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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Music_of_the_Upper_South</id>
	<title>Music of the Upper South - Revision history</title>
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	<updated>2026-10-23T12:20:15Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://wiki.muglobe.com/w/index.php?title=Music_of_the_Upper_South&amp;diff=640&amp;oldid=prev</id>
		<title>Edb: AI-assisted researched US Region article at Ed’s request: common listening, regional affinities, urban/rural context and boundary footnotes.</title>
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		<updated>2026-10-18T09:38:51Z</updated>

		<summary type="html">&lt;p&gt;AI-assisted researched US Region article at Ed’s request: common listening, regional affinities, urban/rural context and boundary footnotes.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
The Upper South connects Kentucky and Tennessee with Appalachian country to the east and the Ozarks to the west. Country, rock, pop, hip-hop, R&amp;amp;B and Christian music form a broad contemporary listening world. Its more distinctive affinities include country and roots repertoires, bluegrass, old-time music and several sacred-singing traditions. This is a region of musical exchange: Nashville and Memphis, the Kentucky Bluegrass, mountain towns and western lowlands bring different emphases to a shared southern setting.&amp;lt;ref name=&amp;quot;us-cogswell&amp;quot;&amp;gt;[https://www.pbs.org/riverofsong/music/e3-three.html Three Rooms Under One Roof], Robert Cogswell, Tennessee Arts Commission folklorist, PBS River of Song; substantive cultural-geography essay, originally associated with Tennessee Homecoming &amp;#039;86.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Contemporary and trending ==&lt;br /&gt;
Contemporary country draws on rock, pop, R&amp;amp;B and hip-hop as well as older country styles. Musicologist Jeremy Orosz&amp;#039;s study of hip-hop allusions in country radio provides one account of those stylistic connections. Country and rap are therefore useful parts of the region&amp;#039;s musical story without being opposing identities assigned to countryside and city.&amp;lt;ref name=&amp;quot;us-orosz&amp;quot;&amp;gt;[https://digitalcommons.memphis.edu/facpubs/98/ Straight Outta Nashville: Allusions to Hip Hop in Contemporary Country Music], Jeremy Orosz, Popular Music and Society 44(1), 2021, pages 49–59; author-repository abstract consulted, full article not accessed.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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Local media reveal further crossings. WMMT&amp;#039;s eastern Kentucky community service explicitly addresses hip-hop fans and bluegrass listeners within its coalfield audience. The radio project connects listeners in small communities with relatives and musical worlds elsewhere.&amp;lt;ref name=&amp;quot;us-wmmt&amp;quot;&amp;gt;[https://wmmt.org/about/ About WMMT], WMMT/Appalshop, accessed October 18, 2026; community station&amp;#039;s own account of musical breadth and coalfield service.&amp;lt;/ref&amp;gt; Nashville, Louisville, Lexington, Knoxville and Memphis require fuller urban accounts within this regional frame, while towns, suburbs and rural communities maintain their own connections to recordings, churches, dances and live music.&lt;br /&gt;
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== History ==&lt;br /&gt;
The region grew through Indigenous histories, migration, slavery, agriculture, industry and movement between upland farms and towns. Cogswell&amp;#039;s Tennessee account distinguishes an Appalachian east, a Middle Tennessee closely connected with Kentucky&amp;#039;s Bluegrass, and a western region linked to the Mississippi lowlands. Music moved between all three.&amp;lt;ref name=&amp;quot;us-cogswell&amp;quot; /&amp;gt; The resulting geography is more informative than treating Tennessee&amp;#039;s state line as a musical boundary.&lt;br /&gt;
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== Genres ==&lt;br /&gt;
Country, gospel, old-time and bluegrass supply particularly useful regional listening paths. Blues, soul, R&amp;amp;B and hip-hop belong in the same account, especially through western Tennessee and urban networks. Familiar older recordings continue to circulate alongside new releases, so contemporary listening includes both a new country track and a well-known church or dance repertoire.&lt;br /&gt;
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The Ozarks share upland-South musical inheritance while remaining a recognized region in their own right. Brooks Blevins&amp;#039;s regional history traces migration from Kentucky, Tennessee, Virginia and North Carolina into the Ozarks, alongside Indigenous presence and subsequent population change.&amp;lt;ref name=&amp;quot;us-ozarks&amp;quot;&amp;gt;[https://collections.si.edu/search/detail/edanmdm:posts_34422af30cbd4e5c8fb55540fc135cc3 An Introduction to the Ozarks: It&amp;#039;s Not What You Might Expect], Brooks Blevins, Smithsonian Center for Folklife and Cultural Heritage, April 2023; regional history and settlement geography.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Artists ==&lt;br /&gt;
The Carter Family, Dolly Parton and Bill Monroe offer different approaches to country and mountain repertoires; Nashville&amp;#039;s contemporary recordings and Memphis&amp;#039;s blues and soul provide further directions. These familiar gateways make most sense alongside community singers, dance musicians and the broad popular recordings heard throughout the region. A city or birthplace alone cannot establish the tastes of its surrounding countryside.&lt;br /&gt;
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== Boundary definition and research ==&lt;br /&gt;
Kentucky and Tennessee form the core of the broad working outline, with Arkansas included as an overlapping western transition. The Ozarks and northern Arkansas have particular Upper South connections; Arkansas&amp;#039;s Delta and southern lowlands also connect with the Deep South. The three-state outer envelope is MuGlobe&amp;#039;s broad approximation, not a source finding that every county has an upland profile.&lt;br /&gt;
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Appalachia and the Ozarks remain independently discoverable regions within and beyond this broader geography. Western Tennessee meets the Delta and Deep South; northern Kentucky and the Ohio River connect with the Midwest. Cogswell supports the internal cultural distinctions and named connections, while the state-based outer envelope is the mapping choice.&amp;lt;ref name=&amp;quot;us-cogswell&amp;quot; /&amp;gt;&lt;br /&gt;
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Urban areas and suburbs share regional repertoire while supporting different audiences, and rural Black, immigrant and younger communities prevent a uniform countryside profile. Available research gives stronger qualitative evidence for particular musical networks than for all-genre regional listening shares. The broad outline therefore organizes those connections without replacing them with a single ranked genre list.&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Working map outline, October 18, 2026.&amp;#039;&amp;#039;&amp;#039; Kentucky–Tennessee core and Arkansas transition of the Upper South; overlaps distinct Appalachia, Ozarks and Delta contexts rather than combining them into one undifferentiated region. The stored outline includes a 0.02-degree atlas-edge allowance and 0.001-degree topology-preserving simplification.&amp;lt;ref name=&amp;quot;muglobe-working-geography&amp;quot;&amp;gt;[https://www.naturalearthdata.com/downloads/10m-physical-vectors/10m-physical-labels/ Natural Earth regional atlas geography]. [https://tigerweb.geo.census.gov/arcgis/rest/services/Census2020/Urban/MapServer Census corrected urban areas and county geography]. MuGlobe editorial drawing choices are stated above; geographic datasets do not measure musical preferences.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Footnotes ==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
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