Drum and bass - Revision history

Edb: Add canonical MuGlobe favorite, current-hit and authentic fields to all recording links; preserve existing music and article content

2026-10-22T02:30:57Z

Add canonical MuGlobe favorite, current-hit and authentic fields to all recording links; preserve existing music and article content

Show changes

Edb: Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.

2026-10-19T19:49:33Z

Expand the comprehensive music catalogue with reviewed distinct performances; prioritize recent discovery, retain good older music and preserve existing prose, recordings and fields.

Show changes

Edb: Add sourced representative performance playlist; preserve article prose and hotspot mushrooms

2026-10-18T18:02:17Z

Add sourced representative performance playlist; preserve article prose and hotspot mushrooms

muglobe-article
← Older revision		Revision as of 18:02, 18 October 2026
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	== Artists ==		== Artists ==
	Goldie, LTJ Bukem, Roni Size, Dillinja, Photek and Calibre offer contrasting British routes. Kemistry and Storm reveal influential DJ and label work, while DJ Marky and XRS open Brazilian perspectives. Shapeshifter, the Upbeats and other New Zealand artists show different forms of local adoption. Their tracks and settings should be compared rather than reduced to a single fast sound. A long mix, an instrumental studio piece and a vocal/live-band recording reveal different relationships among groove, sound design, arrangement and the public's physical response.		Goldie, LTJ Bukem, Roni Size, Dillinja, Photek and Calibre offer contrasting British routes. Kemistry and Storm reveal influential DJ and label work, while DJ Marky and XRS open Brazilian perspectives. Shapeshifter, the Upbeats and other New Zealand artists show different forms of local adoption. Their tracks and settings should be compared rather than reduced to a single fast sound. A long mix, an instrumental studio piece and a vocal/live-band recording reveal different relationships among groove, sound design, arrangement and the public's physical response.

			== Representative performances ==
			These recordings offer listening examples of the genre. Notes identify the performance setting and any adaptation or mixed repertoire.

			{\| class="wikitable muglobe-performances"
			\|+ MuGlobe representative performances
			! Artist !! Performance / song / title !! Embedded player URL !! Notes
			\|-
			\| LTJ Bukem \|\| Glastonbury 2023 — IICON DJ set \|\| https://www.youtube.com/embed/0c20Ml1d8j0 \|\| An artist-published full DJ set from Block9, representing the sustained sequencing and atmospheric side of drum and bass rather than a single edited song.<ref name="performance-drum-and-bass-1">[https://www.youtube.com/watch?v=0c20Ml1d8j0 LTJ Bukem — Glastonbury 2023 — IICON DJ set]. YouTube recording; metadata checked 2026-10-18.</ref>
			\|-
			\| Goldie featuring Diane Charlemagne \|\| Inner City Life — 2020 remaster \|\| https://www.youtube.com/embed/fRzjfOtsUcQ \|\| The extended recording combines breakbeat production with Charlemagne’s vocal, offering a composed-song counterpart to the DJ-set format. This is recorded audio.<ref name="performance-drum-and-bass-2">[https://www.youtube.com/watch?v=fRzjfOtsUcQ Goldie featuring Diane Charlemagne — Inner City Life — 2020 remaster]. YouTube recording; metadata checked 2026-10-18. Context: [https://www.youtube.com/watch?v=5w1mhUJA824 supporting source].</ref>
			\|}

	== Related genres ==		== Related genres ==
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	"category": "genre",		"category": "genre",
	"templatePageId": 17,		"templatePageId": 17,
	"templateRevisionId": 86,		"templateRevisionId": 1065,
	"templateVersion": 8		"templateVersion": 9
	}		}

Edb: Create researched genre article and inferred regional musical landscapes; Ed’s approved authoring method

2026-10-18T01:54:07Z

Create researched genre article and inferred regional musical landscapes; Ed’s approved authoring method

New page

== Summary ==
Drum and bass is a broad dance-music field built around fast drum patterns, powerful low frequencies and detailed rhythmic or textural construction. Its British jungle and rave foundations developed into many approaches, from spacious and soulful music to stark, intricate or aggressively physical production. The speed of the drums need not dictate the pace of every musical layer: a sustained vocal or bass line can create a second, slower sense of time. The category describes a connected musical culture, not simply any song with busy drums and a prominent bass instrument. <ref name="goldie-interview">[https://www.redbullmusicacademy.com/lectures/goldie-ramblas-in-the-jungle/ Goldie — Red Bull Music Academy2008].</ref>

== Contemporary and trending ==
The music continues through clubs, festivals, radio, labels, MC partnerships, online mixes, live bands and private listening. Foundational records coexist with rapidly changing production, and different subfields cultivate distinct audiences while sharing infrastructure. DJ Storm's account makes the working knowledge of selection and mixing visible beside the more celebrated producer narrative. New Zealand's Shapeshifter demonstrates another route, translating electronic rhythmic ideas into a locally meaningful live-band and recorded culture. Contemporary continuity therefore includes several forms of performance rather than one standardized image of a DJ booth. <ref name="storm-interview">[https://www.redbullmusicacademy.com/lectures/dj-storm-lecture/ DJ Storm — Red Bull Music Academy/CTM2018].</ref> <ref name="shapeshifter-nz">[https://www.audioculture.co.nz/profile/shapeshifter Shapeshifter — Martyn Pepperell and Rosie Howells, AudioCulture].</ref>

== History ==
British breakbeat rave, Jamaican sound-system relationships and hip-hop sampling supplied major resources during the early 1990s. Jungle and drum-and-bass naming overlapped as scenes and musical choices changed. Producers explored increasingly detailed editing, synthesis and arrangement, while independent labels, pirate radio and clubs enabled circulation. International communities then developed real local depth. Let It Roll's history documents a Czech event network growing from club beginnings, while Brazilian musicians and New Zealand bands shaped their own approaches. This is a history of creative adoption, not merely the export of a finished British product. <ref name="letitroll-history">[https://letitroll.eu/history/ History — Let It Roll].</ref>

== Musical characteristics ==
Listen to how a repeated break is cut, re-accented or combined with newly programmed hits, and how bass supplies weight or counter-motion. Tight editing can create rhythmic intricacy while a broad atmospheric layer opens space around it. MCs may intensify a live event without appearing in the same role on a studio track. Some styles emphasize melody and vocal song, others timbral movement or compact impact. A skilled mix can juxtapose these possibilities, letting dancers hear continuity through changing texture. Technical precision matters because small timing or frequency changes alter the physical result.

== Geography and communities ==
Britain is a broad core, including smaller towns and regional dance networks beyond London and Bristol. Czechia and connected central European cultures form a substantial adopted landscape. New Zealand deserves a strong national field, while southeastern Brazil sustains another independent musical public. Australian, Japanese and selected North American communities provide further detached continuities. The fields represent substantial genre-specific cultural depth, not every place visited by a touring DJ. Regional country between major cities belongs in the interpretation because local promoters, producers and listeners create continuity there. <ref name="zinc-brazil">[https://www.redbullmusicacademy.com/lectures/zinc-hardware-bingo/ Zinc — Red Bull Music Academy].</ref>

== Artists ==
Goldie, LTJ Bukem, Roni Size, Dillinja, Photek and Calibre offer contrasting British routes. Kemistry and Storm reveal influential DJ and label work, while DJ Marky and XRS open Brazilian perspectives. Shapeshifter, the Upbeats and other New Zealand artists show different forms of local adoption. Their tracks and settings should be compared rather than reduced to a single fast sound. A long mix, an instrumental studio piece and a vocal/live-band recording reveal different relationships among groove, sound design, arrangement and the public's physical response.

== Related genres ==
Jungle is the closest overlapping category, with meaningful historical and stylistic distinctions that should remain audible. Breakbeat hardcore, dub, hip-hop and later bass musics supply other paths without becoming interchangeable. Liquid, neurofunk, jump-up and other labels identify further tendencies inside the broad field. Drum and bass is most rewarding when speed is heard alongside space, phrasing and social context. Its cultural identity comes from people continually finding new expressive relationships between a fast rhythmic surface and the much larger sonic world around it.

=== References and further reading ===
<references />

* [https://www.allmusic.com/genre/jungle-drumnbass-ma0000002557 AllMusic — Jungle/Drum'n'Bass]

== Hotspot mushrooms ==
A British-rooted global field with substantial independent Czech/central European, New Zealand and Brazilian adoption. Broad fields express local community depth and country between cities, not a list of tour/festival coordinates.

These fields are editorial illustrations of musical affinity and cultural reach, not listener statistics. Radius marks the zero edge of the fade; overlapping fields of this genre combine by maximum.

{| class="wikitable muglobe-hotspots"
|+ MuGlobe hotspot mushrooms
! ID !! Location !! Latitude !! Longitude !! Radius (km) !! Strength !! Notes

|-
| drum-and-bass-britain || British Drum and Bass cultural landscape || 53 || -2 || 1000 || 1 || Nationwide source and continuing adopted local communities.

|-
| drum-and-bass-central-europe || Czech and central European Drum and Bass landscape || 49.5 || 16 || 1300 || 1 || Independent regional scene depth, production and audience culture.

|-
| drum-and-bass-new-zealand || Aotearoa New Zealand Drum and Bass landscape || -41 || 173 || 1450 || 1 || Deep adopted local live/DJ/recorded musical public.

|-
| drum-and-bass-brazil || Southeastern Brazilian Drum and Bass landscape || -24 || -47 || 1450 || 0.85 || Distinct production, local dance and listening culture.

|-
| drum-and-bass-australia || Southeastern Australian Drum and Bass landscape || -36 || 146 || 1450 || 0.75 || Substantial independently sustained local networks.

|-
| drum-and-bass-japan || Japanese Drum and Bass landscape || 36 || 137 || 1000 || 0.6 || Established detached producer and listening communities.

|-
| drum-and-bass-northamerica || Eastern North American Drum and Bass circuit || 41 || -78 || 1700 || 0.55 || Regional local scenes beyond international headliner events.

|}