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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Kali%E2%80%99na_sambula</id>
	<title>Kali’na sambula - Revision history</title>
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	<updated>2026-10-26T03:36:29Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://wiki.muglobe.com/w/index.php?title=Kali%E2%80%99na_sambula&amp;diff=8634&amp;oldid=prev</id>
		<title>Edb: Research-led Guianas listening expansion; retain live recordings, native bindings, private geography and unrelated country work.</title>
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		<updated>2026-10-25T16:53:05Z</updated>

		<summary type="html">&lt;p&gt;Research-led Guianas listening expansion; retain live recordings, native bindings, private geography and unrelated country work.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
&lt;br /&gt;
Kali’na sambula, also spelled sanpula or sambura, is a drum-centered song and dance practice sustained across Kali’na communities in French Guiana and Suriname. It is kept separate from the kawina, reggae and other music also made by Kali’na artists.&lt;br /&gt;
&lt;br /&gt;
== Contemporary and trending ==&lt;br /&gt;
&lt;br /&gt;
Ensembles continue community performance, festivals and recordings. Contemporary documentation follows musicians across Awala, Saint-Laurent, Albina, Bernharddorp and Paramaribo.&amp;lt;ref&amp;gt;[https://festivalfifac.com/projets-pitchs-2026/la-musique-kalina-entre-tradition-et-modernite/ FIFAC: Kali’na music between tradition and modernity].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
&lt;br /&gt;
Cross-border family and performance networks connect this repertoire. Modern public stages and recorded arrangements coexist with community transmission.&amp;lt;ref&amp;gt;[https://festivalfifac.com/projets-pitchs-2026/la-musique-kalina-entre-tradition-et-modernite/ FIFAC: Kali’na music between tradition and modernity].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Musical characteristics ==&lt;br /&gt;
&lt;br /&gt;
Drumming and sung phrases organize the performance, with group participation and dance. The collection follows named sambula recordings instead of classifying every song by a Kali’na performer as sambula.&lt;br /&gt;
&lt;br /&gt;
== Geography and communities ==&lt;br /&gt;
&lt;br /&gt;
Awala-Yalimapo, the lower Maroni/Galibi networks and coastal Surinamese communities are distinct centers of circulation. Inland Wayana and Wayãpi music are separate traditions.&amp;lt;ref&amp;gt;[https://festivalfifac.com/projets-pitchs-2026/la-musique-kalina-entre-tradition-et-modernite/ FIFAC: Kali’na music between tradition and modernity].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Artists ==&lt;br /&gt;
&lt;br /&gt;
Palana Bonon, Paremuru, Sambura Woyupore and Ayawadé are entry points. Naming the ensemble preserves the particular source of a performance.&lt;br /&gt;
&lt;br /&gt;
== Related genres ==&lt;br /&gt;
&lt;br /&gt;
[[Wayãpi song and tule]]; [[Aléké]]; [[Kasékò guyanais]].&lt;br /&gt;
&lt;br /&gt;
=== References ===&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
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