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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Lebanese_hip-hop</id>
	<title>Lebanese hip-hop - Revision history</title>
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	<updated>2026-10-26T02:36:05Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Lebanese_hip-hop&amp;diff=8518&amp;oldid=prev</id>
		<title>Edb: Research-led Middle East listening expansion; preserve Israel community work, current recordings, native bindings and private geography ownership.</title>
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		<updated>2026-10-25T16:40:50Z</updated>

		<summary type="html">&lt;p&gt;Research-led Middle East listening expansion; preserve Israel community work, current recordings, native bindings and private geography ownership.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
&lt;br /&gt;
Lebanese hip-hop brings Arabic rap and multilingual practice into local and transnational production networks. Distinct approaches range from dense literary writing to direct dance-oriented tracks.&amp;lt;ref&amp;gt;[https://iupress.org/9780253072986/filling-the-head/ Rayya El Zein — Filling the Head].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Contemporary and trending ==&lt;br /&gt;
&lt;br /&gt;
Individual releases and collaborations provide entry points into the scene today. Beirut connects important studio and performance networks, while Tripoli, the Bekaa and other communities contribute different voices. The national listening route includes those connections without equating every place with the capital.&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
&lt;br /&gt;
Independent recording, performance and collaboration have connected Lebanese rappers with wider Arab experimental and popular circuits. Place, language and social experience matter without determining one common message.&amp;lt;ref&amp;gt;[https://scenenoise.com/News/SceneNoise-to-Host-The-History-of-Arab-Hip-Hop-at-XP-Music-Futures History of Arab hip-hop — practitioner panel].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Musical characteristics ==&lt;br /&gt;
&lt;br /&gt;
Listen for changes in Lebanese Arabic delivery, rhyme density, vocal timbre and beat construction. Spoken introductions, interviews and unrelated works are not counted as songs.&lt;br /&gt;
&lt;br /&gt;
== Geography and communities ==&lt;br /&gt;
&lt;br /&gt;
Beirut connects important studio and performance networks, while Tripoli, the Bekaa and other communities contribute different voices. The national listening route includes those connections without equating every place with the capital.&lt;br /&gt;
&lt;br /&gt;
== Artists ==&lt;br /&gt;
&lt;br /&gt;
El Rass, Bu Nasser Touffar, Malikah and Chyno with a Why illustrate different forms of rap authorship.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Recording entrances ===&lt;br /&gt;
&lt;br /&gt;
El Rass — El Rass - Haroun الراس - هارون&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=-q7_fmVGHEw El Rass - Haroun الراس - هارون] — primary release/performance credits.&amp;lt;/ref&amp;gt;; Felix Snow; El Rass — Felix Snow &amp;amp; El Rass - Ali الراس وفليكس سنو - علي&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=nDhLbRiNjmU Felix Snow &amp;amp; El Rass - Ali الراس وفليكس سنو - علي] — primary release/performance credits.&amp;lt;/ref&amp;gt;. These identify particular versions rather than classifying every work by the performer.&lt;br /&gt;
&lt;br /&gt;
== Related genres ==&lt;br /&gt;
&lt;br /&gt;
[[Arabic pop]]; [[Levantine alternative music]]; [[Jordanian hip-hop]]; [[Palestinian hip-hop]].&lt;br /&gt;
&lt;br /&gt;
=== References ===&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
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