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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Khorasani_music</id>
	<title>Khorasani music - Revision history</title>
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	<updated>2026-10-26T02:36:56Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Khorasani_music&amp;diff=8513&amp;oldid=prev</id>
		<title>Edb: Research-led Middle East listening expansion; preserve Israel community work, current recordings, native bindings and private geography ownership.</title>
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		<updated>2026-10-25T16:40:50Z</updated>

		<summary type="html">&lt;p&gt;Research-led Middle East listening expansion; preserve Israel community work, current recordings, native bindings and private geography ownership.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
&lt;br /&gt;
Khorasani music includes differentiated song, narrative and instrumental traditions of northeastern Iran. Northern bakhshi practice and eastern dotar traditions are related regional entrances, not interchangeable labels.&amp;lt;ref&amp;gt;[https://www.iranicaonline.org/articles/khorasan-xxvi-music-of-khorasan/ Encyclopaedia Iranica — Music of Khorasan].&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Contemporary and trending ==&lt;br /&gt;
&lt;br /&gt;
The listening collection includes identified current and worthwhile earlier performances. The two-string dotar supports melodic storytelling and instrumental forms. Vocal technique, plucking patterns and repertory differ between northern centers and eastern places such as Khaf and Torbat-e Jam.&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
&lt;br /&gt;
Bakhshis transmit narrative, poetry and musical knowledge in multiple regional languages. Khorasan’s musical landscapes include Kurdish, Turkic and Persian-speaking communities with different repertories.&amp;lt;ref&amp;gt;[https://ich.unesco.org/en/RL/music-of-the-bakhshis-of-khorasan-00381 UNESCO — Music of the Bakhshis of Khorasan].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Musical characteristics ==&lt;br /&gt;
&lt;br /&gt;
The two-string dotar supports melodic storytelling and instrumental forms. Vocal technique, plucking patterns and repertory differ between northern centers and eastern places such as Khaf and Torbat-e Jam.&lt;br /&gt;
&lt;br /&gt;
== Geography and communities ==&lt;br /&gt;
&lt;br /&gt;
Quchan, Shirvan and Bojnurd anchor the northern frame; Khaf and Torbat-e Jam form an eastern route. Mashhad connects regional circulation without replacing these more specific traditions.&lt;br /&gt;
&lt;br /&gt;
== Artists ==&lt;br /&gt;
&lt;br /&gt;
Haj Ghorban Soleimani, Haj Hossein Yeganeh, Alireza Soleimani and Osman Mohammad Parast provide identifiable performer-led entrances.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Recording entrances ===&lt;br /&gt;
&lt;br /&gt;
Haj Ghorban Soleimani — haj-ghorban-eib-etmaguin&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=rVXhSMx9Idw haj-ghorban-eib-etmaguin] — primary release/performance credits.&amp;lt;/ref&amp;gt;; Salman Soleymani — اُشتُر خِجو - سلمان سلیمانی - ÖSHTÖR KHEJOW - Salman Soleymani&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=zRqfzr7bncA اُشتُر خِجو - سلمان سلیمانی - ÖSHTÖR KHEJOW - Salman Soleymani] — primary release/performance credits.&amp;lt;/ref&amp;gt;. These identify particular versions rather than classifying every work by the performer.&lt;br /&gt;
&lt;br /&gt;
== Related genres ==&lt;br /&gt;
&lt;br /&gt;
[[Persian classical music]]; [[Persian pop]]; [[Balochi music]].&lt;br /&gt;
&lt;br /&gt;
=== References ===&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
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