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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Music_of_the_Gambia</id>
	<title>Music of the Gambia - Revision history</title>
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	<updated>2026-10-23T15:31:56Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Music_of_the_Gambia&amp;diff=2311&amp;oldid=prev</id>
		<title>Edb: Complete researched African country and regional musical distinctions and article links; preserve native identities and unrelated prose.</title>
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		<updated>2026-10-20T04:11:07Z</updated>

		<summary type="html">&lt;p&gt;Complete researched African country and regional musical distinctions and article links; preserve native identities and unrelated prose.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;!-- MuGlobe Country identity: country-GMB. --&amp;gt;&lt;br /&gt;
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== Summary ==&lt;br /&gt;
Mbalax, Mande repertoires and contemporary rap circulate through interconnected towns, villages and migrant networks. Wolof, Mandinka and other communities have different local emphases. &amp;lt;ref name=&amp;quot;africa-recovery-ref-e7c095e76a57&amp;quot;&amp;gt;[https://musicinafrica.net/magazine/mbalax-senegal/ Mbalax in Senegal — Music In Africa]. Access note: Project genre research, October 16–17, 2026; reused October 18. Music In Africa page was retrieved; a later positioned retrieval failed. Used with Afropop field-report coverage rather than claiming complete fresh access.&amp;lt;/ref&amp;gt; &amp;lt;ref name=&amp;quot;africa-recovery-ref-ad0955bdb68e&amp;quot;&amp;gt;[https://old.afropop.org/audio-programs/mbalax-meets-mande-in-dakar Mbalax Meets Mande in Dakar — Afropop Worldwide]. Access note: Project genre research, October 16–17, 2026; reused October 18. Programme description and linked 2018 Dakar field-report material consulted; audio not transcribed.&amp;lt;/ref&amp;gt; &amp;lt;ref name=&amp;quot;africa-recovery-ref-1a27dde83bd6&amp;quot;&amp;gt;[https://press.uchicago.edu/ucp/books/book/chicago/M/bo3629899.html Mande Music — Eric Charry, University of Chicago Press]. Access note: Project genre research, October 16–17, 2026; reused October 18. Publisher synopsis and contents consulted, not the full Eric Charry monograph.&amp;lt;/ref&amp;gt; &amp;lt;ref name=&amp;quot;africa-recovery-ref-b97a9d088208&amp;quot;&amp;gt;[https://folkways.si.edu/abdoulaye-diabate-and-super-manden/fakoli/world/music/track/smithsonian Fakoli — Abdoulaye Diabate and Super Manden, Smithsonian Folkways]. Access note: Project genre research, October 16–17, 2026; reused October 18. Catalogue commentary and performance-community metadata consulted.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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Mande song and praise traditions, Wassoulou popular music and newer urban styles form a cross-border listening world. The broad outline follows connected communities rather than exact language or lineage boundaries. &amp;lt;ref name=&amp;quot;africa-recovery-ref-1a27dde83bd6&amp;quot; /&amp;gt; &amp;lt;ref name=&amp;quot;africa-recovery-ref-b97a9d088208&amp;quot; /&amp;gt; &amp;lt;ref name=&amp;quot;africa-recovery-ref-78cbbbd0117f&amp;quot;&amp;gt;[https://old.afropop.org/articles/the-women-of-wassoulou-music-a-primer The Women of Wassoulou Music: A Primer — Afropop Worldwide]. Access note: Project genre research, October 16–17, 2026; reused October 18. Full specialist primer consulted October 17, 2026, including its regional and gender discussion.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Contemporary and trending ==&lt;br /&gt;
[[Ekonting song]]: Family performance, teaching and interethnic presentation sustain the repertoire. Mandinari’s teaching work is one documented route of transmission beyond the immediate household. &amp;lt;ref name=&amp;quot;africa-recovery-sg-ekonting-practitioner&amp;quot;&amp;gt;[https://folkworks.org/interview/laemouahuma-daniel-jatta/ Interview with Daniel Laemouahuma Jatta]. Access note: Relevant indexed discussion read.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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[[Yela]]: Amplified popular song carries Yela beyond local social occasions into urban and cross-border publics. Baaba Maal’s reception in Mauritania demonstrates a musical relationship spanning the Senegal River. &amp;lt;ref name=&amp;quot;africa-recovery-mr-popular&amp;quot;&amp;gt;[https://musicinafrica.net/fr/node/90171 La musique populaire mauritanienne]. Access note: Relevant body read.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== History ==&lt;br /&gt;
[[Ekonting song]]: Jola histories of the instrument intersect with Atlantic banjo research. Linford cautions against turning that relationship into a timeless story of one exclusive ancestor. &amp;lt;ref name=&amp;quot;africa-recovery-sg-ekonting-essay&amp;quot;&amp;gt;[https://ethnomusicologyreview.ucla.edu/content/akonting-history Historical Narratives of the Akonting and Banjo — Scott Linford]. Access note: Relevant historical-method and geographical discussion read.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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[[Yela]]: The repertoire belongs to Pulaar social and praise-song histories in Futa Toro. Its modern popular adaptations should be distinguished from Pékan and other occupational or community repertoires. &amp;lt;ref name=&amp;quot;africa-recovery-mr-traditional&amp;quot;&amp;gt;[https://musicinafrica.net/fr/node/87348 La musique traditionnelle de la Mauritanie]. Access note: Relevant body read.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Genres ==&lt;br /&gt;
[[Ekonting song]] — Jola social song accompanied by the three-stringed gourd lute, with narrative, recreational and dance settings and individual stylistic variation. &amp;lt;ref name=&amp;quot;africa-recovery-sg-ekonting-scholar&amp;quot;&amp;gt;[https://www.tandfonline.com/doi/abs/10.1080/17411912.2019.1641125 The ekonting in Jola culture and history — Scott Linford, 2019]. Access note: Public abstract and indexed descriptive passages read; full paywalled text not claimed.&amp;lt;/ref&amp;gt; &amp;lt;ref name=&amp;quot;africa-recovery-sg-ekonting-practitioner&amp;quot; /&amp;gt; &amp;lt;ref name=&amp;quot;africa-recovery-sg-ekonting-essay&amp;quot; /&amp;gt;&lt;br /&gt;
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[[Yela]] — Pulaar song/dance repertoire associated with praise, social relationships and later amplified popular performance; not a label for every Fulani music. &amp;lt;ref name=&amp;quot;africa-recovery-mr-popular&amp;quot; /&amp;gt; &amp;lt;ref name=&amp;quot;africa-recovery-mr-traditional&amp;quot; /&amp;gt;&lt;br /&gt;
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Other established repertoires in these regional accounts include [[Mbalax]], [[Mande jeliya]], [[Wassoulou]].&lt;br /&gt;
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== Artists ==&lt;br /&gt;
[[Ekonting song]]: Daniel Laemouahuma Jatta combines musicianship, research and teaching. His account and Linford’s fieldwork point toward family and community performers with varied personal styles. &amp;lt;ref name=&amp;quot;africa-recovery-sg-ekonting-practitioner&amp;quot; /&amp;gt; &amp;lt;ref name=&amp;quot;africa-recovery-sg-ekonting-scholar&amp;quot; /&amp;gt;&lt;br /&gt;
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[[Yela]]: Baaba Maal, Thiédel Mbaye, Abou Diouba and Ousmane Gangué illustrate the wider field described in Mauritanian music reporting. Their entire catalogues should not be assigned to one genre automatically. &amp;lt;ref name=&amp;quot;africa-recovery-mr-popular&amp;quot; /&amp;gt;&lt;br /&gt;
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&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
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