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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Music_of_Cariri_cearense</id>
	<title>Music of Cariri cearense - Revision history</title>
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	<updated>2026-10-23T13:45:17Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://wiki.muglobe.com/w/index.php?title=Music_of_Cariri_cearense&amp;diff=3373&amp;oldid=prev</id>
		<title>Edb: Research-led South American musical regions: explicit mixtures, overlapping approximate boundaries and source limits.</title>
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		<updated>2026-10-22T18:45:51Z</updated>

		<summary type="html">&lt;p&gt;Research-led South American musical regions: explicit mixtures, overlapping approximate boundaries and source limits.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
Cariri cearense is a southern Ceará musical region joining a concentrated urban network with surrounding communities. Its distinctive mixture brings pilgrimage and local collective practices into contact with electronic forró, contemporary recording and urban experimentation.&lt;br /&gt;
&lt;br /&gt;
== Contemporary and trending ==&lt;br /&gt;
Young musicians in Barbalha’s Banda Cabaçal Arcanjo Gabriel document continuing transmission rather than a closed historical tradition. Electronic forró has its own documented Cariri social circuits; these coexist with cabaçal ensembles and other locally valued forms. &amp;lt;ref name=&amp;quot;southamerica2026-cabacal-young&amp;quot;&amp;gt;[https://mapacultural.secult.ce.gov.br/agente/45365/ Ceará cultural map, Banda Cabaçal Arcanjo Gabriel]. Community group’s profile read.&amp;lt;/ref&amp;gt; &amp;lt;ref name=&amp;quot;southamerica2026-marques-cariri&amp;quot;&amp;gt;[https://www.scielo.br/j/cpa/a/WPXrfx9wHcHNhpjFMtdg3zQ/?lang=pt Roberto Marques, Quem se garante no forró eletrônico?, Cadernos Pagu 43 (2014)]. Full HTML available; ethnographic Cariri scenes and production/distribution discussion read.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
Iphan’s Cariri inventory places music within a wider field of pilgrimage, reisado, rabeca and vaqueiro/aboiador practices. Local histories and religious occasions provide contexts that a national genre label alone cannot convey. &amp;lt;ref name=&amp;quot;southamerica2026-ceara-inrc&amp;quot;&amp;gt;[https://www.gov.br/iphan/pt-br/superintendencias/ceara/patrimonio-imaterial Iphan Ceará, Patrimônio Imaterial]. Public institutional text or indexed substantive excerpt read.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Genres ==&lt;br /&gt;
[[Bandas de pífanos]], locally including bands cabaçais, coexist with [[Forró eletrônico]], [[Forró pé-de-serra]], [[Coco]] and related vocal traditions. Reisado is named as a distinct local practice without pretending that an unrelated existing playlist represents it. The movimento cabaçal also connected local sounds with pop and rock. &amp;lt;ref name=&amp;quot;southamerica2026-cariri-movement&amp;quot;&amp;gt;[https://www.mostrasescdeculturas.com.br/cultura-ancestral/ Mostra Sesc Cariri, Cultura ancestral (2018)]. Public institutional text or indexed substantive excerpt read.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Artists ==&lt;br /&gt;
Mestre Chico and the Banda Cabaçal Santo Antônio represent a network of performance, teaching and instrument making. Young ensembles and the artists of the movimento cabaçal demonstrate different forms of continuity and reinterpretation. &amp;lt;ref name=&amp;quot;southamerica2026-cabacal-chico&amp;quot;&amp;gt;[https://mapacultural.secult.ce.gov.br/agente/27864/ Mestre Chico / Ceará cultural map, Banda Cabaçal Santo Antônio]. Practitioner profile read.&amp;lt;/ref&amp;gt; &amp;lt;ref name=&amp;quot;southamerica2026-cariri-movement&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Boundary definition and research ==&lt;br /&gt;
Crato, Juazeiro do Norte, Barbalha and Missão Velha anchor an approximate connected landscape. Pilgrimage-related performance and neighborhood networks support a specific reading within the larger Sertão. The outline represents neither an ethnic territory nor a measured audience distribution, and should not be confused with Paraíba’s Cariri. &amp;lt;ref name=&amp;quot;southamerica2026-cariri-fieldwork&amp;quot;&amp;gt;[https://repositorio.ufpe.br/bitstream/123456789/31758/1/DISSERTA%C3%87%C3%83O%20Amanda%20Priscila%20Souza%20e%20Silva.pdf Amanda Priscila Souza e Silva, UFPE dissertation on Juazeiro do Norte pilgrimage contexts]. Indexed substantive pp.79 and adjacent ethnographic passages read; whole dissertation not claimed.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Southern Ceará around Crato, Juazeiro do Norte, Barbalha and linked Cariri towns and countryside. The footprint approximates the southern Ceará cultural network rather than all administrative definitions of Cariri. It overlaps the broader Sertão and includes connective countryside. It does not identify the similarly named Paraíba Cariri as the same region.&lt;br /&gt;
&lt;br /&gt;
== Footnotes ==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
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