View source for Music of Guanzhong and Qinqiang networks

== Summary ==

The Guanzhong plain and neighboring Shaanxi performance circuits connect Qinqiang with present popular and independent music. Northern Shaanxi song has a separate, overlapping plateau emphasis.<ref>[https://www.cof.gov.hk/2012/common/06.pdf Chinese Opera Festival: The Art of Qinqiang].</ref>

== Contemporary and trending ==

This listening route combines [[Mandopop]]; [[Chinese hip-hop]]; [[Chinese rock and indie]]; [[Chinese indie folk]]; [[Chinese electronic music]]; [[Qinqiang]]. The selections include identified present-day and worthwhile earlier recordings. The mixture is a listening programme, not a survey of what every local resident prefers.

== History ==

The Guanzhong plain and neighboring Shaanxi performance circuits connect Qinqiang with present popular and independent music. Northern Shaanxi song has a separate, overlapping plateau emphasis. Historical origin, later production centers and adopted listening are separate relationships; the linked genre articles explain the traditions and recording circuits in more detail.

== Genres ==

[[Mandopop]]; [[Chinese hip-hop]]; [[Chinese rock and indie]]; [[Chinese indie folk]]; [[Chinese electronic music]]; [[Qinqiang]].

== Artists ==

The genre articles introduce named performers and ensembles. In the player, each recording retains the particular performer and version; a broadcaster or uploader is not automatically the musician.

== Boundary definition and research ==

The footprint approximates the connected networks described above using the existing hosted land geometry. Overlap allows a location to retain national, regional and community routes together. The boundary does not assert an abrupt musical change between neighboring households.

== Footnotes ==

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