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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Music_of_Dallas</id>
	<title>Music of Dallas - Revision history</title>
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	<updated>2026-10-25T17:54:47Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Music_of_Dallas&amp;diff=7157&amp;oldid=prev</id>
		<title>Edb: Represent constituent urban communities and contemporary listening; preserve existing history and recordings</title>
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		<updated>2026-10-25T07:58:17Z</updated>

		<summary type="html">&lt;p&gt;Represent constituent urban communities and contemporary listening; preserve existing history and recordings&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;!-- MuGlobe Region identity: world-dallas-urban. --&amp;gt;&lt;br /&gt;
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== Summary ==&lt;br /&gt;
Dallas’s urban music mix combines Black rap, R&amp;amp;B and soul with Mexican and Latin dance music, country, independent rock and contemporary immigrant and international pop circuits. &amp;lt;ref name=&amp;quot;urban2026-census-world-dallas-urban&amp;quot;&amp;gt;[https://www.census.gov/quickfacts/dallascitytexas US Census Bureau QuickFacts: Dallas], consulted 25 October 2026.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Contemporary and trending ==&lt;br /&gt;
The city’s Census profile reports 42.6% Hispanic or Latino residents, 23.2% Black residents and 3.9% Asian residents, with 27.6% white non-Hispanic residents. Hispanic origin overlaps racial categories. Mexican and Mexican American communities are central to Dallas’s everyday listening. Black Dallas, Central American and other Latino communities and Asian and African networks add further layers; suburban South Asian and East Asian circuits are part of the larger metroplex without being counted as Dallas city demographics. &amp;lt;ref name=&amp;quot;urban2026-census-world-dallas-urban&amp;quot;&amp;gt;[https://www.census.gov/quickfacts/dallascitytexas US Census Bureau QuickFacts: Dallas], consulted 25 October 2026.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Hip-hop|Rap]], [[Contemporary R&amp;amp;B|R&amp;amp;B]] and [[Neo-soul|neo-soul]] need space alongside [[Norteño|norteño]], [[Banda sinaloense|banda]], newer [[Corridos tumbados|corridos]], [[Cumbia|cumbia]] and [[Reggaeton|reggaetón]]. Country and alternative rock remain active shared listening. North Texas public music radio and the city’s cultural programme document a wider creative circuit than a country-and-blues stereotype. Spanish-language repertoire also extends beyond Tejano alone. &amp;lt;ref name=&amp;quot;urban2026-mexican&amp;quot;&amp;gt;[https://newsroom.spotify.com/2021-05-11/spotifys-regional-mexican-playlist-los-que-mandan-highlights-creators-who-break-the-rules-of-the-genre/ Mexican American regional listening and the Los Que Mandan audience], consulted 25 October 2026.&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;urban2026-dfwmusic&amp;quot;&amp;gt;[https://www.kxt.org/ KXT: North Texas public music radio], consulted 25 October 2026.&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;urban2026-dallasarts&amp;quot;&amp;gt;[https://dallascityhall.com/government/Boards-and-Commissions/Annual%20Reports/CAC%20FY2024-25%20Annual%20Report.pdf Dallas Cultural Affairs Commission annual report 2024–25], consulted 25 October 2026.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== History ==&lt;br /&gt;
Black cultural institutions and neighborhood music, Mexican migration, Texas dance music and independent venues created distinct circuits within a connected metroplex. Dallas and Fort Worth exchange performers and audiences, but their inherited institutions and musical emphasis warrant separate urban entries inside the broader Texas–Oklahoma frame.&lt;br /&gt;
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== Genres ==&lt;br /&gt;
[[Hip-hop|Hip-hop]], [[Contemporary R&amp;amp;B|Contemporary R&amp;amp;B]], [[Neo-soul|Neo-soul]], [[Norteño|Norteño]], [[Banda sinaloense|Banda sinaloense]], [[Corridos tumbados|Corridos tumbados]], [[Cumbia|Cumbia]], [[Reggaeton|Reggaeton]], [[Country|Country]], [[Alternative rock|Alternative rock]], [[Pop|Pop]], [[Tejano|Tejano]], [[African American gospel|African American gospel]], [[Hindi filmi|Hindi filmi]], [[K-pop|K-pop]].&lt;br /&gt;
&lt;br /&gt;
These are overlapping listening routes. Current releases, living traditions and familiar older repertoire all have a place, with their different dates retained. No demographic category determines an individual listener’s taste.&lt;br /&gt;
&lt;br /&gt;
== Artists ==&lt;br /&gt;
Erykah Badu gives a particularly useful Dallas route into neo-soul and R&amp;amp;B, while local rappers and independent bands represent other scenes. Mexican touring performers are part of Dallas’s listening environment through regional audiences. These examples describe connections and do not make one celebrity a demographic representative.&lt;br /&gt;
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== Boundary definition and research ==&lt;br /&gt;
The approximate eastern metroplex polygon includes Dallas and its contiguous eastern and northern urban connections. It is deliberately distinct from the Fort Worth core, with a narrow shared transition near the central metroplex instead of treating both cities as the same musical point.&lt;br /&gt;
&lt;br /&gt;
MuGlobe’s outline and listening emphasis are researched editorial interpretations, not surveyed cultural borders or audience percentages. Census city figures identify population context; community institutions, broadcasting and musical circulation support genre inclusion.&lt;br /&gt;
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== Footnotes ==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
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