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	<title>Music of Afro-Bolivian Yungas musical networks - Revision history</title>
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	<updated>2026-10-23T10:20:29Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://wiki.muglobe.com/w/index.php?title=Music_of_Afro-Bolivian_Yungas_musical_networks&amp;diff=3529&amp;oldid=prev</id>
		<title>Edb: Research-led South American musical regions: explicit mixtures, overlapping approximate boundaries and source limits.</title>
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		<updated>2026-10-23T01:23:40Z</updated>

		<summary type="html">&lt;p&gt;Research-led South American musical regions: explicit mixtures, overlapping approximate boundaries and source limits.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
Yungas community networks receive their own selection for Afro-Bolivian musical identity and exchange. Their music is connected to La Paz without being reduced to an urban festival category.&lt;br /&gt;
&lt;br /&gt;
== Contemporary and trending ==&lt;br /&gt;
The 2026 Mocusabo and Tambor Mayor presentation connects new work with research on Afro-Bolivian organizing and community testimony. &amp;lt;ref name=&amp;quot;southamerica2026-bo-saya-2026&amp;quot;&amp;gt;[https://www.turismoyculturas.gob.bo/nota_prensa/ghana-y-bolivia-fortalecen-lazos-culturales-con-la-presentacion-de-un-libro-sobre-la-historia-afroboliviana/ Bolivia Ministry of Cultures, Afro-Bolivian history and music presentation, 11 March 2026]. Relevant public text or substantive indexed passage read 22 October 2026; full-document reading not implied.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
Tocaña and Chicaloma testimony describes saya as inheritance, memory and identity. This account explicitly distinguishes it from caporal representation. &amp;lt;ref name=&amp;quot;southamerica2026-bo-saya-community&amp;quot;&amp;gt;[https://www.defensoria.gob.bo/uploads/files/estado-de-situacion-sobre-el-ejercicio-de-los-derechos-humanos-del-pueblo-afroboliviano.pdf Bolivia Defensoría del Pueblo, Afro-Bolivian human-rights report, 2014]. Relevant public text or substantive indexed passage read 22 October 2026; full-document reading not implied.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Genres ==&lt;br /&gt;
[[Saya afroboliviana]] is the principal specific gateway. [[Caporales]] is a related public field with a different history, while [[Huayno]] and [[Cumbia]] connect wider listening.&lt;br /&gt;
&lt;br /&gt;
== Artists ==&lt;br /&gt;
Community singers, percussionists, dancers and organizations share transmission. A single public group cannot represent every Afro-Bolivian community.&lt;br /&gt;
&lt;br /&gt;
== Boundary definition and research ==&lt;br /&gt;
The small Yungas outline takes priority within the wider Bolivian highland landscape. It follows approximate community relationships and does not assign ethnic identity to everyone inside it.&lt;br /&gt;
&lt;br /&gt;
Approximate afro-bolivian yungas musical networks, connecting communities and circulation. Editorial listening landscape clipped to land, with intentional overlaps and internal differences.&lt;br /&gt;
&lt;br /&gt;
== Footnotes ==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
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