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	<id>https://wiki.muglobe.com/w/index.php?action=history&amp;feed=atom&amp;title=Balochi_music</id>
	<title>Balochi music - Revision history</title>
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	<updated>2026-10-26T02:24:20Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.muglobe.com/w/index.php?title=Balochi_music&amp;diff=8528&amp;oldid=prev</id>
		<title>Edb: Research-led Middle East listening expansion; preserve Israel community work, current recordings, native bindings and private geography ownership.</title>
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		<updated>2026-10-25T16:40:51Z</updated>

		<summary type="html">&lt;p&gt;Research-led Middle East listening expansion; preserve Israel community work, current recordings, native bindings and private geography ownership.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
&lt;br /&gt;
Balochi music follows song, narrative and instrumental traditions across Iranian and Pakistani Balochistan. Regional repertories and modern arrangements remain differentiated within this cross-border route.&amp;lt;ref&amp;gt;[https://www.iranicaonline.org/articles/baluchistan-iv/ Encyclopaedia Iranica — Music of Baluchistan].&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Contemporary and trending ==&lt;br /&gt;
&lt;br /&gt;
The listening collection includes identified current and worthwhile earlier performances. Dambura and bowed sorud can accompany narrative song, while doneli performance offers a contrasting wind-instrument entrance. Makran and Sarhadd repertories are not interchangeable; Brahui-language work is not automatically labeled Balochi.&lt;br /&gt;
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== History ==&lt;br /&gt;
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Narrative shayr, local vocal forms and ceremonial instrumental practice have circulated through community and recording networks. Diaspora recordings add new arrangements without replacing the local histories.&amp;lt;ref&amp;gt;[https://www.iranicaonline.org/articles/baluchistan-iv/ Encyclopaedia Iranica — Music of Baluchistan].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Musical characteristics ==&lt;br /&gt;
&lt;br /&gt;
Dambura and bowed sorud can accompany narrative song, while doneli performance offers a contrasting wind-instrument entrance. Makran and Sarhadd repertories are not interchangeable; Brahui-language work is not automatically labeled Balochi.&lt;br /&gt;
&lt;br /&gt;
== Geography and communities ==&lt;br /&gt;
&lt;br /&gt;
Southeastern Iran and western Pakistan form the connected frame, including the Makran coast and inland networks. Persian pop or generic Iranian music cannot substitute for this repertoire.&lt;br /&gt;
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== Artists ==&lt;br /&gt;
&lt;br /&gt;
Mulla Kamalan, Shir Mohammad Espandar, Rostam Mirlashari and appropriately identified Balochi-language performances by Akhtar Chanal Zahri provide entrances.&lt;br /&gt;
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=== Recording entrances ===&lt;br /&gt;
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Mulla Kamalan — Washin Watan may Makuran   Mula Kamalan Balochi Shair, وشیں وطن مے مکران ملاکمالان&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=fhSndUKJs0g Washin Watan may Makuran   Mula Kamalan Balochi Shair, وشیں وطن مے مکران ملاکمالان] — primary release/performance credits.&amp;lt;/ref&amp;gt;; Duman; Mulla Kamalan — Mulla kamal khan e Shair gon Mand e Marduman , E video 2004 a kashethag - Baloch Balochistan&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=Po-LVdieIEQ Mulla kamal khan e Shair gon Mand e Marduman , E video 2004 a kashethag - Baloch Balochistan] — primary release/performance credits.&amp;lt;/ref&amp;gt;. These identify particular versions rather than classifying every work by the performer.&lt;br /&gt;
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== Related genres ==&lt;br /&gt;
&lt;br /&gt;
[[Bandari music]]; [[Persian classical music]].&lt;br /&gt;
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=== References ===&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;/div&gt;</summary>
		<author><name>Edb</name></author>
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