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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Jo%C3%A3o_Gomes</id>
	<title>João Gomes - Revision history</title>
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	<updated>2026-10-24T02:41:32Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Jo%C3%A3o_Gomes&amp;diff=5504&amp;oldid=prev</id>
		<title>Edb: Add contextual links to existing MuGlobe wiki articles; whole-wiki review requested by Ed (batch 011)</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Jo%C3%A3o_Gomes&amp;diff=5504&amp;oldid=prev"/>
		<updated>2026-10-24T00:21:46Z</updated>

		<summary type="html">&lt;p&gt;Add contextual links to existing MuGlobe wiki articles; whole-wiki review requested by Ed (batch 011)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:21, 24 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot;&gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Summary ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Summary ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;João Gomes is a Brazilian singer from Pernambuco whose deep, grainy voice connects romantic [[Pisadinha / piseiro|piseiro]] with the song and dance traditions of [[Forró]]. His work spans electronic accompaniment, vaquejada-associated repertoire and intimate accordion-led collaborations. He is a particularly clear example of the overlap between [[Traditional Forró]] and [[Contemporary Forró]].&amp;lt;ref name=&quot;fr-gomes&quot;&amp;gt;[https://midias.diariodepernambuco.com.br/viver/2026/04/11711824-joao-gomes-traz-artistas-do-trap-a-mpb-para-falar-de-amor-no-piseiro-sou-um-romantico-no-meu-tempo.html João Gomes interview: piseiro, MPB and romantic repertoire (2026)].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;João Gomes is a Brazilian singer from Pernambuco whose deep, grainy voice connects romantic [[Pisadinha / piseiro|piseiro]] with the song and dance traditions of [[Forró]]. His work spans electronic accompaniment, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Forró de &lt;/ins&gt;vaquejada&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|vaquejada]]&lt;/ins&gt;-associated repertoire and intimate accordion-led collaborations. He is a particularly clear example of the overlap between [[Traditional Forró]] and [[Contemporary Forró]].&amp;lt;ref name=&quot;fr-gomes&quot;&amp;gt;[https://midias.diariodepernambuco.com.br/viver/2026/04/11711824-joao-gomes-traz-artistas-do-trap-a-mpb-para-falar-de-amor-no-piseiro-sou-um-romantico-no-meu-tempo.html João Gomes interview: piseiro, MPB and romantic repertoire (2026)].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Life and career ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Life and career ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gomes&#039;s relationship with the Pernambuco interior is central to his public musical identity. His rise through piseiro brought a regional singing style to a much wider audience without requiring him to abandon older forró repertoire. The project &#039;&#039;Pé de Serrita&#039;&#039; makes that connection explicit: its title refers to his home region, while its arrangements revisit traditional forró with musical production by [[Mestrinho]].&amp;lt;ref name=&quot;fr-serrita&quot;&amp;gt;[https://www.sofasertanejo.com.br/joao-gomes-lanca-pe-de-serrita-e-reafirma-suas-raizes-no-forro-tradicional/ Pé de Serrita and the return to traditional forró (2025)].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gomes&#039;s relationship with the Pernambuco interior is central to his public musical identity. His rise through &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Pisadinha / &lt;/ins&gt;piseiro&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|piseiro]] &lt;/ins&gt;brought a regional singing style to a much wider audience without requiring him to abandon older &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Forró|&lt;/ins&gt;forró&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;repertoire. The project &#039;&#039;Pé de Serrita&#039;&#039; makes that connection explicit: its title refers to his home region, while its arrangements revisit &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Traditional Forró|&lt;/ins&gt;traditional forró&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;with musical production by [[Mestrinho]].&amp;lt;ref name=&quot;fr-serrita&quot;&amp;gt;[https://www.sofasertanejo.com.br/joao-gomes-lanca-pe-de-serrita-e-reafirma-suas-raizes-no-forro-tradicional/ Pé de Serrita and the return to traditional forró (2025)].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 2025 Gomes joined [[Mestrinho]] and singer-guitarist [[Jota.pê]] for &amp;#039;&amp;#039;Dominguinho&amp;#039;&amp;#039;. [[Jota.pê]]&amp;#039;s account describes a small session that expanded as the three exchanged songs and worked out arrangements together. The name evokes both a relaxed Sunday and accordionist [[Dominguinhos]], whose influence runs through the collaboration.&amp;lt;ref name=&amp;quot;fr-jota&amp;quot;&amp;gt;[https://www.brasildefato.com.br/2025/05/24/dominguinho-surgiu-de-role-entre-amigos-conta-jota-pe-sobre-album-com-joao-gomes-e-mestrinho/ Jota.pê interview with Brasil de Fato, 24 May 2025].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 2025 Gomes joined [[Mestrinho]] and singer-guitarist [[Jota.pê]] for &amp;#039;&amp;#039;Dominguinho&amp;#039;&amp;#039;. [[Jota.pê]]&amp;#039;s account describes a small session that expanded as the three exchanged songs and worked out arrangements together. The name evokes both a relaxed Sunday and accordionist [[Dominguinhos]], whose influence runs through the collaboration.&amp;lt;ref name=&amp;quot;fr-jota&amp;quot;&amp;gt;[https://www.brasildefato.com.br/2025/05/24/dominguinho-surgiu-de-role-entre-amigos-conta-jota-pe-sobre-album-com-joao-gomes-e-mestrinho/ Jota.pê interview with Brasil de Fato, 24 May 2025].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot;&gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music and style ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music and style ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gomes&#039;s low register gives even brisk dance grooves a weight and intimacy different from the high, projecting vocals of much earlier band forró. Romantic address remains an organizing thread as collaborators and accompaniment change. His 2026 discussion of &#039;&#039;Meu Piseiro Brasileiro&#039;&#039; describes encounters with artists from MPB and trap within that romantic approach.&amp;lt;ref name=&quot;fr-gomes&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gomes&#039;s low register gives even brisk dance grooves a weight and intimacy different from the high, projecting vocals of much earlier band &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Forró|&lt;/ins&gt;forró&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;. Romantic address remains an organizing thread as collaborators and accompaniment change. His 2026 discussion of &#039;&#039;Meu Piseiro Brasileiro&#039;&#039; describes encounters with artists from MPB and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Trap|&lt;/ins&gt;trap&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;within that romantic approach.&amp;lt;ref name=&quot;fr-gomes&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The acoustic projects are not a separate identity that cancels his piseiro work. They make audible shared repertoire, accordion phrasing and the social pleasure of singing together. Equally, a collaboration does not turn every song by every guest into forró. Listen to the rhythmic treatment and the actual performance as well as the names on its cover.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The acoustic projects are not a separate identity that cancels his &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Pisadinha / &lt;/ins&gt;piseiro&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|piseiro]] &lt;/ins&gt;work. They make audible shared repertoire, accordion phrasing and the social pleasure of singing together. Equally, a collaboration does not turn every song by every guest into forró. Listen to the rhythmic treatment and the actual performance as well as the names on its cover.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Works and performances ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Works and performances ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Pé de Serrita&#039;&#039; is an entry point into Gomes&#039;s traditional repertoire; &#039;&#039;Dominguinho&#039;&#039; foregrounds the interplay of his voice, [[Jota.pê]]&#039;s guitar and singing, and [[Mestrinho]]&#039;s accordion. &#039;&#039;Meu Piseiro Brasileiro&#039;&#039; provides a contrasting route into contemporary collaborations. Together these projects explain why a single label such as pisadinha is too narrow for his recorded work.&amp;lt;ref name=&quot;fr-serrita&quot; /&amp;gt;&amp;lt;ref name=&quot;fr-gomes&quot; /&amp;gt;&amp;lt;ref name=&quot;fr-jota&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Pé de Serrita&#039;&#039; is an entry point into Gomes&#039;s traditional repertoire; &#039;&#039;Dominguinho&#039;&#039; foregrounds the interplay of his voice, [[Jota.pê]]&#039;s guitar and singing, and [[Mestrinho]]&#039;s accordion. &#039;&#039;Meu Piseiro Brasileiro&#039;&#039; provides a contrasting route into contemporary collaborations. Together these projects explain why a single label such as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Pisadinha / piseiro|&lt;/ins&gt;pisadinha&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;is too narrow for his recorded work.&amp;lt;ref name=&quot;fr-serrita&quot; /&amp;gt;&amp;lt;ref name=&quot;fr-gomes&quot; /&amp;gt;&amp;lt;ref name=&quot;fr-jota&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== References ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== References ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Edb</name></author>
	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Jo%C3%A3o_Gomes&amp;diff=5035&amp;oldid=prev</id>
		<title>Edb: Add a sourced, licensed illustration with creator credit and license link</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Jo%C3%A3o_Gomes&amp;diff=5035&amp;oldid=prev"/>
		<updated>2026-10-23T22:23:16Z</updated>

		<summary type="html">&lt;p&gt;Add a sourced, licensed illustration with creator credit and license link&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:23, 23 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;!-- MuGlobe licensed article image --&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:MuGlobe-8c907c31b9866c8b.png|thumb|right|320px|alt=João Gomes performing in 2022.|João Gomes performing in 2022.&amp;lt;br /&amp;gt;Image: Emerson Isllay. [https://creativecommons.org/licenses/by/3.0 CC BY 3.0]. [https://commons.wikimedia.org/wiki/File:2022-06-05_Jo%C3%A3o_Gomes.png Source].]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Summary ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Summary ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Jo%C3%A3o_Gomes&amp;diff=4978&amp;oldid=prev</id>
		<title>Edb: Add researched forró artist and ensemble biographies, sourced musical distinctions and contextual links</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Jo%C3%A3o_Gomes&amp;diff=4978&amp;oldid=prev"/>
		<updated>2026-10-23T22:21:33Z</updated>

		<summary type="html">&lt;p&gt;Add researched forró artist and ensemble biographies, sourced musical distinctions and contextual links&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
&lt;br /&gt;
João Gomes is a Brazilian singer from Pernambuco whose deep, grainy voice connects romantic [[Pisadinha / piseiro|piseiro]] with the song and dance traditions of [[Forró]]. His work spans electronic accompaniment, vaquejada-associated repertoire and intimate accordion-led collaborations. He is a particularly clear example of the overlap between [[Traditional Forró]] and [[Contemporary Forró]].&amp;lt;ref name=&amp;quot;fr-gomes&amp;quot;&amp;gt;[https://midias.diariodepernambuco.com.br/viver/2026/04/11711824-joao-gomes-traz-artistas-do-trap-a-mpb-para-falar-de-amor-no-piseiro-sou-um-romantico-no-meu-tempo.html João Gomes interview: piseiro, MPB and romantic repertoire (2026)].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Life and career ==&lt;br /&gt;
&lt;br /&gt;
Gomes&amp;#039;s relationship with the Pernambuco interior is central to his public musical identity. His rise through piseiro brought a regional singing style to a much wider audience without requiring him to abandon older forró repertoire. The project &amp;#039;&amp;#039;Pé de Serrita&amp;#039;&amp;#039; makes that connection explicit: its title refers to his home region, while its arrangements revisit traditional forró with musical production by [[Mestrinho]].&amp;lt;ref name=&amp;quot;fr-serrita&amp;quot;&amp;gt;[https://www.sofasertanejo.com.br/joao-gomes-lanca-pe-de-serrita-e-reafirma-suas-raizes-no-forro-tradicional/ Pé de Serrita and the return to traditional forró (2025)].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In 2025 Gomes joined [[Mestrinho]] and singer-guitarist [[Jota.pê]] for &amp;#039;&amp;#039;Dominguinho&amp;#039;&amp;#039;. [[Jota.pê]]&amp;#039;s account describes a small session that expanded as the three exchanged songs and worked out arrangements together. The name evokes both a relaxed Sunday and accordionist [[Dominguinhos]], whose influence runs through the collaboration.&amp;lt;ref name=&amp;quot;fr-jota&amp;quot;&amp;gt;[https://www.brasildefato.com.br/2025/05/24/dominguinho-surgiu-de-role-entre-amigos-conta-jota-pe-sobre-album-com-joao-gomes-e-mestrinho/ Jota.pê interview with Brasil de Fato, 24 May 2025].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Music and style ==&lt;br /&gt;
&lt;br /&gt;
Gomes&amp;#039;s low register gives even brisk dance grooves a weight and intimacy different from the high, projecting vocals of much earlier band forró. Romantic address remains an organizing thread as collaborators and accompaniment change. His 2026 discussion of &amp;#039;&amp;#039;Meu Piseiro Brasileiro&amp;#039;&amp;#039; describes encounters with artists from MPB and trap within that romantic approach.&amp;lt;ref name=&amp;quot;fr-gomes&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The acoustic projects are not a separate identity that cancels his piseiro work. They make audible shared repertoire, accordion phrasing and the social pleasure of singing together. Equally, a collaboration does not turn every song by every guest into forró. Listen to the rhythmic treatment and the actual performance as well as the names on its cover.&lt;br /&gt;
&lt;br /&gt;
== Works and performances ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Pé de Serrita&amp;#039;&amp;#039; is an entry point into Gomes&amp;#039;s traditional repertoire; &amp;#039;&amp;#039;Dominguinho&amp;#039;&amp;#039; foregrounds the interplay of his voice, [[Jota.pê]]&amp;#039;s guitar and singing, and [[Mestrinho]]&amp;#039;s accordion. &amp;#039;&amp;#039;Meu Piseiro Brasileiro&amp;#039;&amp;#039; provides a contrasting route into contemporary collaborations. Together these projects explain why a single label such as pisadinha is too narrow for his recorded work.&amp;lt;ref name=&amp;quot;fr-serrita&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;fr-gomes&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;fr-jota&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== References ===&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
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