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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Greenlandic_drum_singing</id>
	<title>Greenlandic drum singing - Revision history</title>
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	<updated>2026-10-26T04:48:40Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Greenlandic_drum_singing&amp;diff=8707&amp;oldid=prev</id>
		<title>Edb: Research-led Denmark and distinct Greenland listening expansion; preserve recordings, bindings, concurrent content and private mushroom ownership.</title>
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		<updated>2026-10-25T17:36:54Z</updated>

		<summary type="html">&lt;p&gt;Research-led Denmark and distinct Greenland listening expansion; preserve recordings, bindings, concurrent content and private mushroom ownership.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
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Greenlandic drum singing joins voice, movement and the handled frame drum, qilaat. It includes living practices with regional histories and contemporary practitioners; it is not a synonym for Canadian paired throat singing.&amp;lt;ref&amp;gt;[https://www.qilaat.org/ QILAAT: practitioner-led drum-song knowledge centre].&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Contemporary and trending ==&lt;br /&gt;
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Practitioner-led work such as QILAAT supports transmission and renewal, including gatherings and work in Nuuk. Performers also create new pieces and collaborations while maintaining relationships with inherited songs.&amp;lt;ref&amp;gt;[https://visitgreenland.com/activities/drum-and-mask-dance/ Drum and mask dance in Greenland].&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== History ==&lt;br /&gt;
&lt;br /&gt;
Transmission and colonial suppression affected communities differently. Inughuit repertoire from the Qaanaaq/Thule area and eastern Greenlandic traditions deserve distinct geographic emphasis rather than being flattened into an undifferentiated Arctic category.&amp;lt;ref&amp;gt;[https://tidsskrift.dk/meddrgroenland_man_soc/article/view/150183 Michael Hauser: Traditional Inuit songs from the Thule area].&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Musical characteristics ==&lt;br /&gt;
&lt;br /&gt;
Voice, drum strokes, body movement and text interact. The frame is struck rather than treating the instrument as a conventional drum kit. Song meaning, social setting and individual delivery matter alongside the audible rhythm.&lt;br /&gt;
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== Geography and communities ==&lt;br /&gt;
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The map distinguishes Qaanaaq and nearby far-northern communities from Tasiilaq/Kulusuk and Ittoqqortoormiit in the east, while acknowledging contemporary practice elsewhere. Empty distances between detached communities are not assigned a continuous strong heartland.&lt;br /&gt;
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== Artists ==&lt;br /&gt;
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Hivshu, Anda Kuitse and Nuka Alice offer identifiable recorded entry points. Arranged collaborations are distinguished from solo traditional performance; documentary narration is not used as a music track.&lt;br /&gt;
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== Related genres ==&lt;br /&gt;
&lt;br /&gt;
Compare [[Greenlandic electronic music]], [[Kalattuut]] and [[Greenlandic choral music]].&lt;br /&gt;
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=== References ===&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
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