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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Natanzinho_Lima</id>
	<title>Natanzinho Lima - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Natanzinho_Lima"/>
	<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Natanzinho_Lima&amp;action=history"/>
	<updated>2026-10-24T02:40:39Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.11</generator>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Natanzinho_Lima&amp;diff=6129&amp;oldid=prev</id>
		<title>Edb: Add contextual links to existing MuGlobe wiki articles; whole-wiki review requested by Ed (batch 027)</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Natanzinho_Lima&amp;diff=6129&amp;oldid=prev"/>
		<updated>2026-10-24T00:23:16Z</updated>

		<summary type="html">&lt;p&gt;Add contextual links to existing MuGlobe wiki articles; whole-wiki review requested by Ed (batch 027)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:23, 24 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Life and career ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Life and career ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A 2021 interview presented a new recording as a move from arrocha toward piseiro. Later industry discussion places his success within the national expansion of arrocha. The two accounts describe stages of a career, not evidence that one source must be using the only correct permanent label.&amp;lt;ref name=&quot;fr-natanzinho&quot; /&amp;gt;&amp;lt;ref name=&quot;fr-arrocha&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A 2021 interview presented a new recording as a move from &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Arrocha|&lt;/ins&gt;arrocha&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;toward &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Pisadinha / &lt;/ins&gt;piseiro&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|piseiro]]&lt;/ins&gt;. Later industry discussion places his success within the national expansion of arrocha. The two accounts describe stages of a career, not evidence that one source must be using the only correct permanent label.&amp;lt;ref name=&quot;fr-natanzinho&quot; /&amp;gt;&amp;lt;ref name=&quot;fr-arrocha&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music and style ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music and style ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Romantic singing provides a connection across these settings, while rhythmic treatment and accompaniment distinguish them. Northeastern popularity alone does not make every release forró. His history is therefore useful both within the piseiro discussion and as a boundary case for [[Contemporary Forró]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Romantic singing provides a connection across these settings, while rhythmic treatment and accompaniment distinguish them. Northeastern popularity alone does not make every release &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Forró|&lt;/ins&gt;forró&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;. His history is therefore useful both within the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Pisadinha / &lt;/ins&gt;piseiro&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|piseiro]] &lt;/ins&gt;discussion and as a boundary case for [[Contemporary Forró]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Works and performances ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Works and performances ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The 2021 piseiro project should be considered in its own period and arrangement. Later arrocha repertoire belongs in a corresponding listening context, with any crossover described at the level of the actual performance. Keeping his identity separate from [[Nattan]] is essential when following credits, videos and collaborations.&amp;lt;ref name=&quot;fr-natanzinho&quot; /&amp;gt;&amp;lt;ref name=&quot;fr-arrocha&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The 2021 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Pisadinha / &lt;/ins&gt;piseiro&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|piseiro]] &lt;/ins&gt;project should be considered in its own period and arrangement. Later &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Arrocha|&lt;/ins&gt;arrocha&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;repertoire belongs in a corresponding listening context, with any crossover described at the level of the actual performance. Keeping his identity separate from [[Nattan]] is essential when following credits, videos and collaborations.&amp;lt;ref name=&quot;fr-natanzinho&quot; /&amp;gt;&amp;lt;ref name=&quot;fr-arrocha&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== References ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== References ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Natanzinho_Lima&amp;diff=4991&amp;oldid=prev</id>
		<title>Edb: Add researched forró artist and ensemble biographies, sourced musical distinctions and contextual links</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Natanzinho_Lima&amp;diff=4991&amp;oldid=prev"/>
		<updated>2026-10-23T22:21:33Z</updated>

		<summary type="html">&lt;p&gt;Add researched forró artist and ensemble biographies, sourced musical distinctions and contextual links&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
&lt;br /&gt;
Natanzinho Lima is a Brazilian singer associated especially with [[Arrocha|arrocha]], with a documented earlier turn toward romantic [[Pisadinha / piseiro|piseiro]]. He should not be confused with [[Nattan]], who also uses the nickname Nattanzinho.&amp;lt;ref name=&amp;quot;fr-natanzinho&amp;quot;&amp;gt;[https://cinformonline.com.br/natanzinho-lima-lanca-novo-disco-e-aposta-no-piseiro-romantico/ Natanzinho Lima on his move from arrocha to piseiro (2021)].&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;fr-arrocha&amp;quot;&amp;gt;[https://mundodamusicamm.com.br/arrocha-nacional-alessandro-lanuse Arrocha industry interview with Alessandro Lanuse (2026)].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Life and career ==&lt;br /&gt;
&lt;br /&gt;
A 2021 interview presented a new recording as a move from arrocha toward piseiro. Later industry discussion places his success within the national expansion of arrocha. The two accounts describe stages of a career, not evidence that one source must be using the only correct permanent label.&amp;lt;ref name=&amp;quot;fr-natanzinho&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;fr-arrocha&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Music and style ==&lt;br /&gt;
&lt;br /&gt;
Romantic singing provides a connection across these settings, while rhythmic treatment and accompaniment distinguish them. Northeastern popularity alone does not make every release forró. His history is therefore useful both within the piseiro discussion and as a boundary case for [[Contemporary Forró]].&lt;br /&gt;
&lt;br /&gt;
== Works and performances ==&lt;br /&gt;
&lt;br /&gt;
The 2021 piseiro project should be considered in its own period and arrangement. Later arrocha repertoire belongs in a corresponding listening context, with any crossover described at the level of the actual performance. Keeping his identity separate from [[Nattan]] is essential when following credits, videos and collaborations.&amp;lt;ref name=&amp;quot;fr-natanzinho&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;fr-arrocha&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== References ===&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
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