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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Music_of_Mountain_West</id>
	<title>Music of Mountain West - Revision history</title>
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	<updated>2026-10-23T14:41:33Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Music_of_Mountain_West&amp;diff=725&amp;oldid=prev</id>
		<title>Edb: AI-assisted regional music article researched and written at Ed’s request; sourced synthesis of the approved worldwide regions.</title>
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		<updated>2026-10-18T15:17:55Z</updated>

		<summary type="html">&lt;p&gt;AI-assisted regional music article researched and written at Ed’s request; sourced synthesis of the approved worldwide regions.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;!-- MuGlobe Region identity: world-mountain-west. --&amp;gt;&lt;br /&gt;
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== Summary ==&lt;br /&gt;
The Mountain West is a broad interior US region linking Idaho, Montana, Wyoming, Utah, Colorado and Nevada. Its approved listening profile brings together country, folk, rock, hip-hop and electronic music, while recognizing the distinct repertoires of tribal, Latino and religious communities. The region is provisional: its scale is useful for orientation, but the evidence does not establish a single measured audience across the Rockies and Great Basin.&lt;br /&gt;
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Two institutional perspectives illustrate the mixture. Elko&amp;#039;s Western Folklife Center connects music with poetry, work and community memory, while Colorado Public Radio&amp;#039;s Local 303 promotes new music by Colorado artists. Neither perspective alone represents the whole interior West.&amp;lt;ref name=&amp;quot;western&amp;quot;&amp;gt;[https://www.westernfolklife.org/ Western Folklife Center], Western Folklife Center.&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;local303&amp;quot;&amp;gt;[https://www.cpr.org/category/local-303/ Local 303], Colorado Public Radio.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Contemporary and trending ==&lt;br /&gt;
Contemporary activity includes both new songwriting in familiar country idioms and artists who complicate the usual imagery of Western music. Montana&amp;#039;s Wylie Gustafson presents cowboy and traditional country repertoire connected to ranch life. Denver&amp;#039;s Dead Pioneers, led by Pyramid Lake Paiute artist Gregg Deal, uses punk to address Indigenous experience. Both are current forms of regional expression, although they speak through very different musical languages.&amp;lt;ref name=&amp;quot;wylie&amp;quot;&amp;gt;[https://www.wyliewebsite.com/ Wylie &amp;amp;amp; the Wild West: Biography], Wylie &amp;amp;amp; the Wild West.&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;deadpioneers&amp;quot;&amp;gt;[https://www.cpr.org/2025/04/10/colorado-arts-spotlight-sundance-new-centennial-music-venue-dead-pioneers-album/ Local punk band fronted by Indigenous artist Gregg Deal drops new album, PO$T AMERICAN], Colorado Public Radio, Lauren Antonoff Hart.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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Radio and local performance networks make these differences more visible. Local 303 continues to feature emerging and established Colorado artists; its selections are evidence of an active discovery platform, not a representative poll. Earlier Indie 102.3 programming explicitly connected local Latin music with rock, hip-hop, pop and traditional styles, showing that the urban West cannot be summarized by country alone.&amp;lt;ref name=&amp;quot;local303&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;cpr-latin&amp;quot;&amp;gt;[https://www.cpr.org/2019/07/01/welcome-to-indie-102-3/ Welcome to Indie 102.3], Colorado Public Radio.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== History ==&lt;br /&gt;
The West&amp;#039;s musical institutions often connect repertory to lived work and movement. Cowboy song and poetry gain meaning from stories of labor, landscape and community, and the Western Folklife Center presents these forms together. That relationship is more specific than the use of a Western landscape as a commercial image. It also helps explain why a performer may belong to a regional circuit spanning long distances between towns.&amp;lt;ref name=&amp;quot;western&amp;quot; /&amp;gt;&lt;br /&gt;
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Migration and Indigenous continuity complicate any frontier-only account. New Mexican musicians documented by Smithsonian Folkways maintained important relationships with southern Colorado, including violin music and Spanish-language song. Such connections cross the present outline of this broad region. Contemporary Indigenous punk likewise grows from experience within the West while refusing expectations that Indigenous artists must perform only inherited ceremonial forms.&amp;lt;ref name=&amp;quot;more&amp;quot;&amp;gt;[https://folkways.si.edu/minority-owned-record-enterprises-more/smithsonian Minority Owned Record Enterprises (M.O.R.E.)], Smithsonian Folkways.&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;deadpioneers&amp;quot; /&amp;gt;&lt;br /&gt;
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== Genres ==&lt;br /&gt;
Country and Western music overlap but are not exact synonyms. Cowboy songs can foreground narrative, ranching experience and vocal delivery, while broader country listening includes electric dance music and nationally circulating recordings. Wylie &amp;amp; the Wild West&amp;#039;s self-description places cowboy, Western and traditional country styles together; it is useful evidence of one performer&amp;#039;s practice rather than an authoritative definition for six states.&amp;lt;ref name=&amp;quot;wylie&amp;quot; /&amp;gt;&lt;br /&gt;
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Folk is also a broad label. Northern New Mexican and southern Coloradan violin and song traditions have particular histories, instrumentation and communities. Their connection with Colorado adds a regional distinction that a generic acoustic-folk category would lose. Rock and hip-hop have similarly varied local forms. Colorado radio&amp;#039;s combination of Latin rock, hip-hop and pop demonstrates how genre boundaries can intersect with language and community rather than replacing them.&amp;lt;ref name=&amp;quot;more&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;cpr-latin&amp;quot; /&amp;gt;&lt;br /&gt;
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== Artists ==&lt;br /&gt;
Wylie Gustafson and his band The Wild West offer a documented route into Montana-associated country and cowboy music; the artist&amp;#039;s catalogue includes &amp;#039;&amp;#039;Bunchgrass&amp;#039;&amp;#039;. The relationship to ranching is part of his own account of his work, not a test of authenticity imposed on other musicians.&amp;lt;ref name=&amp;quot;wylie&amp;quot; /&amp;gt;&lt;br /&gt;
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Dead Pioneers&amp;#039; &amp;#039;&amp;#039;PO$T AMERICAN&amp;#039;&amp;#039;, released in 2025, provides a sharply contrasting example. Gregg Deal&amp;#039;s reported discussion of the group stresses artistic autonomy and the possibility of addressing Indigenous experience through punk. Los Mocochetes and Don Chicharron were among the Colorado artists identified in CPR&amp;#039;s Latin-music programming. These examples help expand the listening map beyond a single regional stereotype, without claiming equal visibility or popularity throughout the Mountain West.&amp;lt;ref name=&amp;quot;deadpioneers&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;cpr-latin&amp;quot; /&amp;gt;&lt;br /&gt;
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== Boundary definition and research ==&lt;br /&gt;
The approved footprint uses the administrative areas of Idaho, Montana, Wyoming, Utah, Colorado and Nevada. It is a practical broad frame between the Rockies and Great Basin, with connections to neighboring Plains, Pacific and Southwestern areas. The border cannot be read as the limit of cowboy repertoire, Indigenous nations, Spanish-language music or metropolitan touring.&lt;br /&gt;
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This remains a provisional synthesis because direct contemporary evidence covering the entire area is limited. The consulted sources are concentrated in Colorado, Montana and Elko. They substantiate examples and institutions rather than a uniform six-state preference. Utah&amp;#039;s religious music publics, individual tribal communities, Nevada&amp;#039;s entertainment centers and smaller settlements require more detailed accounts. The map should make those future distinctions possible rather than imply that they have already been measured.&lt;br /&gt;
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== Footnotes ==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
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