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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Ifriqiyya_Electrique</id>
	<title>Ifriqiyya Electrique - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Ifriqiyya_Electrique"/>
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	<updated>2026-10-24T06:23:19Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Ifriqiyya_Electrique&amp;diff=5467&amp;oldid=prev</id>
		<title>Edb: Add contextual links to existing MuGlobe wiki articles; whole-wiki review requested by Ed (batch 010)</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Ifriqiyya_Electrique&amp;diff=5467&amp;oldid=prev"/>
		<updated>2026-10-24T00:21:41Z</updated>

		<summary type="html">&lt;p&gt;Add contextual links to existing MuGlobe wiki articles; whole-wiki review requested by Ed (batch 010)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:21, 24 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- MuGlobe licensed article image --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- MuGlobe licensed article image --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:MuGlobe-0cdf7abb1e624b14.jpg|thumb|right|320px|alt=Ifriqiyya Electrique performing at Le Kef Festival in Tunisia.|Ifriqiyya Electrique performing at Le Kef Festival in Tunisia.&amp;lt;br /&amp;gt;Image: [https://commons.wikimedia.org/w/index.php?title=User:Hurricane_Lily&amp;amp;action=edit&amp;amp;redlink=1 Hurricane Lily]. [https://creativecommons.org/licenses/by-sa/4.0 CC BY-SA 4.0]. [https://commons.wikimedia.org/wiki/File:Ifriqiyya_Electrique_-_Live_@_Le_Kef_Festival_(TN).jpg Source].]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:MuGlobe-0cdf7abb1e624b14.jpg|thumb|right|320px|alt=Ifriqiyya Electrique performing at Le Kef Festival in Tunisia.|Ifriqiyya Electrique performing at Le Kef Festival in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Music of &lt;/ins&gt;Tunisia&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Tunisia]]&lt;/ins&gt;.&amp;lt;br /&amp;gt;Image: [https://commons.wikimedia.org/w/index.php?title=User:Hurricane_Lily&amp;amp;action=edit&amp;amp;redlink=1 Hurricane Lily]. [https://creativecommons.org/licenses/by-sa/4.0 CC BY-SA 4.0]. [https://commons.wikimedia.org/wiki/File:Ifriqiyya_Electrique_-_Live_@_Le_Kef_Festival_(TN).jpg Source].]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Summary ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Summary ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ifriqiyya Electrique is a collective developed in Tunisia&#039;s Djerid region through engagement with the [[Banga|Banga]] ritual tradition. Voices and hand percussion meet electric instruments and electronic sound.&amp;lt;ref name=&quot;ifri-bio&quot;&amp;gt;[https://glitterbeat.com/artists/ifriqiyya-electrique/ Glitterbeat: Ifriqiyya Electrique biography and Laylet el Booree notes]. Accessed 23 October 2026.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ifriqiyya Electrique is a collective developed in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Music of &lt;/ins&gt;Tunisia&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Tunisia]]&lt;/ins&gt;&#039;s Djerid region through engagement with the [[Banga|Banga]] ritual tradition. Voices and hand percussion meet electric instruments and electronic sound.&amp;lt;ref name=&quot;ifri-bio&quot;&amp;gt;[https://glitterbeat.com/artists/ifriqiyya-electrique/ Glitterbeat: Ifriqiyya Electrique biography and Laylet el Booree notes]. Accessed 23 October 2026.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== History ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== History ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gianna Greco and François R. Cambuzat&#039;s extended work with Banga communities developed from research and recording into shared performance. &#039;&#039;Rûwâhîne&#039;&#039; appeared in 2017, followed by &#039;&#039;Laylet el Booree&#039;&#039;. International touring brought the resulting collective into concert settings.&amp;lt;ref name=&quot;ifri-bio&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gianna Greco and François R. Cambuzat&#039;s extended work with &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Banga&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;communities developed from research and recording into shared performance. &#039;&#039;Rûwâhîne&#039;&#039; appeared in 2017, followed by &#039;&#039;Laylet el Booree&#039;&#039;. International touring brought the resulting collective into concert settings.&amp;lt;ref name=&quot;ifri-bio&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music and repertoire ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music and repertoire ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The music brings ritual invocations and metallic percussion into contact with high-volume electronics and the underground [[Post-punk|post-punk]] backgrounds of Greco and Cambuzat. Its influences therefore include a specific Tunisian communal practice and European experimental performance. The record label describes the collaboration as growing through participation in local ritual rather than assembling isolated samples for an outside audience. Concert presentation is one setting for that work; it does not stand for every form or social purpose of Banga.&amp;lt;ref name=&quot;ifri-bio&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The music brings ritual invocations and metallic percussion into contact with high-volume electronics and the underground [[Post-punk|post-punk]] backgrounds of Greco and Cambuzat. Its influences therefore include a specific &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Music of Tunisia|&lt;/ins&gt;Tunisian&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;communal practice and European experimental performance. The record label describes the collaboration as growing through participation in local ritual rather than assembling isolated samples for an outside audience. Concert presentation is one setting for that work; it does not stand for every form or social purpose of Banga.&amp;lt;ref name=&quot;ifri-bio&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot;&gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Members and collaborators ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Members and collaborators ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The five-person recording and touring collective documented for these albums joined Tarek Sultan, Yahia Chouchen and Youssef Ghazala with Greco and Cambuzat. Those credits keep the Tunisian participants visible within a project sometimes described only through its electric production.&amp;lt;ref name=&quot;ifri-bio&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The five-person recording and touring collective documented for these albums joined Tarek Sultan, Yahia Chouchen and Youssef Ghazala with Greco and Cambuzat. Those credits keep the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Music of Tunisia|&lt;/ins&gt;Tunisian&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;participants visible within a project sometimes described only through its electric production.&amp;lt;ref name=&quot;ifri-bio&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Edb</name></author>
	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Ifriqiyya_Electrique&amp;diff=4738&amp;oldid=prev</id>
		<title>Edb: Add a sourced, licensed illustration with creator credit and license link</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Ifriqiyya_Electrique&amp;diff=4738&amp;oldid=prev"/>
		<updated>2026-10-23T20:30:26Z</updated>

		<summary type="html">&lt;p&gt;Add a sourced, licensed illustration with creator credit and license link&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:30, 23 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;!-- MuGlobe licensed article image --&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:MuGlobe-0cdf7abb1e624b14.jpg|thumb|right|320px|alt=Ifriqiyya Electrique performing at Le Kef Festival in Tunisia.|Ifriqiyya Electrique performing at Le Kef Festival in Tunisia.&amp;lt;br /&amp;gt;Image: [https://commons.wikimedia.org/w/index.php?title=User:Hurricane_Lily&amp;amp;action=edit&amp;amp;redlink=1 Hurricane Lily]. [https://creativecommons.org/licenses/by-sa/4.0 CC BY-SA 4.0]. [https://commons.wikimedia.org/wiki/File:Ifriqiyya_Electrique_-_Live_@_Le_Kef_Festival_(TN).jpg Source].]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Summary ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Summary ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ifriqiyya Electrique is a collective developed in Tunisia&amp;#039;s Djerid region through engagement with the [[Banga|Banga]] ritual tradition. Voices and hand percussion meet electric instruments and electronic sound.&amp;lt;ref name=&amp;quot;ifri-bio&amp;quot;&amp;gt;[https://glitterbeat.com/artists/ifriqiyya-electrique/ Glitterbeat: Ifriqiyya Electrique biography and Laylet el Booree notes]. Accessed 23 October 2026.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ifriqiyya Electrique is a collective developed in Tunisia&amp;#039;s Djerid region through engagement with the [[Banga|Banga]] ritual tradition. Voices and hand percussion meet electric instruments and electronic sound.&amp;lt;ref name=&amp;quot;ifri-bio&amp;quot;&amp;gt;[https://glitterbeat.com/artists/ifriqiyya-electrique/ Glitterbeat: Ifriqiyya Electrique biography and Laylet el Booree notes]. Accessed 23 October 2026.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Ifriqiyya_Electrique&amp;diff=4416&amp;oldid=prev</id>
		<title>Edb: Artist encyclopedia batch002: sourced musician/group profiles and incoming artist links, requested by Ed</title>
		<link rel="alternate" type="text/html" href="https://wiki.muglobe.com/w/index.php?title=Ifriqiyya_Electrique&amp;diff=4416&amp;oldid=prev"/>
		<updated>2026-10-23T18:57:23Z</updated>

		<summary type="html">&lt;p&gt;Artist encyclopedia batch002: sourced musician/group profiles and incoming artist links, requested by Ed&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
Ifriqiyya Electrique is a collective developed in Tunisia&amp;#039;s Djerid region through engagement with the [[Banga|Banga]] ritual tradition. Voices and hand percussion meet electric instruments and electronic sound.&amp;lt;ref name=&amp;quot;ifri-bio&amp;quot;&amp;gt;[https://glitterbeat.com/artists/ifriqiyya-electrique/ Glitterbeat: Ifriqiyya Electrique biography and Laylet el Booree notes]. Accessed 23 October 2026.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
Gianna Greco and François R. Cambuzat&amp;#039;s extended work with Banga communities developed from research and recording into shared performance. &amp;#039;&amp;#039;Rûwâhîne&amp;#039;&amp;#039; appeared in 2017, followed by &amp;#039;&amp;#039;Laylet el Booree&amp;#039;&amp;#039;. International touring brought the resulting collective into concert settings.&amp;lt;ref name=&amp;quot;ifri-bio&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Music and repertoire ==&lt;br /&gt;
The music brings ritual invocations and metallic percussion into contact with high-volume electronics and the underground [[Post-punk|post-punk]] backgrounds of Greco and Cambuzat. Its influences therefore include a specific Tunisian communal practice and European experimental performance. The record label describes the collaboration as growing through participation in local ritual rather than assembling isolated samples for an outside audience. Concert presentation is one setting for that work; it does not stand for every form or social purpose of Banga.&amp;lt;ref name=&amp;quot;ifri-bio&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Selected recordings in MuGlobe:&lt;br /&gt;
* [https://www.youtube.com/watch?v=MQ7eqcVr6s0 Ifriqiyya Electrique - Nafta Naghara] — [[Banga]].&lt;br /&gt;
* [https://www.youtube.com/watch?v=oq2QMn9dnhQ IFRIQIYYA ELECTRIQUE - Eh He Lalla - Laylet el Booree - Glitterbeat Records] — [[Banga]].&lt;br /&gt;
* [https://www.youtube.com/watch?v=eGnrGUOV6vw Ifriqiyya Electrique - Galoo Sahara Laleet El Aeed (Hidden Track)] — [[Banga]].&lt;br /&gt;
&lt;br /&gt;
== Members and collaborators ==&lt;br /&gt;
The five-person recording and touring collective documented for these albums joined Tarek Sultan, Yahia Chouchen and Youssef Ghazala with Greco and Cambuzat. Those credits keep the Tunisian participants visible within a project sometimes described only through its electric production.&amp;lt;ref name=&amp;quot;ifri-bio&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
	</entry>
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