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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Music_of_Barlovento_musical_communities</id>
	<title>Music of Barlovento musical communities - Revision history</title>
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	<updated>2026-10-23T11:56:47Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://wiki.muglobe.com/w/index.php?title=Music_of_Barlovento_musical_communities&amp;diff=3474&amp;oldid=prev</id>
		<title>Edb: Research-led South American musical regions: explicit mixtures, overlapping approximate boundaries and source limits.</title>
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		<updated>2026-10-23T00:17:54Z</updated>

		<summary type="html">&lt;p&gt;Research-led South American musical regions: explicit mixtures, overlapping approximate boundaries and source limits.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
Barlovento receives a specific frame for connected Afro-Venezuelan musical communities alongside other local and popular listening.&lt;br /&gt;
&lt;br /&gt;
== Contemporary and trending ==&lt;br /&gt;
The 2021 recognition of the Saint John cycle concerns shared community knowledge and festivities, not an isolated stage rhythm. &amp;lt;ref name=&amp;quot;southamerica2026-ve-san-juan-unesco&amp;quot;&amp;gt;[https://ich.unesco.org/es/RL/ciclo-festivo-alrededor-de-la-veneracion-y-culto-de-san-juan-bautista-01682 UNESCO, Saint John the Baptist festive cycle, 2021]. Relevant public text or substantive indexed passage read 22 October 2026.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
Colonial slavery and later community life form part of the Saint John cycle’s history. Local devotional responsibilities continue to distinguish a community celebration from a generic concert. &amp;lt;ref name=&amp;quot;southamerica2026-ve-san-juan-unesco&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Genres ==&lt;br /&gt;
[[Tambor de Barlovento]] preserves distinctions among local ensembles. [[Joropo tuyero]], [[Salsa]] and [[Reggaeton]] provide additional paths. Fulía, sirena and processional practices require their own contexts within the regional discussion.&lt;br /&gt;
&lt;br /&gt;
== Artists ==&lt;br /&gt;
Community ensembles, singers, dancers and teachers matter alongside named soloists. Recording attribution remains limited to what its public source identifies.&lt;br /&gt;
&lt;br /&gt;
== Boundary definition and research ==&lt;br /&gt;
A smaller higher-priority selection makes Barlovento accessible inside the larger central Venezuela frame. It is not an ethnic boundary or a substitute for every San Juan community.&lt;br /&gt;
&lt;br /&gt;
Connected barlovento musical communities; approximate overlapping musical landscape, not an administrative or ethnic border. Clipped to land; internal differences and wider circulation remain explicit.&lt;br /&gt;
&lt;br /&gt;
== Footnotes ==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
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