapping fields of this genre combine by maximum.		These fields are editorial illustrations of musical affinity and cultural reach, not listener statistics. Radius marks the zero edge of the fade; overlapping fields of this genre combine by maximum.

			Africa completion review: The African changes distinguish documented regional cores from gentler circulation. Existing fields elsewhere remain unchanged.

			The fields express editorial judgments about relative musical affinity and reach, not measured audience shares. Radius is the zero edge of a linear fade; same-genre overlaps combine by maximum.

	{\| class="wikitable muglobe-hotspots"		{\| class="wikitable muglobe-hotspots"
	\|+ MuGlobe hotspot mushrooms		\|+ MuGlobe hotspot mushrooms
	! ID !! Location !! Latitude !! Longitude !! Radius (km) !! Strength !! Notes		! ID !! Location !! Latitude !! Longitude !! Radius (km) !! Strength !! Notes

	\|-		\|-
	\| psytrance-goa \|\| Goa and western Indian Psytrance landscape \|\| 15.5 \|\| 74 \|\| 850 \|\| 0.85 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.		\| psytrance-goa \|\| Goa and western Indian Psytrance landscape \|\| 15.5 \|\| 74.0 \|\| 850.0 \|\| 0.85 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.
			\|-
			\| psytrance-israel \|\| Israeli Psytrance cultural landscape \|\| 31.5 \|\| 35.0 \|\| 650.0 \|\| 1.0 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.
	\|-		\|-
	\| psytrance-~~israel~~ \|\| ~~Israeli~~ Psytrance ~~cultural~~ landscape \|\| 31.5 \|\| 35 \|\| ~~650~~ \|\| 1 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.		\| psytrance-centraleurope \|\| Central European Psytrance landscape \|\| 49.0 \|\| 11.0 \|\| 1500.0 \|\| 1.0 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

	\|-		\|-
	\| psytrance-~~centraleurope~~ \|\| ~~Central European~~ Psytrance landscape \|\| 49 \|\| 11 \|\| ~~1500~~ \|\| 1 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.		\| psytrance-iberia \|\| Iberian Psytrance landscape \|\| 40.0 \|\| -6.0 \|\| 1100.0 \|\| 0.95 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

	\|-		\|-
	\| psytrance-~~iberia~~ \|\| ~~Iberian~~ Psytrance landscape \|\| 40 \|\| -6 \|\| ~~1100~~ \|\| 0~~.95~~ \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.		\| psytrance-brazil-central \|\| Central and southeastern Brazilian Psytrance landscape \|\| -20.0 \|\| -48.0 \|\| 2400.0 \|\| 1.0 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

	\|-		\|-
	\| psytrance-brazil-~~central~~ \|\| ~~Central~~ and ~~southeastern~~ Brazilian Psytrance landscape \|\| -20 \|\| -48 \|\| ~~2400~~ \|\| 1 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.		\| psytrance-brazil-bahia \|\| Bahian and connected northeastern Brazilian Psytrance landscape \|\| -13.0 \|\| -40.0 \|\| 1500.0 \|\| 0.85 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

	\|-		\|-
	\| psytrance-~~brazil-bahia~~ \|\| ~~Bahian and connected northeastern Brazilian~~ Psytrance landscape \|\| -13 \|\| ~~-40~~ \|\| ~~1500~~ \|\| 0.85 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.		\| psytrance-australia \|\| Southeastern Australian Psytrance landscape \|\| -35.0 \|\| 146.0 \|\| 1550.0 \|\| 0.85 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

	\|-		\|-
	\| psytrance-~~southafrica~~ \|\| ~~Southern African~~ Psytrance ~~landscape~~ \|\| ~~-30~~ \|\| 23 \|\| ~~1500~~ \|\| 0.8 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.		\| psytrance-japan \|\| Japanese Psytrance circuit \|\| 36.0 \|\| 137.0 \|\| 1050.0 \|\| 0.55 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

	\|-		\|-
	\| psytrance-~~australia~~ \|\| ~~Southeastern Australian~~ Psytrance ~~landscape~~ \|\| ~~-35~~ \|\| ~~146~~ \|\| ~~1550~~ \|\| 0.85 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.		\| psytrance-northamerica \|\| Western North American Psytrance circuit \|\| 39.0 \|\| -121.0 \|\| 1800.0 \|\| 0.55 \|\| Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

	\|-		\|-
	\| psytrance-~~japan~~ \|\| ~~Japanese~~ Psytrance ~~circuit~~ \|\| 36 \|\| ~~137~~ \|\| ~~1050~~ \|\| 0.55 \|\| ~~Sustained regional production~~, ~~shared~~ listening ~~and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share~~.		\| psytrance-western-cape \|\| Western Cape Psytrance cultural landscape \|\| -33 \|\| 19.5 \|\| 700 \|\| 0.8 \|\| Longstanding Cape Town, coastal and inland outdoor-event and listening network.

	\|-		\|-
	\| psytrance-~~northamerica~~ \|\| ~~Western North American~~ Psytrance ~~circuit~~ \|\| 39 \|\| ~~-121~~ \|\| ~~1800~~ \|\| 0.55 \|\| ~~Sustained regional production, shared listening and cultural adoption~~ beyond ~~individual venues; soft edge is an editorial interpretation, not measured audience share~~.		\| psytrance-south-african-circulation \|\| Wider South African Psytrance circulation \|\| -29 \|\| 25 \|\| 1350 \|\| 0.4 \|\| Gentler continuation beyond the better documented Western Cape core.

	\|}		\|}

Edb: Add sourced representative performance playlist; preserve article prose and hotspot mushrooms

2026-10-18T18:13:29Z

Add sourced representative performance playlist; preserve article prose and hotspot mushrooms

muglobe-article
← Older revision		Revision as of 18:13, 18 October 2026
Line 16:		Line 16:
	== Artists ==		== Artists ==
	Goa Gil, Astral Projection, Hallucinogen, Astrix, Infected Mushroom and Electric Universe provide contrasting routes into the field, alongside artists such as Ace Ventura, Liquid Soul, Ajja and Brazilian producers including Burn in Noise. These names span different approaches and periods. Gil's historical role should not imply that everyone shared his particular spiritual framing. Compare different artists' handling of bass, melodic information and changing timbre, then listen to an extended set as an arrangement in its own right. Producers and local organizers both shape what becomes possible to experience.		Goa Gil, Astral Projection, Hallucinogen, Astrix, Infected Mushroom and Electric Universe provide contrasting routes into the field, alongside artists such as Ace Ventura, Liquid Soul, Ajja and Brazilian producers including Burn in Noise. These names span different approaches and periods. Gil's historical role should not imply that everyone shared his particular spiritual framing. Compare different artists' handling of bass, melodic information and changing timbre, then listen to an extended set as an arrangement in its own right. Producers and local organizers both shape what becomes possible to experience.

			== Representative performances ==
			These recordings offer listening examples of the genre. Notes identify the performance setting and any adaptation or mixed repertoire.

			{\| class="wikitable muglobe-performances"
			\|+ MuGlobe representative performances
			! Artist !! Performance / song / title !! Embedded player URL !! Notes
			\|-
			\| Astrix \|\| Deep Jungle Walk \|\| https://www.youtube.com/embed/lIuEuJvKos4 \|\| Astrix’s official release supplies an extended psychedelic-trance track rather than a festival teaser. Its sustained dance pulse and gradually changing electronic layers are the focus of this recorded production.<ref name="performance-psytrance-1">[https://www.youtube.com/watch?v=lIuEuJvKos4 Astrix — Deep Jungle Walk]. YouTube recording; metadata checked 2026-10-18.</ref>
			\|-
			\| Infected Mushroom \|\| Becoming Insane \|\| https://www.youtube.com/embed/uwUNbeiiOzM \|\| Official audio from Vicious Delicious. This song-shaped recording brings guitar and vocals into the duo’s psychedelic electronic style; it is a hybrid contrast to Astrix’s extended instrumental recording rather than a purely instrumental psytrance track.<ref name="performance-psytrance-2">[https://www.youtube.com/watch?v=uwUNbeiiOzM Infected Mushroom — Becoming Insane]. YouTube recording; metadata checked 2026-10-18.</ref>
			\|}

	== Related genres ==		== Related genres ==
Line 2:		Line 2:
	"category": "genre",		"category": "genre",
	"templatePageId": 17,		"templatePageId": 17,
	"templateRevisionId": 86,		"templateRevisionId": 1065,
	"templateVersion": 8		"templateVersion": 9
	}		}

Edb: Create researched genre article and inferred regional musical landscapes; Ed’s approved authoring method

2026-10-18T02:08:02Z

Create researched genre article and inferred regional musical landscapes; Ed’s approved authoring method

New page

== Summary ==
Psytrance is a family of electronic music and dance cultures organized around propulsive repetition, intricately changing synthetic sound and extended collective experience. Its formative Goa connections joined mobile countercultural communities with particular Indian places, rather than representing all Goan music. Later scenes developed strong independent identities in Israel, Europe, Brazil, Australia and elsewhere. The music's geography therefore combines a historical point of convergence with several adopted homelands. Landscape, temporary gathering, visual environment and shared expectations often matter alongside the recording itself. <ref name="gil-stjohn">[https://dj.dancecult.net/index.php/dancecult/article/view/318 DJ Goa Gil: Kalifornian Exile, Dark Yogi and Dreaded Anomaly — Graham St John].</ref>

== Contemporary and trending ==
Contemporary psytrance includes full-on, progressive, dark, forest and other approaches, with different tempos, moods and approaches to sonic density. Festival environments can connect music with installation, discussion, ecological projects and quieter spaces, though no single set of beliefs defines every participant. Boom's own account illustrates one long-running Portuguese institution rather than a universal model. Small local gatherings, production communities and home listening also sustain the culture. A famous international event is a meeting point within that wider network, not the sole location where the genre lives. <ref name="boom-roots">[https://www.boomfestival.org/vision/who-makes-boom Who We Are — Boom Festival].</ref>

== History ==
Goa's traveler networks developed through changing musical practices, from rock-oriented gatherings toward electronic selection and production. Graham St John's account of Goa Gil connects several generations of this movement while questioning easy claims to timeless universality. During the 1990s recording networks and returning travelers helped establish new local scenes. Brazil's Universo Paralello history, moving from a smaller trance gathering through inland and Bahian settings, reveals a distinct regional development. Psytrance became locally meaningful through repeated organization and participation, not merely the global circulation of a finished foreign product. <ref name="universo-history">[https://universoparalello.org/index.html Universo Paralello — Linha do tempo].</ref>

== Musical characteristics ==
Listen to the relationship between the steady kick and articulated bass pattern, then to the continually changing layers above them. Synthetic gestures can seem to move through an imagined space, answering each other, transforming or briefly disrupting expectations. Long arrangements reward attention to small changes as well as decisive transitions. Some approaches emphasize bright melodic motion; others build darker, more tangled sound worlds. A DJ's sequencing across hours can provide another scale of composition. The experience combines bodily regularity with a surface that resists complete predictability. Silence and restraint can briefly reset the whole imagined space.

== Geography and communities ==
Goa remains a meaningful historical and continuing node, while Israel and several European regions have substantial cultural depth. Brazil needs strong broad fields across its central, southeastern and connected coastal landscapes, not a few dots around festivals. Southern Africa and Australia also have independent histories and communities. Detached fields express these locally sustained cultures without claiming that rural space is empty between cities. Participation is uneven within each region, and overlapping mushrooms describe gradual familiarity rather than national ownership of a supposedly placeless global movement.

== Artists ==
Goa Gil, Astral Projection, Hallucinogen, Astrix, Infected Mushroom and Electric Universe provide contrasting routes into the field, alongside artists such as Ace Ventura, Liquid Soul, Ajja and Brazilian producers including Burn in Noise. These names span different approaches and periods. Gil's historical role should not imply that everyone shared his particular spiritual framing. Compare different artists' handling of bass, melodic information and changing timbre, then listen to an extended set as an arrangement in its own right. Producers and local organizers both shape what becomes possible to experience.

== Related genres ==
Goa trance is a formative and continuing related tradition; broader trance, techno, ambient and downtempo connect through selected resources and shared events. Psytrance nevertheless has distinctive expectations concerning long-form development and sonic transformation. Its cultural identity is neither reducible to a drug reference nor adequately described as a single spiritual philosophy. The productive question is how particular communities make repetition meaningful: through dancing, place, duration, shared labor and the ability of small changes in electronic sound to reorganize attention over time.

=== References and further reading ===
<references />

* [https://www.allmusic.com/style/goa-trance-ma0000011977 AllMusic — Goa Trance]

== Hotspot mushrooms ==
Goa as source convergence, multiple adopted homelands. Strong Israeli, European and broad Brazilian inland/coastal fields; independent South African/Australian cultures. No festival-only geography.

These fields are editorial illustrations of musical affinity and cultural reach, not listener statistics. Radius marks the zero edge of the fade; overlapping fields of this genre combine by maximum.

{| class="wikitable muglobe-hotspots"
|+ MuGlobe hotspot mushrooms
! ID !! Location !! Latitude !! Longitude !! Radius (km) !! Strength !! Notes

|-
| psytrance-goa || Goa and western Indian Psytrance landscape || 15.5 || 74 || 850 || 0.85 || Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

|-
| psytrance-israel || Israeli Psytrance cultural landscape || 31.5 || 35 || 650 || 1 || Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

|-
| psytrance-centraleurope || Central European Psytrance landscape || 49 || 11 || 1500 || 1 || Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

|-
| psytrance-iberia || Iberian Psytrance landscape || 40 || -6 || 1100 || 0.95 || Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

|-
| psytrance-brazil-central || Central and southeastern Brazilian Psytrance landscape || -20 || -48 || 2400 || 1 || Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

|-
| psytrance-brazil-bahia || Bahian and connected northeastern Brazilian Psytrance landscape || -13 || -40 || 1500 || 0.85 || Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

|-
| psytrance-southafrica || Southern African Psytrance landscape || -30 || 23 || 1500 || 0.8 || Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

|-
| psytrance-australia || Southeastern Australian Psytrance landscape || -35 || 146 || 1550 || 0.85 || Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

|-
| psytrance-japan || Japanese Psytrance circuit || 36 || 137 || 1050 || 0.55 || Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

|-
| psytrance-northamerica || Western North American Psytrance circuit || 39 || -121 || 1800 || 0.55 || Sustained regional production, shared listening and cultural adoption beyond individual venues; soft edge is an editorial interpretation, not measured audience share.

|}