King Ayisoba - Revision history

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	== Summary ==		== Summary ==
	King Ayisoba is a Ghanaian singer and player of the kologo, the two-string lute central to [[Kologo music\|kologo music]] in northern Ghana. His forceful voice and repeated instrumental patterns carry songs of social commentary.<ref name="king-womex">[https://www.womex.com/virtual/cityzen_music/king_ayisoba WOMEX: King Ayisoba artist profile]. Accessed 23 October 2026.</ref>		King Ayisoba is a [[Music of Ghana\|Ghanaian]] singer and player of the kologo, the two-string lute central to [[Kologo music\|kologo music]] in [[Music of Northern Ghana\|northern Ghana]]. His forceful voice and repeated instrumental patterns carry songs of social commentary.<ref name="king-womex">[https://www.womex.com/virtual/cityzen_music/king_ayisoba WOMEX: King Ayisoba artist profile]. Accessed 23 October 2026.</ref>

	== Contemporary and trending ==		== Contemporary and trending ==
	''Work Hard'' (2023) brings his kologo-centered ensemble into dialogue with Ghanaian studio production and electronic beats. Much of the recording took place at Francis Ayamga's Top Link studio in Bongo.<ref name="king-work">[https://glitterbeat.com/product/work-hard/ Glitterbeat: Work Hard, album notes]. Accessed 23 October 2026.</ref>		''Work Hard'' (2023) brings his [[Kologo music\|kologo]]-centered ensemble into dialogue with [[Music of Ghana\|Ghanaian]] studio production and electronic beats. Much of the recording took place at Francis Ayamga's Top Link studio in Bongo.<ref name="king-work">[https://glitterbeat.com/product/work-hard/ Glitterbeat: Work Hard, album notes]. Accessed 23 October 2026.</ref>

	== Life and career ==		== Life and career ==
	Raised in northeastern Ghana, Ayisoba learned the kologo from his grandfather. The success of 'I Want to See You My Father' helped carry the instrument into a wider Ghanaian popular-music audience. International touring and recording subsequently extended that circulation.<ref name="king-womex" />		Raised in northeastern [[Music of Ghana\|Ghana]], Ayisoba learned the [[Kologo music\|kologo]] from his grandfather. The success of 'I Want to See You My Father' helped carry the instrument into a wider Ghanaian popular-music audience. International touring and recording subsequently extended that circulation.<ref name="king-womex" />

	== Music and style ==		== Music and style ==
	His practice combines an emphatic, often rasping vocal delivery with the kologo's insistent groove. ''Work Hard'' uses Frafra, Twi and pidgin English to address leadership, language and unequal treatment. Its production demonstrates exchange between regional instrumental knowledge and contemporary pop-making, while keeping the band's groove central. Influence travels through that collaboration as well as through public recognition of the kologo.<ref name="king-work" />		His practice combines an emphatic, often rasping vocal delivery with the [[Kologo music\|kologo]]'s insistent groove. ''Work Hard'' uses Frafra, Twi and pidgin English to address leadership, language and unequal treatment. Its production demonstrates exchange between regional instrumental knowledge and contemporary [[Pop\|pop]]-making, while keeping the band's groove central. Influence travels through that collaboration as well as through public recognition of the kologo.<ref name="king-work" />

	== Works and performances ==		== Works and performances ==

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← Older revision		Revision as of 20:30, 23 October 2026
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			<!-- MuGlobe licensed article image -->
			[[File:MuGlobe-7d6edf1c4b6e1fd2.jpg\|thumb\|right\|320px\|alt=King Ayisoba performing at the Batakari Festival in Osu, 2020.\|King Ayisoba performing at the Batakari Festival in Osu, 2020.<br />Image: [https://commons.wikimedia.org/wiki/User:Celestinesucess Celestinesucess]. [https://creativecommons.org/licenses/by-sa/4.0 CC BY-SA 4.0]. [https://commons.wikimedia.org/wiki/File:King_Ayisoba_performing_02.jpg Source].]]

	== Summary ==		== Summary ==
	King Ayisoba is a Ghanaian singer and player of the kologo, the two-string lute central to [[Kologo music\|kologo music]] in northern Ghana. His forceful voice and repeated instrumental patterns carry songs of social commentary.<ref name="king-womex">[https://www.womex.com/virtual/cityzen_music/king_ayisoba WOMEX: King Ayisoba artist profile]. Accessed 23 October 2026.</ref>		King Ayisoba is a Ghanaian singer and player of the kologo, the two-string lute central to [[Kologo music\|kologo music]] in northern Ghana. His forceful voice and repeated instrumental patterns carry songs of social commentary.<ref name="king-womex">[https://www.womex.com/virtual/cityzen_music/king_ayisoba WOMEX: King Ayisoba artist profile]. Accessed 23 October 2026.</ref>

Edb: Artist encyclopedia batch002: sourced musician/group profiles and incoming artist links, requested by Ed

2026-10-23T18:57:23Z

Artist encyclopedia batch002: sourced musician/group profiles and incoming artist links, requested by Ed

New page

== Summary ==
King Ayisoba is a Ghanaian singer and player of the kologo, the two-string lute central to [[Kologo music|kologo music]] in northern Ghana. His forceful voice and repeated instrumental patterns carry songs of social commentary.<ref name="king-womex">[https://www.womex.com/virtual/cityzen_music/king_ayisoba WOMEX: King Ayisoba artist profile]. Accessed 23 October 2026.</ref>

== Contemporary and trending ==
''Work Hard'' (2023) brings his kologo-centered ensemble into dialogue with Ghanaian studio production and electronic beats. Much of the recording took place at Francis Ayamga's Top Link studio in Bongo.<ref name="king-work">[https://glitterbeat.com/product/work-hard/ Glitterbeat: Work Hard, album notes]. Accessed 23 October 2026.</ref>

== Life and career ==
Raised in northeastern Ghana, Ayisoba learned the kologo from his grandfather. The success of 'I Want to See You My Father' helped carry the instrument into a wider Ghanaian popular-music audience. International touring and recording subsequently extended that circulation.<ref name="king-womex" />

== Music and style ==
His practice combines an emphatic, often rasping vocal delivery with the kologo's insistent groove. ''Work Hard'' uses Frafra, Twi and pidgin English to address leadership, language and unequal treatment. Its production demonstrates exchange between regional instrumental knowledge and contemporary pop-making, while keeping the band's groove central. Influence travels through that collaboration as well as through public recognition of the kologo.<ref name="king-work" />

== Works and performances ==
''1000 Can Die'' and ''Work Hard'' document different collaborative settings. Zea, the musician Arnold de Boer, contributed production and instrumental work; Francis Ayamga's role connects the later album with an active local recording network. 'Bossi Labome' and 'People Talk Too Much' are entry points into its mixture of direct messages and dance rhythms.<ref name="king-work" />

Selected recordings in MuGlobe:
* [https://www.youtube.com/watch?v=qK7L_0UWmlI Memsoh] — [[Kologo music]].
* [https://www.youtube.com/watch?v=O5bd9NPEa80 Ndelange-Taba] — [[Kologo music]].
* [https://www.youtube.com/watch?v=eZ1LXMRbBHo Dey Come] — [[Kologo music]].

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